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I was no longer in the coffin. I had just come out of the rear cabin of the long vessel and I was standing on the deck.

I breathed the fresh salt air and I saw the lovely incandescent blue of the twilight sky and the multitude of brilliant stars overhead. Never from land do the stars look like that. Never are they so near.

There were dark mountainous islands on either side of us, cliffs sprinkled with tiny flickering lights. The air was full of the scent of green things, of flowers, of land itself.

And the small sleek vessel was moving fast to a narrow pass through the cliffs ahead.

I felt uncommonly clearheaded and strong. There was a moment's temptation to try to figure out how I had gotten here, whether I was in the Aegean or the Mediterranean itself, to know when we had left Cairo and if the things I remembered had really taken place.

But this slipped away from me in some quiet acceptance of what was happening.

Marius was up ahead on the bridge before the mainmast.

I walked towards the bridge and stood beside it, looking up.

He was wearing the long red velvet cloak he had worn in Cairo, and his full white blond hair was blown back by the wind. His eyes were fixed on the pass before us, the dangerous rocks that protruded from the shallow water, his left hand gripping the rail of the little deck.

I felt an overpowering attraction to him, and the sense of peace in me expanded.

There was no forbidding grandeur to his face or his stance, no loftiness that might have humbled me and made me afraid. There was only a quiet nobility about him, his eyes rather wide as they looked forward, the mouth suggesting a disposition of exceptional gentleness as before.

Too smooth the face, yes. It had the sheen of scar tissue, it was so smooth, and it might have startled, even frightened, in a dark street. It gave off a faint light. But the expression was too warm, too human in its goodness to do anything but invite.

Armand might have looked like a god out of Caravaggio, Gabrielle a marble archangel at the threshold of a church.

But this figure above me was that of an immortal man.

And the immortal man, with his right hand outstretched before him, was silently but unmistakably piloting the ship through the rocks before the pass.

The waters around us shimmered like molten metal, flashing azure, then silver, then black. They sent up a great white froth as the shallow waves beat upon the rocks.

I drew closer and as quietly as I could I climbed the small steps to the bridge.

Marius didn't take his eyes off the waters for an instant, but he reached out with his left hand and took my hand, which was at my side.

Warmth. Unobtrusive pressure. But this wasn't the moment for speaking and I was surprised that he had acknowledged me at all.

His eyebrows came together and his eyes narrowed slightly, and, as if impelled by his silent command, the oarsmen slowed their stroke.

I was fascinated by what I was watching, and I realized as I deepened my own concentration that I could feel the power emanating from him, a low pulse that came in time with his heart.

I could also hear mortals on the surrounding cliffs, and on the narrow island beaches stretching out to our right and to our left. I saw them gathered on the promontories, or running towards the edge of the water with torches in their hands. I could hear thoughts ringing out like voices from them as they stood in the thin evening darkness looking out to the lanterns of our ship. The language was Greek and not known to me, but the message was clear:

The lord is passing. Come down and look: the lord is passing. And the word "lord" incorporated in some vague way the supernatural in its meaning. And a reverence, mingled with excitement, emanated like a chorus of overlapping whispers from the shores.

I was breathless listening to this! I thought of the mortal I'd terrified in Cairo, the old debacle on Renaud's stage. But for those two humiliating incidents, I'd passed through the world invisibly for ten years, and these people, these dark-clad peasants gathered to watch the passing of the ship, knew what Marius was. Or at least they knew something of what he was. They were not saying the Greek word for vampire, which I had come to understand.

But we were leaving the beaches behind. The cliffs were closing on either side of us. The ship glided with its oars above water. The high walls diminished the sky's light.

In a few moments, I saw a great silver bay opening before us, and a sheer wall of rock rising straight ahead, while gentler slopes enclosed the water on either side. The rock face was so high and so steep that I could make out nothing at the top.

The oarsmen cut their speed as we came closer. The boat was turning ever so slightly to the side. And as we drifted on towards the cliff, I saw the dim shape of an old stone embankment covered with gleaming moss. The oarsmen had lifted their oars straight towards the sky.

Marius was as still as ever, his hand exerting a gentle force on mine, as with the other he pointed towards the embankment and the cliff that rose like the night itself, our lanterns sending up their glare on the wet rock.

When we were no more than five or six feet from the embankment -- dangerously close for a ship of this size and weight it seemed -- I felt the ship stop.

Then Marius took my hand and we went across the deck together and mounted the side of the ship. A dark-haired servant approached and placed a sack in Marius's hand. And together, Marius and I leapt over the water to the stone embankment, easily clearing the distance without a sound.