Page 17
Story: The House Across the Lake
Directly below, Katherine continues to read.
Because I’m unwilling to admit to myself that I picked up the binoculars just to spy on the Royces, I swing them toward Eli’s house, the cluster of rocks and evergreens between the two homes passing in a blur.
I catch Eli in the act of coming home from running errands—an all-day affair in this part of Vermont. Lake Greene sits fifteen minutes from the nearest town, reached by a highway that cuts southwest through the forest. The highway itself is a mile away and accessed via a ragged gravel road that circles the lake. That’s where Eli is when I spot him, turning his trusty red pickup off the road and into his driveway.
I watch him get out of the truck and carry groceries up the side porch and through the door that leads to the kitchen. Inside the house, a light flicks on in one of the back windows. Through the glass, I can see into the dining room, with its brass light fixture and giant old hutch. I can even make out the rarely used collection of patterned china that sits on the hutch’s top shelf.
Outside, Eli returns to the pickup, this time removing a cardboard box from the back. Provisions for me that I assume he’ll be bringing over sooner rather than later.
I direct the binoculars back to the Royces’. Katherine’s at the living room window now. A surprise. Her unexpected presence by the glass hits me with a guilty jolt, and for a moment, I wonder if she can see me.
The answer is no.
Not when she’s inside like that, with the lights on. Maybe, if she squinted, she could make out the red plaid of my flannel shirt as I sit tucked back in the shadow of the porch. But there’s no way she can tell I’m watching her.
She stands inches from the glass, staring out at the lake, her face a gorgeous blank page. After a few more seconds at the window, Katherinemoves deeper into the living room, heading toward a sideboard bar next to the fireplace. She drops some ice into a glass and fills it halfway with something poured from a crystal decanter.
I raise my own glass in a silent toast and time my sip to hers.
Above her, Tom Royce is out of the bathroom. He sits on the edge of the bed, examining his fingernails.
Boring.
I return to Katherine, who’s back at the window, her drink in one hand, her phone in the other. Before dialing, she tilts her head toward the ceiling, as if listening to hear if her husband is coming.
He’s not. A quick uptilt of the binoculars shows him still preoccupied with his nails, using one to dig a smidge of dirt out from under another.
Below, Katherine correctly assumes the coast is clear, taps her phone, and holds it to her ear.
I let my gaze drift back to the bedroom, where Tom is now standing in the middle of the room, listening for his wife downstairs.
Only Katherine isn’t talking. Holding her phone and tapping one foot, she’s waiting for whoever she just called to answer.
Upstairs, Tom tiptoes across the bedroom and peeks out the open door, of which I can see only a sliver. He disappears through it, leaving the bedroom empty and me moving the binoculars to try to catch his reappearance elsewhere on the second floor. I swing them past the exercise room to the office.
Tom isn’t in either of them.
I return my gaze to the living room, where Katherine is now speaking into the phone. It’s not a conversation, though. She doesn’t pause to let the other person talk, making me think she’s leaving a message. An urgent one, from the looks of it. Katherine’s hunched slightly, a hand cupped to her mouth as she talks, her eyes darting back and forth.
On the other side of the house, movement catches my attention.
Tom.
Now on the first floor.
Moving out of the kitchen and into the dining room.
Slowly.
With caution.
His long, quiet strides make me think it’s an effort not to be heard. With his lips flattened together and his chin jutting forward, his expression is unreadable. He could be curious. He could be concerned.
Tom makes his way to the other side of the dining room and he and Katherine finally appear together in the binoculars’ lenses. She’s still talking, apparently oblivious to her husband watching from the next room. It’s not until Tom takes another step that Katherine becomes aware of his presence. She taps the phone, hides it behind her back, whirls around to face him.
Unlike her husband’s, Katherine’s expression is easily read.
She’s startled.
Because I’m unwilling to admit to myself that I picked up the binoculars just to spy on the Royces, I swing them toward Eli’s house, the cluster of rocks and evergreens between the two homes passing in a blur.
I catch Eli in the act of coming home from running errands—an all-day affair in this part of Vermont. Lake Greene sits fifteen minutes from the nearest town, reached by a highway that cuts southwest through the forest. The highway itself is a mile away and accessed via a ragged gravel road that circles the lake. That’s where Eli is when I spot him, turning his trusty red pickup off the road and into his driveway.
I watch him get out of the truck and carry groceries up the side porch and through the door that leads to the kitchen. Inside the house, a light flicks on in one of the back windows. Through the glass, I can see into the dining room, with its brass light fixture and giant old hutch. I can even make out the rarely used collection of patterned china that sits on the hutch’s top shelf.
Outside, Eli returns to the pickup, this time removing a cardboard box from the back. Provisions for me that I assume he’ll be bringing over sooner rather than later.
I direct the binoculars back to the Royces’. Katherine’s at the living room window now. A surprise. Her unexpected presence by the glass hits me with a guilty jolt, and for a moment, I wonder if she can see me.
The answer is no.
Not when she’s inside like that, with the lights on. Maybe, if she squinted, she could make out the red plaid of my flannel shirt as I sit tucked back in the shadow of the porch. But there’s no way she can tell I’m watching her.
She stands inches from the glass, staring out at the lake, her face a gorgeous blank page. After a few more seconds at the window, Katherinemoves deeper into the living room, heading toward a sideboard bar next to the fireplace. She drops some ice into a glass and fills it halfway with something poured from a crystal decanter.
I raise my own glass in a silent toast and time my sip to hers.
Above her, Tom Royce is out of the bathroom. He sits on the edge of the bed, examining his fingernails.
Boring.
I return to Katherine, who’s back at the window, her drink in one hand, her phone in the other. Before dialing, she tilts her head toward the ceiling, as if listening to hear if her husband is coming.
He’s not. A quick uptilt of the binoculars shows him still preoccupied with his nails, using one to dig a smidge of dirt out from under another.
Below, Katherine correctly assumes the coast is clear, taps her phone, and holds it to her ear.
I let my gaze drift back to the bedroom, where Tom is now standing in the middle of the room, listening for his wife downstairs.
Only Katherine isn’t talking. Holding her phone and tapping one foot, she’s waiting for whoever she just called to answer.
Upstairs, Tom tiptoes across the bedroom and peeks out the open door, of which I can see only a sliver. He disappears through it, leaving the bedroom empty and me moving the binoculars to try to catch his reappearance elsewhere on the second floor. I swing them past the exercise room to the office.
Tom isn’t in either of them.
I return my gaze to the living room, where Katherine is now speaking into the phone. It’s not a conversation, though. She doesn’t pause to let the other person talk, making me think she’s leaving a message. An urgent one, from the looks of it. Katherine’s hunched slightly, a hand cupped to her mouth as she talks, her eyes darting back and forth.
On the other side of the house, movement catches my attention.
Tom.
Now on the first floor.
Moving out of the kitchen and into the dining room.
Slowly.
With caution.
His long, quiet strides make me think it’s an effort not to be heard. With his lips flattened together and his chin jutting forward, his expression is unreadable. He could be curious. He could be concerned.
Tom makes his way to the other side of the dining room and he and Katherine finally appear together in the binoculars’ lenses. She’s still talking, apparently oblivious to her husband watching from the next room. It’s not until Tom takes another step that Katherine becomes aware of his presence. She taps the phone, hides it behind her back, whirls around to face him.
Unlike her husband’s, Katherine’s expression is easily read.
She’s startled.
Table of Contents
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