Page 103 of Forbidden
Lorenzo explains, they have very complex scheduling problems, and over runs. And it’s been costing Lorenzo two million a week more, than he budgeted for.
Those extra costs have been going on for weeks, and weeks, and I’m surprised he has not been freaking out.
Lorenzo is so cool, calm, and confident under pressure, it blows my mind.
“Just a few hours,” he says, as he hits a switch, and the jet steps drop. “I need to control the mess, enough is enough.”
As we exit the plane, our eyes meet. Lorenzo calmly adjusts his Ray Bans, and he looks impeccable in his navy-blue suit. I can tell he is going into work mode, and his soft gentle side is retracting, his serious and colder side is taking back over.
We slideinto the production Escalade, and we head towards the sets. Lorenzo says little, likely getting in the zone, remembering the budget, schedule, script, production reports and problems. He has his copy of the movie script on his lap, and a sleek file.
Rolling hills, and fields continue as far as the eye can see, and it is stunning. In saying that, we are here to do business. I suspect, the movie crew will know, if people fly in to investigate why things are so messed up, there will be consequences.
I feel more nervous than excited, as we drive past crew who rig lights and cranes, work on sets, and put lenses on cameras.
The driver is heading in fast, and hard, I feel like a complete outsider.
Lorenzo is providing almost all of the movie finance, and he told me on the jet, he has a full right to know what is going on.
He also explained, there is a good chance we’d be kept in the dark, and that people would be covering their butts, and the butts of their co-workers.
The only other party involved in financing the movie, is a silent entertainment bank, and that deal was handled by Lorenzo. In effect, this is Lorenzo’s movie, and his power sits above the director, producer, and everyone. He basically calls the shots, and he can fire anyone and anytime.
Finally, we pull up to the main sound stage, car parks and production offices.
As I realize the scale of the epic drama, I gulp. It’s absolutely massive, and it looks like three movie units, or crews, are shooting at the same time, both indoors and out.
We share a look, and Lorenzo is cold, completely in the zone. He kisses my hand and winks. “Relax baby, this is what I do.”
“Really?” I ask anxious.
“Every day. What do you think I do, when I’m not drizzling, then licking honey off your tight ass?”
I blush, try not to smile and climb out.
Minutes later, we receive drinks, and we are walked around the busy movie studio complex. I tag along silently, and I have not been on any kind of movie set before. Not even a TV set.
Lorenzo explains some detail to me, as he and the producer, plus another man with files lead the way. It is kind of cool, but it is a heck of a big production. People in wardrobe walk by fast, and others with radios, horses, cases of lenses and cameras on their shoulders.
Lights, cameras, tracks and cranes are everywhere, and in the distance a chopper flies low, filming horses charging alongside a forest.
I spin in a three sixty, and my jaw drops. What the actual hell.
Lorenzo calmly leads me to director’s chairs, and cameras shooting a different scene. Finally, the crew shoot another take, and the clapper board claps loud.
After the crew get some perfect takes, I watch them set up the next shot. The actors prepare their lines, and clapper loaders, gaffers, and grips move fast. The make-up is also perfected, and old-fashioned hair adjusted.
Lorenzo listens to people, in the distance, and at times he talks low.
It looks like, he is in and out of short fast standing discussions with various crew, and he looks cold.
Even fierce.
He is fully back in business mode, and his jaw looks tense, his energy hard. After the next shot, he joins me, and his eyes scan, taking everything in.
Lorenzo and I watch the crew shoot for the rest of the morning, I think he’s trying to ascertain what the current issues really are. And why the heck the movie is shooting so slow.
He has already explained, the recent heavy rains, and the lost shoot days because of the rain, the distracted stars, and special effects problems.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103 (reading here)
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160