Page 154
"It was a god who opened it for me. It was a god who said Come.
"I was frightened as I descended the inevitable stairway, as I followed a steeply sloping tunnel. I lighted the candle I had brought with me, and I saw that I was entering an underground temple, a place older than the city of Alexandria, a sanctuary built perhaps under the ancient pharaohs, its walls covered with tiny colored pictures depicting the life of old Egypt.
"And then there was the writing, the magnificent picture writing with its tiny mummies and birds and embracing arms without bodies, and coiling snakes.
"I moved on, coming into a vast place of square pillars and a soaring ceiling. The same paintings decorated every inch of stone here.
"And then I saw in the comer of my eye what seemed at first a statue, a black figure standing near a pillar with one hand raised to rest against the stone. But I knew it was no statue. No Egyptian god made out of diorite ever stood in this attitude nor wore a real linen skirt about its loins.
"I turned slowly, bracing myself against the full sight of it, and saw the same burnt flesh, the same streaming hair, though it was black, the same yellow eyes. The lips were shriveled around the teeth and the gums, and the breath came out of its throat full of pain.
"'How and whence did you come?' he asked in Greek.
"I saw myself as he saw me, luminous and strong, even my blue eyes something of an incidental mystery, and I saw my Roman garments, my linen tunic gathered in gold buckles on my shoulders, my red cloak. With my long yellow hair, I must have looked like a wanderer from the north woods,'civilized' only on the surface, and perhaps this was now true.
"But he was the one who concerned me. And I saw him more fully, the seamed flesh burnt to his ribs and molded to his collarbone and the jutting bones of his hips. He was not starved, this thing. He had recently drunk human blood. But his agony was like heat coming from him, as though the fire still cooked him from within, as though he were a self-contained hell.
"`How have you escaped the burning?' he asked. 'What saved you? Answer!'
"`Nothing saved me,' I said, speaking Greek as he did.
"I approached him holding the candle to the side when he shied from it. He had been thin in life, broad-shouldered like the old pharaohs, and his long black hair was cropped straight across the forehead in that old style.
"'I wasn't made when it happened,' I said,'but afterwards, by the god of the sacred grove in Gaul. '
"'Ah, then he was unharmed, this one who made you. '
"'No, burned as you are, but he had enough strength to do it. He gave and took the blood over and over again. He said, "Go into Egypt and find why this has happened. " He said the gods of the wood had burst into flames, some in their sleep and some awake. He said this had happened all over the north. '
"`Yes. ' He nodded, and he gave a dry rasping laugh that shook his entire form. 'And only the ancient had the strength to survive, to inherit the agony which only immortality can sustain. And so we suffer. But you have been made. You have come. You will make more. But is it justice to make more? Would the Father and the Mother have allowed this to happen to us if the time had not come?'
"'But who are the Father and the Mother?' I asked. I knew he did not mean the earth when he said Mother.
"'The first of us,' he answered,'those from whom all of us descend. '
"I tried to penetrate his thoughts, feel the truth of them, but he knew what I was doing, and his mind folded up like a flower at dusk.
"'Come with me,' he said. And he commenced to walk with a shuffling step out of the large room and down a long corridor, decorated as the chamber had been.
"I sensed we were in an even older place, something built before the temple from which we'd just come. I do not know how I knew it. The chill you felt on the steps here on the island was not there. You don't feel such things in Egypt. You feel something else. You feel the presence of something living in the air itself.
"But there was more palpable evidence of antiquity as we walked on. The paintings on these walls were older, the colors fainter, and here and there was damage where the colored plaster had flaked and fallen away. The style had changed. The black hair of the little figures was longer and fuller, and it seemed the whole was more lovely, more full of light and intricate design.
"Somewhere far off water dripped on stone. The sound gave a songlike echo through the passage. It seemed the walls had captured life in these delicate and tenderly painted figures, it seemed that the magic attempted again and again by the ancient religious artists had its tiny glowing kernel of power. I could hear whispers of life where there were no whispers. I could feel the great continuity of history even if there was no one who was aware.
"The dark figure beside me paused as I looked at the walls. He made an airy gesture for me to follow him through a doorway, and we entered a long rectangular chamber covered entirely with the artful hieroglyphs. It was like being encased in a manuscript to be inside it. And I saw two older Egyptian sarcophagi placed head to head against the wall.
"These were boxes carved to conform to the shape of the mummies for which they were made, and fully modeled and painted to represent the dead, with faces of hammered gold, the eyes of inlaid lapis lazuli.
"I held the candle high. And with great effort my guide opened the lids of these cases and let them fall back so that I might see inside.
"I saw what at first appeared to be bodies, but when I drew closer I realized that they were heaps of ash in manly form. Nothing of tissue remained to them except a white fang here, a chip of bone there.
"'No amount of blood can bring them back now,' said my guide. 'They are past all resurrection. The vessels of the blood are gone. Those who could rise have risen, and centuries will pass before we are healed, before we know the cessation of our pain. '
"Before he closed the mummy cases, I saw that the lids inside were blackened by the fire that had immolated these two. I wasn't sorry to see them shut up again.
"He turned and moved towards the doorway again, and I followed with the candle, but he paused and glanced back at the painted coffins
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