Page 37 of Fade into You
“Cool.”
She smiles, looking straight ahead. The next song is Counting Crows. The next is a Smashing Pumpkins song I don’t know but I like. When we pull into my driveway, she stops the music, rummages through the center console, and pulls out a clear case. I recognize her handwriting on the cover—and it instantly strikes me as oddly personal that I know her handwriting. She pops the lid of her Discman and carefully places the CD inside the case, closes it, and hands it to me.
The writing on the cover is song titles and artists. When I open the case, in her all-caps permanent marker script, it reads:BIRD’S MIX.
“You made me a mixtape?”
She shrugs. “Yeah. Well, mix-CD.”
“No one’s ever made meanykind of mix before.”
“It has some stuff you mentioned you liked, and then some other stuff I thought youmightlike.”
“Wow,” is all I can manage to get out.
“It’s not a big deal,” she adds, running her hand through her hair.
“Oh. Okay.”
But then we sit, side by side, looking at each other, neither of us seeming to know how to say goodbye. If it’s not a big deal, then why does this feel like that part in the movie, at the end of the date, when we’re supposed to kiss?
A car horn blares, making both of us jump. She looks up into the rearview mirror, then twists around abruptly. Behind us, Liv’s boyfriend Garrett has pulled into the driveway. Then I hear the front door close, drawing our attention away from each other. There’s Olivia, in her perfect princess dress, last year’s homecoming tiara secured tightly in place among her expertly styled pile of up-done hair.
She’s shouting, “Garrett! Get in here, my dad wants pictures!”
“Oh god,” I mutter, as Garrett walks past Jessa’s open window in his suit with matching corsage in hand and leans down to give us a strange look like he can’t imagine why I’d be here, in my own driveway.
When I look at Jessa, she’s watching Liv and Garrett go back inside the house. “What the hell?” she breathes. “What. The. Hell. Is Olivia Fucking Rubens doing at your house?”
“You really didn’t know? She’s my sister. Well, stepsister.”
“Holy shit,” she mumbles, wringing her hands around the steering wheel. “You could’ve warned me.” I start to laugh because I think she’s joking, until she looks up at me. Her face is drained of color. “And Garrett… that living jockstrap is blocking me in. This is just great.”
“Sorry,” I offer, but she doesn’t seem to hear me. “They’ll be gone in a minute.”
She breathes in deeply and then exhales slowly, keeping her eyes on my front door. Until they emerge again and start walking down the front steps toward us. Then Jessa turns toward me, physically shifts in her seat, to look at me instead.
“Are you okay?” I ask her. But she doesn’t speak, and I knowLiv must’ve done something really bad to her if she won’t even look at her. I’m glad Jessa can’t see as Liv gives her beat-up car the once-over and glares and then pretends to stick her finger down her throat, mouthing,Gross!in her direction.
When Garrett’s car doors close, Jessa finally looks away from me.
“I’m sorry,” I repeat. “She’s horrible. I know.”
Jessa shakes her head and somehow commands that tough exterior once again, but I saw the crack there, just a minute ago. “Whatever,” she mumbles. “I gotta go, Bird.”
“O-okay, um… Are you okay, though?”
“I’m fine.”
I unbuckle my seat belt. “Well, thanks again for the mix.”
“Sure. It’s nothing.” She’s looking all around now, anywhere butatme this time.
I wave as she pulls away, but she never looks back.
JESSA
Pterodactyl Records is hopping today.Music freaks of all styles are dappled throughout the aisles, theclick, click, clickof jewel cases resounding as they file through the stacks, organized by genre. I watch jealously as older, richer folks with grown-up jobs sift through the vinyl. I can make out a couple of classmates chatting around the alternative section. I’d say hi if I was the kind of person who would do that, but I’m not. Instead I’m judging their less-than-alternative look and thinking neither of them like Nine Inch Nails; they like Trent Reznor’s abs.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37 (reading here)
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127