Page 107
Story: The World According to Garp
"Shut up, you big dyke," said the New York man; he came up on the porch. He'd left the motor runnin
g to his sports car, and its idle charged and calmed itself--charged and calmed itself, and charged again. The man wore cowboy boots and green suede bell-bottom pants. He was tall and chesty, though not quite as tall and chesty as Roberta Muldoon.
"I'm not a dyke," Roberta said.
"Well, you're no vestal virgin either," the man said. "Where the fuck is Laurel?" He wore an orange T-shirt with bright green letters between his nipples.
SHAPE UP!
the letters read.
Garp searched his pockets for a pencil to scribble a note, but all he came up with was old notes: all the old standbys, which did not seem to apply to this rude person.
"Is Laurel expecting you?" Roberta Muldoon asked the man, and Garp knew that Roberta was having a sex-identity problem again; she was goading the moron in hopes that she could then feel justified in beating the shit out of him. But the man, to Garp, looked as if he might make a fair match for Roberta. All that estrogen had changed more than Roberta's shape, Garp thought--it had unmuscled the former Robert Muldoon, to a degree that Roberta seemed prone to forget.
"Look, sweethearts," the man said, to both Garp and Roberta. "If Laurel doesn't get her ass out here, I'm going to clean house. What kind of fag joint is this, anyway? Everyone's heard of it. I didn't have any trouble finding out where she went. Every screwy bitch in New York knows about this cunt hangout."
Roberta smiled. She was beginning to rock back and forth on the big porch swing in a way that was making Garp feel sick to his stomach. Garp clawed through his pockets at a frantic rate, scanning note after worthless note.
"Look, you clowns," the man said. "I know what sort of douche bags hang out here. It's a big lesbian scene, right?" He prodded the edge of the big porch swing with his cowboy boot and set the swing to moving oddly. "And what are you?" he asked Garp. "You the man of the house? Or the court eunuch?"
Garp handed the man a note.
There's a nice fire in the wood stove in the kitchen; turn left.
But it was August; that was the wrong note.
"What's this shit?" the man said. And Garp handed him another note, the first one to fly out of his pocket.
Don't be upset. My mother will be back very soon. There are other women here. Would you like to see them?
"Fuck your mother!" the man said. He started toward the big screen door. "Laurel!" he screamed. "You in there? You bitch!"
But it was Jenny Fields who met him in the doorway.
"Hello," she said.
"I know who you are," the man said. "I recognize the dumb uniform. My Laurel's not your type, sweetie; she likes to fuck."
"Perhaps not with you," said Jenny Fields.
Whatever abuse the man in the SHAPE UP! T-shirt was then prepared to deliver to Jenny Fields went unsaid. Roberta Muldoon threw a cross-body block on the surprised man, hitting him from behind and a little to one side of the backs of his knees. It was a flagrant clip, worthy of a fifteen-yard penalty in Roberta's days as a Philadelphia Eagle. The man hit the gray boards of the porch deck with such force that the hanging flowerpots were set swinging. He tried but could not get up. He appeared to have suffered a knee injury common to the sport of football--the very reason, in fact, why clipping was a fifteen-yard penalty. The man was not plucky enough to hurl further abuse, at anyone, from his back; he lay with a calm, moonlike expression upon his face, which whitened slightly in his pain.
"That was too hard, Roberta," Jenny said.
"I'll get Laurel," Roberta said, sheepishly, and she went inside. In Roberta's heart of hearts, Garp and Jenny knew, she was more feminine than anyone; but in her body of bodies, she was a highly trained rock.
Garp had found another note and he dropped it on the New York man's chest, right where it said SHAPE UP! It was a note Garp had many duplicates of.
Hello, my name is Garp. I have a broken jaw.
"My name is Harold," the man said. "Too bad about your jaw."
Garp found a pencil and wrote another note.
Too bad about your knee, Harold.
Laurel was fetched.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107 (Reading here)
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176