Page 109
Story: Home Before Dark
Marta gives me a sidelong glance, checking to see if I’m surprised to learn she’s read the Book. I am.
“I read it on the advice of my attorney,” she says.
“Is your part of the story accurate?”
“To a degree, yes. I met with your father, in exactly the same way it takes place in the book. He came to the bakery, and then I met him at the library.”
“What did you talk about?”
Marta holds the beer bottle with both hands, cradling it against her chest. It makes her look like a wallflower at a frat party. Timid and shy. “A lot of what eventually ended up in the book. Our time at the house. What happened that horrible day. He told me he was working on a book about Baneberry Hall, which is why I agreed to talk. I wanted him to know the truth. I was very honest about everything, from Katie’s illness to how I discovered her and Curtis’s bodies.”
“And all that stuff about thinking your husband didn’t do it?”
“We never discussed it,” Marta says. “That part is entirely fiction.”
I stare into my beer bottle, too ashamed by my father’s actions to look Marta in the eye.
“I’m sorry my father did that. It was wrong of him.”
What my father wrote about Curtis Carver is one of the many reasons I’ve struggled with the Book’s legacy. It’s one thing to make up an outlandish story and say it’s real. Tabloids do it every week. Rewriting someone else’s history isn’t as easy to ignore. By openly claiming that Curtis Carver hadn’t killed his daughter and himself, my father twisted Marta’s true tragedy until it started to resemble fiction. The fact that she’s here now shows a level of forgiveness I’m not sure I possess.
That’s why it pains me so much to now think there’s an inkling of truth to what my father wrote. Not just about Baneberry Hall being haunted.
About everything.
It’s not safe there. Not for you.
“Did my father ever mention ghosts?” I say.
“Of course,” Marta says. “By then, your family’s story had been all over the news.”
“You two didn’t talk untilafterwe left Baneberry Hall?”
“It was about two weeks after,” Marta says. “I remember because it was the only thing people talked about when they came to the bakery. They worried I was distressed by seeing Baneberry Hall in the news so much.”
“Were you?”
“At first,” she admits. “But I was also curious about what your family had experienced here.”
“Why?”
“Because it wouldn’t surprise me if this place is haunted.” Marta steps off the porch to gaze up at the front exterior of Baneberry Hall. A reflection of the house fills the lenses of her spectacles, hiding the fearful curiosity I’m sure is in her eyes. “I don’t believe in ghosts. But this house—and what’s happened here—well, it could make me change my mind.”
I remain on the porch, watching her watch Baneberry Hall. What I need to ask next is a make-or-break moment. One that might cause Marta Carver to think I’m exactly like my father.
Cruel.
“Did you ever wonder—even just for a second—if my father was right?” I say. “About those things he suggested in the Book. What if your husband didn’t kill your daughter?”
I expect Marta to be angry. She ends up being the opposite. Returning to the porch, she pulls me into a fierce hug.
“Oh, Maggie, I know what you’re feeling right now. I’ve been there, too. Wanting to believe anything other than what’s right in front of you. For months—even years—I harbored this kernel of hopethat Curtis didn’t do it. That he couldn’t have been that much of a monster. But he did do it, Maggie.”
“How are you so sure?”
“He left a note,” Marta says. “It was kept out of the official police report, which is why it wasn’t in any articles about the crime. Curtis suffered from depression, which wasn’t talked about as much then as it is now. Katie’s illness sent him into a spiral. He wrote that he couldn’t handle it anymore. That all he wanted to do was end the suffering he and Katie were experiencing. The police confirmed it was his handwriting, and forensics evidence proved he killed both Katie and himself.”
She pauses, as if just saying those words has knocked the air out of her. That’s what hearing them has done to me. I can scarcely breathe.
“I read it on the advice of my attorney,” she says.
“Is your part of the story accurate?”
“To a degree, yes. I met with your father, in exactly the same way it takes place in the book. He came to the bakery, and then I met him at the library.”
“What did you talk about?”
Marta holds the beer bottle with both hands, cradling it against her chest. It makes her look like a wallflower at a frat party. Timid and shy. “A lot of what eventually ended up in the book. Our time at the house. What happened that horrible day. He told me he was working on a book about Baneberry Hall, which is why I agreed to talk. I wanted him to know the truth. I was very honest about everything, from Katie’s illness to how I discovered her and Curtis’s bodies.”
“And all that stuff about thinking your husband didn’t do it?”
“We never discussed it,” Marta says. “That part is entirely fiction.”
I stare into my beer bottle, too ashamed by my father’s actions to look Marta in the eye.
“I’m sorry my father did that. It was wrong of him.”
What my father wrote about Curtis Carver is one of the many reasons I’ve struggled with the Book’s legacy. It’s one thing to make up an outlandish story and say it’s real. Tabloids do it every week. Rewriting someone else’s history isn’t as easy to ignore. By openly claiming that Curtis Carver hadn’t killed his daughter and himself, my father twisted Marta’s true tragedy until it started to resemble fiction. The fact that she’s here now shows a level of forgiveness I’m not sure I possess.
That’s why it pains me so much to now think there’s an inkling of truth to what my father wrote. Not just about Baneberry Hall being haunted.
About everything.
It’s not safe there. Not for you.
“Did my father ever mention ghosts?” I say.
“Of course,” Marta says. “By then, your family’s story had been all over the news.”
“You two didn’t talk untilafterwe left Baneberry Hall?”
“It was about two weeks after,” Marta says. “I remember because it was the only thing people talked about when they came to the bakery. They worried I was distressed by seeing Baneberry Hall in the news so much.”
“Were you?”
“At first,” she admits. “But I was also curious about what your family had experienced here.”
“Why?”
“Because it wouldn’t surprise me if this place is haunted.” Marta steps off the porch to gaze up at the front exterior of Baneberry Hall. A reflection of the house fills the lenses of her spectacles, hiding the fearful curiosity I’m sure is in her eyes. “I don’t believe in ghosts. But this house—and what’s happened here—well, it could make me change my mind.”
I remain on the porch, watching her watch Baneberry Hall. What I need to ask next is a make-or-break moment. One that might cause Marta Carver to think I’m exactly like my father.
Cruel.
“Did you ever wonder—even just for a second—if my father was right?” I say. “About those things he suggested in the Book. What if your husband didn’t kill your daughter?”
I expect Marta to be angry. She ends up being the opposite. Returning to the porch, she pulls me into a fierce hug.
“Oh, Maggie, I know what you’re feeling right now. I’ve been there, too. Wanting to believe anything other than what’s right in front of you. For months—even years—I harbored this kernel of hopethat Curtis didn’t do it. That he couldn’t have been that much of a monster. But he did do it, Maggie.”
“How are you so sure?”
“He left a note,” Marta says. “It was kept out of the official police report, which is why it wasn’t in any articles about the crime. Curtis suffered from depression, which wasn’t talked about as much then as it is now. Katie’s illness sent him into a spiral. He wrote that he couldn’t handle it anymore. That all he wanted to do was end the suffering he and Katie were experiencing. The police confirmed it was his handwriting, and forensics evidence proved he killed both Katie and himself.”
She pauses, as if just saying those words has knocked the air out of her. That’s what hearing them has done to me. I can scarcely breathe.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140