Page 5
Story: The House Across the Lake
The woman shifts in her seat, revealing a flash of bright bathing suit deep within the blanket. Teal. So tropical. And so inappropriate for autumn in Vermont it makes me wonder how she even ended up here. If she told me aliens had zapped her to Lake Greene from a white-sand beach in the Seychelles, I’d almost believe it.
“Still, I’m sure I would have died if you hadn’t seen me,” she says. “So thank you for coming to my rescue. I should have said that sooner. Like, immediately.”
I respond with a modest shrug. “I won’t hold a grudge.”
The woman laughs, and in the process comes alive in a way that banishes all traces of the person I’d found floating in the water. Color has returned to her face—a peachy blush that highlights her high cheekbones, full lips, pencil-line brows. Her gray-green eyes are wide and expressive, and her nose is slightly crooked, a flaw that comes off as charming amid all that perfection. She’s gorgeous, even huddled under a blanket and dripping lake water.
She catches me staring and says, “I’m Katherine, by the way.”
It’s only then that I realize I know this woman. Not personally. We’ve never met, as far as I can remember. But I recognize her just the same.
Katherine Royce.
Former supermodel.
Current philanthropist.
And, with her husband, owner of the house directly across the lake. It had been vacant the last time I was here, on the market for north of five million dollars. It made headlines when it sold over the winter, not just because of who bought the house but because of where it was located.
Lake Greene.
The Vermont hideaway of beloved musical theater icon Lolly Fletcher.
And the place where troubled actress Casey Fletcher’s husband tragically drowned.
Not the first time those adjectives have been used to describe mymother and me. They’ve been employed so often they might as well be our first names. Beloved Lolly Fletcher and Troubled Casey Fletcher. A mother-daughter duo for the ages.
“I’m Casey,” I say.
“Oh, I know,” Katherine says. “Tom—that’s my husband—and I meant to stop by and say hello when we arrived last night. We’re both big fans.”
“How did you know I was here?”
“Your lights were on,” Katherine says, pointing to the lake house that’s been in my family for generations.
The house isn’t the biggest on Lake Greene—that honor goes to Katherine’s new home—but it’s the oldest. Built by my great-great-grandfather in 1878 and renovated and expanded every fifty years or so. From the water, the lake house looks lovely. Perched close to shore, tall and solid behind a retaining wall of mountain stone, it’s almost a parody of New England quaintness. Two pristinely white stories of gables, latticework, and gingerbread trim. Half the house runs parallel to the water’s edge, so close that the wraparound porch practically overhangs the lake itself.
That’s where I was sitting this afternoon when I first spotted Katherine flailing in the water.
And where I was sitting last night when I was too drunk to notice the arrival of the famous couple that now owns the house directly across the lake.
The other half of my family’s lake house is set back about ten yards, forming a small courtyard. High above it, on the house’s top floor, a row of tall windows provides a killer view from the master bedroom. Right now, in mid-afternoon, the windows are hidden in the shadow of towering pines. But at night, I suspect the glow from the master bedroom is as bright as a lighthouse.
“The place was dark all summer,” Katherine says. “When Tom and I noticed the lights last night, we assumed it was you.”
She tactfully avoids mentioningwhyshe and her husband assumed it was me and not, say, my mother.
I know they know my story.
Everyone does.
The only allusion Katherine makes to my recent troubles is a kind, concerned “How are you, by the way? It’s rough, what you’re going through. Having to handle all that.”
She leans forward and touches my knee—a surprisingly intimate gesture for someone I’ve just met, even taking into account the fact that I likely did save her life.
“I’m doing fantastic,” I say, because to admit the truth would open myself to having to talk aboutall that, to use Katherine’s phrasing.
I’m not ready for that yet, even though it’s been more than a year. Part of me thinks I’ll never be ready.
“Still, I’m sure I would have died if you hadn’t seen me,” she says. “So thank you for coming to my rescue. I should have said that sooner. Like, immediately.”
I respond with a modest shrug. “I won’t hold a grudge.”
The woman laughs, and in the process comes alive in a way that banishes all traces of the person I’d found floating in the water. Color has returned to her face—a peachy blush that highlights her high cheekbones, full lips, pencil-line brows. Her gray-green eyes are wide and expressive, and her nose is slightly crooked, a flaw that comes off as charming amid all that perfection. She’s gorgeous, even huddled under a blanket and dripping lake water.
She catches me staring and says, “I’m Katherine, by the way.”
It’s only then that I realize I know this woman. Not personally. We’ve never met, as far as I can remember. But I recognize her just the same.
Katherine Royce.
Former supermodel.
Current philanthropist.
And, with her husband, owner of the house directly across the lake. It had been vacant the last time I was here, on the market for north of five million dollars. It made headlines when it sold over the winter, not just because of who bought the house but because of where it was located.
Lake Greene.
The Vermont hideaway of beloved musical theater icon Lolly Fletcher.
And the place where troubled actress Casey Fletcher’s husband tragically drowned.
Not the first time those adjectives have been used to describe mymother and me. They’ve been employed so often they might as well be our first names. Beloved Lolly Fletcher and Troubled Casey Fletcher. A mother-daughter duo for the ages.
“I’m Casey,” I say.
“Oh, I know,” Katherine says. “Tom—that’s my husband—and I meant to stop by and say hello when we arrived last night. We’re both big fans.”
“How did you know I was here?”
“Your lights were on,” Katherine says, pointing to the lake house that’s been in my family for generations.
The house isn’t the biggest on Lake Greene—that honor goes to Katherine’s new home—but it’s the oldest. Built by my great-great-grandfather in 1878 and renovated and expanded every fifty years or so. From the water, the lake house looks lovely. Perched close to shore, tall and solid behind a retaining wall of mountain stone, it’s almost a parody of New England quaintness. Two pristinely white stories of gables, latticework, and gingerbread trim. Half the house runs parallel to the water’s edge, so close that the wraparound porch practically overhangs the lake itself.
That’s where I was sitting this afternoon when I first spotted Katherine flailing in the water.
And where I was sitting last night when I was too drunk to notice the arrival of the famous couple that now owns the house directly across the lake.
The other half of my family’s lake house is set back about ten yards, forming a small courtyard. High above it, on the house’s top floor, a row of tall windows provides a killer view from the master bedroom. Right now, in mid-afternoon, the windows are hidden in the shadow of towering pines. But at night, I suspect the glow from the master bedroom is as bright as a lighthouse.
“The place was dark all summer,” Katherine says. “When Tom and I noticed the lights last night, we assumed it was you.”
She tactfully avoids mentioningwhyshe and her husband assumed it was me and not, say, my mother.
I know they know my story.
Everyone does.
The only allusion Katherine makes to my recent troubles is a kind, concerned “How are you, by the way? It’s rough, what you’re going through. Having to handle all that.”
She leans forward and touches my knee—a surprisingly intimate gesture for someone I’ve just met, even taking into account the fact that I likely did save her life.
“I’m doing fantastic,” I say, because to admit the truth would open myself to having to talk aboutall that, to use Katherine’s phrasing.
I’m not ready for that yet, even though it’s been more than a year. Part of me thinks I’ll never be ready.
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