Page 112
Story: The House Across the Lake
The bed is empty.
Where Len’s arms should be, two lengths of rope dangle from the bedposts. The ropes at the foot of the bed are shorter and their ends ragged, clearly sawed apart. Their other halves are curled in the spot on the floor where the knife had been.
It, like Len himself, is now gone.
I freeze in the middle of the bedroom, listening for signs as to where Len went. While I was downstairs, I didn’t hear a door open or close, which is both a pro and a con.
The pro: He hasn’t left the house.
The con: He’s still inside, carrying both a knife and a grudge.
I raise the lantern and rotate slowly, my gaze sliding over the entire room, seeking out places where he could be hiding. Under both beds, for starters. Those dark spaces have me expecting to see Len’s hand springing out from under them, knife swinging. I jump onto the bed Len should still be in, barely able to breathe as I locate another potential hiding spot.
The closets.
There are two, both narrow spaces made for little clothes worn by little girls like Marnie and I used to be. Neither would be big enough to contain someone Len’s size.
Katherine Royce is a different story.
Her willowy frame could easily fit inside.
I step to the foot of the bed, cursing the squeak of the mattress springs. Gripping the bed frame with clammy hands, I force my feet onto the floor, one at a time. I then tiptoe forward, as quick as a ballerina, toward the first closet.
Holding my breath, I reach out.
I grab the doorknob.
I give it a twist.
My heart halts when the door clicks open.
I pull it, slowly, as hinges neglected for years groan into use.
The closet is empty.
I sidestep to the other one in the room, ready to perform the dance all over again. Breath held. Doorknob grabbed and twisted. Hinges protesting. It all leads to the same outcome.
An empty closet and my mind full of thoughts.
Len has escaped to other parts of the house.
It’s a big place, with so many spots to hide and wait.
Every moment I spend inside is one moment too long and I should get out.
Now.
I bolt from the bedroom, cut a hard left in the hall, and splash through the pool of broken glass on my way to the stairs. I fly down the steps so fast my feet barely touch them. I slide to a stop in the living room, which is a sea of shadows undulating in the candlelight. I skip my gaze from corner to corner, doorway to doorway, wondering if I’ve just stepped into a trap.
Len could be anywhere.
In a shadow-filled corner. Or that dark space by the fireplace. Or the gloom of the nook under the stairs.
It’s hard to tell because everything is dark, quiet, still. The only sounds I hear are the rain outside and the grandfather clock. Each tick from it is a reminder that every second I remain in this house is one second more I’ve spent in danger.
I start moving again, eager to leave but unsure of the best way. The French doors lead to the porch, the steps, the dock, the water. I could take the boat and guide it over the rough water to Boone’s dock, assuming he’d give me shelter. Not a guarantee after what I’ve accused him of.
Then there’s the front door, with access to the driveway, the road, and, eventually, the highway. There, someone will surely stop to help me. Getting there won’t be easy in this weather, but it might be my only option.
Where Len’s arms should be, two lengths of rope dangle from the bedposts. The ropes at the foot of the bed are shorter and their ends ragged, clearly sawed apart. Their other halves are curled in the spot on the floor where the knife had been.
It, like Len himself, is now gone.
I freeze in the middle of the bedroom, listening for signs as to where Len went. While I was downstairs, I didn’t hear a door open or close, which is both a pro and a con.
The pro: He hasn’t left the house.
The con: He’s still inside, carrying both a knife and a grudge.
I raise the lantern and rotate slowly, my gaze sliding over the entire room, seeking out places where he could be hiding. Under both beds, for starters. Those dark spaces have me expecting to see Len’s hand springing out from under them, knife swinging. I jump onto the bed Len should still be in, barely able to breathe as I locate another potential hiding spot.
The closets.
There are two, both narrow spaces made for little clothes worn by little girls like Marnie and I used to be. Neither would be big enough to contain someone Len’s size.
Katherine Royce is a different story.
Her willowy frame could easily fit inside.
I step to the foot of the bed, cursing the squeak of the mattress springs. Gripping the bed frame with clammy hands, I force my feet onto the floor, one at a time. I then tiptoe forward, as quick as a ballerina, toward the first closet.
Holding my breath, I reach out.
I grab the doorknob.
I give it a twist.
My heart halts when the door clicks open.
I pull it, slowly, as hinges neglected for years groan into use.
The closet is empty.
I sidestep to the other one in the room, ready to perform the dance all over again. Breath held. Doorknob grabbed and twisted. Hinges protesting. It all leads to the same outcome.
An empty closet and my mind full of thoughts.
Len has escaped to other parts of the house.
It’s a big place, with so many spots to hide and wait.
Every moment I spend inside is one moment too long and I should get out.
Now.
I bolt from the bedroom, cut a hard left in the hall, and splash through the pool of broken glass on my way to the stairs. I fly down the steps so fast my feet barely touch them. I slide to a stop in the living room, which is a sea of shadows undulating in the candlelight. I skip my gaze from corner to corner, doorway to doorway, wondering if I’ve just stepped into a trap.
Len could be anywhere.
In a shadow-filled corner. Or that dark space by the fireplace. Or the gloom of the nook under the stairs.
It’s hard to tell because everything is dark, quiet, still. The only sounds I hear are the rain outside and the grandfather clock. Each tick from it is a reminder that every second I remain in this house is one second more I’ve spent in danger.
I start moving again, eager to leave but unsure of the best way. The French doors lead to the porch, the steps, the dock, the water. I could take the boat and guide it over the rough water to Boone’s dock, assuming he’d give me shelter. Not a guarantee after what I’ve accused him of.
Then there’s the front door, with access to the driveway, the road, and, eventually, the highway. There, someone will surely stop to help me. Getting there won’t be easy in this weather, but it might be my only option.
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