Page 142 of Discordant Cultivation
Kieran’s damaged fingertips throbbed beneath the table, and somewhere in the closed laptop on the coffee table, A.T.’s messages waited with their terrible questions about hoods and basements and methods that would destroy everything if anyone understood what they really meant.
But Vale was beside him, solid and steady, and Kieran had to believe that would be enough to make it through whatever came next.
45
Token gestures, false confessions, learned my lesson, stopped progression…
Kieran
“It’s wonderful to finally meet you both,” Dr. Sam continued, her joy radiating through the screen in ways that should have been reassuring. “Bloom, I have to start by saying your piano work in ‘Temple of Flesh’ was absolutely gorgeous. Those arpeggios in the bridge section—they reminded me of my grandmother’s teaching style. There’s a warmth there that you don’t get from purely technical training.”
Vale shifted in his chair, the mask giving him an anonymity that gave his voice a more relaxed quality than usual. “Thank you. I had early classical training, but my mother taught me that technique should serve emotion, not overshadow it.”
Kieran’s hands remained folded in his lap, but his leg bounced with nervous energy. The metallic taste was still coating his tongue, that familiar copper warning that meant his nervous system was balanced on a knife’s edge.
Has he made you sing with the bag on your head yet?
The message from A.T. kept circling through his mind like a song stuck on repeat, making it impossible to focus completely on Dr. Sam’s warm questions.
“I’m curious about the dynamic between you two,” Dr. Sam was saying, attention shifting to include both of them in her gaze through the monitor. “Bloom, you’re obviously classically trained, but we only saw you in one video. Is that a creative choice, or do you prefer to stay behind the scenes?”
“Thorn is the artist,” Vale said simply, his masked face turning slightly toward Kieran. “I provide structure and technical support. But the emotional authenticity—that comes entirely from him.”
Dr. Sam nodded. “That’s beautiful. I love to hear about two musicians who find where their pieces fit together instead of competing. And Thorn, I have to ask—your vocal technique is so intuitive. Have you had formal training, or is this all instinctual development?”
“M-mostly instinctual,” he managed, proud that his voice came out steady despite the anxiety clawing at his chest. “I’ve always j-just—sung the way that f-felt right for each song.”
“It shows. There’s an authenticity in your approach that formal training sometimes eliminates. The way you shift between chest voice and head voice in ‘Library Card‘—it creates this incredibly intimate sound, which is hard to do when you’re making that kind of switch. You also do this incredibly beautiful thing with your voice at the end that employs the use of the false vocal folds, but it doesn’t sound garbled or gruff like you would usually hear, and I am so, so in love with it.”
“Thank you,” he said softly, some of the tension leaving his shoulders. “That m-means—I don’t really know the t-technical terms for what I’m doing, so hearing that it’s actually working is—”
“Oh, it’s absolutely working.” She leaned forward, still engaged with the interview that felt different from the others. “The way you navigate emotional transitions through vocalplacement is graduate-level technique, whether you realize it or not.”
Graduate-level?
But even as pride warmed his chest, the copper taste grew stronger. His ears were buzzing with a low hum that he knew wasn’t from his ear buds. How long had it lasted? The doctor said the clustered focal seizures might need medicating sometimes, but he genuinely couldn’t remember. It could have been a minute. It could have been all day.
“Bloom, I know you have other commitments,” Dr. Sam said, checking her notes. “Would it be possible to continue with just Thorn for the remainder of our conversation? I’d love to dive deeper into his process without taking up too much of your time.”
No. Don’t leave me alone with her. I can’t handle this without you here.
But Vale was already standing. “Of course. Thorn can handle any questions about his artistry better than I can.”
The confidence in his voice should have been reassuring, but Kieran felt a spike of anxiety as Vale moved out of the camera frame. He was still there—Kieran could sense his presence just outside the lighting setup—but being the sole focus of Dr. Sam felt overwhelming.
The A.T. messages flickered through his mind again as he became the center of attention, alone under professional lighting with someone who knew more about vocal technique than he’d ever understand.
“So, Thorn,” Dr. Sam said, settling back in her chair. “Let’s start with something fun—do you have any pre-recording rituals? A song you always listen to before you perform?”
The question was so unexpectedly mundane that Kieran felt more of his anxiety ease. This wasn’t about a vocal techniquehe couldn’t explain or artistic statements he hadn’t intended to make.
“Dr. Pepper, if I can get one. If I had my way, I’d always have a soda.”
Dr. Sam laughed, delight lighting up her face. “That’s adorable! Any particular reason, or does it just get you in the right headspace?”
“It’s j-just—” Kieran paused, trying to articulate something he’d never really examined. “It’s this perfect c-combination of everything? Like it makes me remember being a k-kid but also gets me excited. Probably all the sugar, honestly.”
This is nice. This feels like talking to a friend instead of being interviewed by someone who could expose me as a fraud.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142 (reading here)
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193