Page 122
Story: Home Before Dark
And I hear his voice now, coming from the study door, where he stands with his arms at his sides and a dour look on his face.
“I can explain,” he says.
JULY 15
Day 20—Before Dark
I woke up on the floor.
Where in the house, I didn’t know.
All I knew when I regained consciousness was that I was somewhere inside Baneberry Hall, flat-backed on the floor, my joints stiff and my head pounding. It wasn’t until I opened my eyes and saw the portrait of Indigo Garson staring down at me that everything came rushing back.
Me in the Indigo Room.
Scraping at the painting.
Seeing the snake in Indigo’s hands.
A snake that, the longer I looked at it, the more unnerved I became. I wanted to believe Indigo’s pose with the snake was one of those Victorian-era eccentricities. Like death masks and taxidermied birds on hats. But my gut told me there was something far more sinister behind it.
That the snake represented Indigo’s true nature.
A predator.
I assumed it was William Garson who’d ordered it painted over. An attempt to hide the truth about his daughter. I suspected he couldn’t bear to paint over the whole portrait. The artist—poor, besotted Callum Auguste—had done too good a job for that. So the rabbit replaced the snake, an ironic reversal not found in nature.
Now the snake was exposed again. With it came grim understanding that I’d been wrong about so much.
It wasn’t William Garson making fathers kill their daughters inside Baneberry Hall.
It was Indigo.
I understood it with icy clarity. Just like the snake in her hands, she slithered her way into the minds of men who lived here, making them obsessed with what happened to her. I didn’t know if she died by her own hand or her father’s. In the end, it didn’t matter. Indigo was dead, but her spirit remained. Now she spent her days seeking vengeance for what her father had done. She didn’t care that he, too, was long gone. To her, every father deserved punishment.
So she made them kill their daughters.
Six times that had happened.
There wasn’t going to be a seventh.
I made my way back to the kitchen slowly, too sore from my night on the floor to move quickly. After hobbling down the steps, I found myself in front of the bells once more.
“Curtis,” I whispered, fearful Indigo was also nearby. Lurking. Listening. “Are you there?”
Three familiar bells rang.
YES
“It was Indigo, wasn’t it? She made you kill Katie.”
Another three rings.
YES
“What can I do?” I said. “How can I stop her? How can I tell if she’s here?”
Five bells rang a total of six times. At the final chime—the first bell on the first row—I realized he had spelled a word new to this weird form of communication.
“I can explain,” he says.
JULY 15
Day 20—Before Dark
I woke up on the floor.
Where in the house, I didn’t know.
All I knew when I regained consciousness was that I was somewhere inside Baneberry Hall, flat-backed on the floor, my joints stiff and my head pounding. It wasn’t until I opened my eyes and saw the portrait of Indigo Garson staring down at me that everything came rushing back.
Me in the Indigo Room.
Scraping at the painting.
Seeing the snake in Indigo’s hands.
A snake that, the longer I looked at it, the more unnerved I became. I wanted to believe Indigo’s pose with the snake was one of those Victorian-era eccentricities. Like death masks and taxidermied birds on hats. But my gut told me there was something far more sinister behind it.
That the snake represented Indigo’s true nature.
A predator.
I assumed it was William Garson who’d ordered it painted over. An attempt to hide the truth about his daughter. I suspected he couldn’t bear to paint over the whole portrait. The artist—poor, besotted Callum Auguste—had done too good a job for that. So the rabbit replaced the snake, an ironic reversal not found in nature.
Now the snake was exposed again. With it came grim understanding that I’d been wrong about so much.
It wasn’t William Garson making fathers kill their daughters inside Baneberry Hall.
It was Indigo.
I understood it with icy clarity. Just like the snake in her hands, she slithered her way into the minds of men who lived here, making them obsessed with what happened to her. I didn’t know if she died by her own hand or her father’s. In the end, it didn’t matter. Indigo was dead, but her spirit remained. Now she spent her days seeking vengeance for what her father had done. She didn’t care that he, too, was long gone. To her, every father deserved punishment.
So she made them kill their daughters.
Six times that had happened.
There wasn’t going to be a seventh.
I made my way back to the kitchen slowly, too sore from my night on the floor to move quickly. After hobbling down the steps, I found myself in front of the bells once more.
“Curtis,” I whispered, fearful Indigo was also nearby. Lurking. Listening. “Are you there?”
Three familiar bells rang.
YES
“It was Indigo, wasn’t it? She made you kill Katie.”
Another three rings.
YES
“What can I do?” I said. “How can I stop her? How can I tell if she’s here?”
Five bells rang a total of six times. At the final chime—the first bell on the first row—I realized he had spelled a word new to this weird form of communication.
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