Page 43
Story: The House Across the Lake
“No,” I say. “I’m really sorry to have bothered you.”
I slink back down the dock and step into the boat, already making a to-do list for when I get back to the lake house.
First, toss Len’s binoculars into the trash.
Second, find a way to occupy myself that doesn’t involve spying on the neighbors.
Third, leave Tom alone and forget about Katherine Royce.
That turns out to be easier planned than done. Because as I push the boat away from the dock, I catch a glimpse of Tom watching me leave. He stands in a slash of sunlight that makes the mark on his face stand out even more. He touches it again, his fingers moving in a circle over the angry red reminder that Katherine had once been here but is now gone.
Seeing it prompts a memory of something Katherine said about him yesterday.
Tom needs me too much to agree to a divorce. He’d kill me before letting me leave.
I text Katherine again as soon as I get back to the lake house.
Heard you’re back in the Big Apple. Had I known you were plotting an escape, I would have hitched a ride.
I then plant myself on the porch and stare at my phone, as if doing it long enough will conjure up a response. So far, it’s not working. The only call I receive is my mother’s daily check-in, which I let go straight to voicemail before heading inside to pour a glass of bourbon.
My second of the day.
Maybe third.
I take a hearty sip, return to the porch, and check the previous texts I sent Katherine. None of them have been read.
Worrisome.
If Katherine called Tom after arriving home in New York, then she certainly would have seen that I had called and texted.
Unless Tom was indeed lying about that.
Yes, he told the truth about their fight, but only after I prodded. And on another matter—the scream I’m still fifty percent sure I heard—he remained frustratingly vague. Tom only said he was asleep past dawn. He never actually denied hearing a scream.
Then there are those two sentences—easy to dismiss at the time, increasingly ominous in hindsight—Katherine spoke while sitting in thevery same rocking chair I occupy now. They refuse to leave my head, repeating in the back of my skull like lines I’ve spent too much time rehearsing.
Tom needs me too much to agree to a divorce. He’d kill me before letting me leave.
Ordinarily, I’d assume it was a joke. That’s my go-to defense mechanism, after all. Using humor as a shield, pretending my pain doesn’t hurt at all. Which is why I suspect there was a ring of truth to what she said. Especially after what she told me yesterday about all of Tom’s money being tied up in Mixer and how she pays for everything.
Then there’s the fight itself, which could have been over money but I suspect was about more than that. Seared into my memory is the way Tom pleaded with Katherine, repeating that word I couldn’t quite read on his lips.How? Who?All of it climaxing with him wrenching her away from the window and her striking back.
Just before that, though, was the surreal moment when Katherine and I locked eyes. I know from the phone call afterwards that she somehow knew I was watching. Now I wonder if, in that brief instant when her gaze met mine, Katherine was trying to tell me something.
Maybe she was begging for help.
Despite my vow to drop the binoculars in the trash, here they are, sitting right next to my glass of bourbon. I pick them up and look across the lake to the Royce house. Although Tom’s no longer outside, the presence of the Bentley lets me know he’s still there.
Everything he told me mostly adds up, signaling I should believe him. Those few loose threads prevent me from doing so. I won’t be able to fully trust Tom until Katherine gets back to me—or I get proof from another source.
It occurs to me that Tom mentioned exactly where they live in the city. A fancy building not too far from mine, although theirs borders Central Park. I know it well. Upper West Side. A few blocks north of where the Bartholomew once stood.
Since I can’t go there myself, I enlist the next best person for the job.
“You want me to dowhat?” Marnie says when I call to make my request.
“Go to their building and ask to see Katherine Royce.”
I slink back down the dock and step into the boat, already making a to-do list for when I get back to the lake house.
First, toss Len’s binoculars into the trash.
Second, find a way to occupy myself that doesn’t involve spying on the neighbors.
Third, leave Tom alone and forget about Katherine Royce.
That turns out to be easier planned than done. Because as I push the boat away from the dock, I catch a glimpse of Tom watching me leave. He stands in a slash of sunlight that makes the mark on his face stand out even more. He touches it again, his fingers moving in a circle over the angry red reminder that Katherine had once been here but is now gone.
Seeing it prompts a memory of something Katherine said about him yesterday.
Tom needs me too much to agree to a divorce. He’d kill me before letting me leave.
I text Katherine again as soon as I get back to the lake house.
Heard you’re back in the Big Apple. Had I known you were plotting an escape, I would have hitched a ride.
I then plant myself on the porch and stare at my phone, as if doing it long enough will conjure up a response. So far, it’s not working. The only call I receive is my mother’s daily check-in, which I let go straight to voicemail before heading inside to pour a glass of bourbon.
My second of the day.
Maybe third.
I take a hearty sip, return to the porch, and check the previous texts I sent Katherine. None of them have been read.
Worrisome.
If Katherine called Tom after arriving home in New York, then she certainly would have seen that I had called and texted.
Unless Tom was indeed lying about that.
Yes, he told the truth about their fight, but only after I prodded. And on another matter—the scream I’m still fifty percent sure I heard—he remained frustratingly vague. Tom only said he was asleep past dawn. He never actually denied hearing a scream.
Then there are those two sentences—easy to dismiss at the time, increasingly ominous in hindsight—Katherine spoke while sitting in thevery same rocking chair I occupy now. They refuse to leave my head, repeating in the back of my skull like lines I’ve spent too much time rehearsing.
Tom needs me too much to agree to a divorce. He’d kill me before letting me leave.
Ordinarily, I’d assume it was a joke. That’s my go-to defense mechanism, after all. Using humor as a shield, pretending my pain doesn’t hurt at all. Which is why I suspect there was a ring of truth to what she said. Especially after what she told me yesterday about all of Tom’s money being tied up in Mixer and how she pays for everything.
Then there’s the fight itself, which could have been over money but I suspect was about more than that. Seared into my memory is the way Tom pleaded with Katherine, repeating that word I couldn’t quite read on his lips.How? Who?All of it climaxing with him wrenching her away from the window and her striking back.
Just before that, though, was the surreal moment when Katherine and I locked eyes. I know from the phone call afterwards that she somehow knew I was watching. Now I wonder if, in that brief instant when her gaze met mine, Katherine was trying to tell me something.
Maybe she was begging for help.
Despite my vow to drop the binoculars in the trash, here they are, sitting right next to my glass of bourbon. I pick them up and look across the lake to the Royce house. Although Tom’s no longer outside, the presence of the Bentley lets me know he’s still there.
Everything he told me mostly adds up, signaling I should believe him. Those few loose threads prevent me from doing so. I won’t be able to fully trust Tom until Katherine gets back to me—or I get proof from another source.
It occurs to me that Tom mentioned exactly where they live in the city. A fancy building not too far from mine, although theirs borders Central Park. I know it well. Upper West Side. A few blocks north of where the Bartholomew once stood.
Since I can’t go there myself, I enlist the next best person for the job.
“You want me to dowhat?” Marnie says when I call to make my request.
“Go to their building and ask to see Katherine Royce.”
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130