Page 89 of I Dreamt That You Loved Me
My stomach was all jittery with nerves, so my tactic was always to hold on to him tightly. Preferably until the next day when I wouldn’t have to deal with a temperamental makeup artist and the critics sitting in the front row.
“You’re going to be fine. You have absolutely nothing to worry about,” he assured me. “I’ll get there as early as I can, okay? And once you get into it, you’ll be fine. It’s like a big party back there.”
This was true. We even had rock stars coming to our shows, most of whom were dating the models.
We didn’t have time to stand here all day, so I released him. “Okay. You’re free to go to the studio now.”
“You’re too good to me,” he said as he strode away.
“Don’t I know it,” I called after him.
I heard him laughing as the door closed behind him.
Then I kicked my ass into gear and channelled my badass boss mode. Or, at least, a close facsimile.
I still had no idea what I was doing, but I swear that half of being successful was just faking it ‘til you make it.
Backstage in the gothic-style church, there were approximately five hundred people running around, with the models milling about in various states of undress, but I couldn’t help peeking from backstage as the seats started filling up.
“Don’t look out there,” Simone said, steering me away so I wouldn’t obsess over who was sitting in the front row with a discerning eye and what their reactions would be. It always amazed me when fashion editors, journalists, and celebrities turned up at my shows.
Sometimes I worried that I’d only gotten this far because of nepotism. Thanks to my mom’s memoir, which got a lot of hype and starred reviews, journalists just loved to point out that the “hot new designer shaking up the fashion world” was none other than Nick Ashby’s daughter who was currently dating Gabriel Francis.
I adored Gabriel and was proud to be with him, but why couldn’t my designs be judged purely on their own merits? Why did journalists always have to attach a man’s name to a woman’s accomplishments?
When critics lauded Gabriel’s albums, they never once referred to him as Cleo Babington’s boyfriend.
“Xavi,” I said. “More kohl. More liner. Think The Cure.”
He shot me the evil eye. “Every. Single. Time.” He threw up his hands and cursed me in rapid-fire Spanish. “Trust me. I know what I’m doing. I practically invented the goth look.”
I wouldn’t go that far but okay, I trusted him.
I checked the time again. It was three forty and still no sign of Gabriel.
“How’s this?” Armando asked, standing behind the model’s chair with tongs in hand. He’d straightened Noelle’s long dark hair to within an inch of its life while she smoked cigarettes and drank champagne.
“Perfect, Armando. You look gorgeous, Noelle.”
She blew me a kiss. “I love your shows. It’s always such a great party. Good vibes.”
“You brought the good vibes with you,” I said, hurrying over to Simone who was sewing a willowy blonde into a black lace bustier. “Are you okay?”
“We’re fine. The seam ripped.” She waved me away. “Go help Gigi get into that dress.”
I turned to go then paused. “Simone…”
“You’re welcome. And you’ve got this. It’s going to be a sensation.”
“I love you, Simone.” I blew her a kiss. “I love you too, Xavi,” I called.
“You should. How fabulous does this makeup look?”
“Fabulous,” I declared.
“Tonight, we’ll drink champagne and toast to our collaboration,” he promised.
“It’s a match made in heaven,” I teased as I helped Gigi into a sheer black lace dress and did up the tiny silk-covered buttons going up the back.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89 (reading here)
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186