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The cracksman waited patiently in the darkness of the broom closet through the Tuesday and into the night. He heard various male employees enter the washroom, do what they came for, and leave. Through the wall he could hear the elevator occasionally whine its way up and down to the top floor. He sat on his briefcase with his back to the wall, and an occasional glance at his luminous watch told him of the passing hours.

Between half past five and six he heard the staff walking past on their way to the lobby and home. At six, he knew, the nightwatchman would arrive, to be admitted by the commissionaire, who by then would have checked every one of the staff past his desk according to the daily list.

When the commissionaire left just after six, the nightwatch would lock the front door and set the alarms.

Then he would settle down with the portable TV he brought every evening and watch the game shows until it was time for his first round.

According to the yarid team, even the cleaners were supervised. They did the common parts—halls, stairways, and washrooms—during the nights of Monday, Wednesday, and Friday, but on a Tuesday night the cracksman should remain undisturbed. On Saturdays they came back to clean the private offices under the eye of the commissionaire, who remained with them at all times.

The routine of the nightwatch was apparently always the same. He made three tours of the building, testing all doors, at tenP.M. , at two in the morning, and at five.

Between coming on duty and his first tour, he watched his TV and ate his packed supper. In the longest gap, between ten and two, he dozed, setting a small alarm to tell him when it was two in the morning. The cracksman intended to make his burglary during that gap.

He had already seen Gemütlich’s office and its all-important door. The latter was of solid wood but happily was not alarmed. The window was alarmed, and he had noted the faint outline of two pressure pads between the parquet and the carpet.

At ten precisely he heard the elevator rumbling upward, bearing the nightwatch to begin his tour of the office doors, starting at the top and coming down floor by floor on foot.

Half an hour later, the elderly man had finished, put his head around the door of the men’s room, flashed on the light to check the wired and alarmed window, closed the door, and returned to his desk in the lobby. There he chose to watch a late game show.

At 10:45 the cracksman, in complete darkness, left the men’s room and stole up the stairs to the fourth floor.

The door of Herr Gemütlich’s office took him fifteen minutes. The last tumbler of the four-lever mortise deadlock tumbled back, and he stepped inside.

Although he wore a band around his head holding a small penlight, he took another, larger flashlight to scan the room. By its light, he could avoid the two pressure pads and approach the desk from its unguarded side. Then he switched it off and resumed by the light only of the penlight.

The locks on the three top drawers were no problem—small brass affairs over a hundred years old.

When the three drawers were removed, he inserted his hand and began to feel for a knob, button, or lever. Nothing. It was an hour later, at the rear of the third drawer down on the right-hand side, that he found it. A small lever, in brass, no more than an inch long. When he pushed it, there was a low click, and a strip of inlay at the base of the pillar jumped open a centimeter.

The tray inside was quite shallow, less than an inch, but it was enough to contain twenty-two sheets of thin paper. Each was a replica of the letter of authority that alone would suffice to operate the accounts under Gemütlich’s charge.

The cracksman produced his camera and a clamper, a device of four fold-back aluminum legs that kept the prefocused camera at exactly the right distance from the paper beneath it to get a high-definition exposure.

The top of the pile of sheets was the one describing the operating method of the account opened the previous morning by the spotter, on behalf of the fictitious client in the United States. The one he wanted was the seventh down. The number he already knew—the Mossad had been paying money into Jericho’s account for two years before the Americans took over.

To be on the safe side, he photographed them all anyway. After returning the cachette to its original state, he replaced and relocked all the drawers and withdrew, sealing the office door behind him. He was back in the broom closet by ten past one.

When the bank opened for morning business, the cracksman let the elevator run up and down for half an hour, knowing the commissionaire never needed to escort the staff to their offices. The first client appeared at ten to ten. When the elevator had gone up past him, the cracksman stole out of the men’s room, tiptoed to the end of the corridor, and looked down into the lobby. The desk of the commissionaire was empty; he was upstairs escorting the client.

The cracksman produced a bleeper and pressed twice. Within three seconds the front door bell rang.

The receptionist activated her speaker system and asked:

“Ja?”

“Lieferung,” said a tinny voice. She pressed the door-release catch, and a big cheerful delivery man entered the lobby. He bore a large oil painting wrapped in brown paper and string.

“Here you are, lady, all cleaned and ready to rehang,” he said.

Behind him the door slid to its close. As it did so, a hand came around the edge at floor level and inserted a wad of paper. The door appeared to close but the catch did not engage.

The delivery man stood the oil painting on the edge of the receptionist’s desk. It was big, five feet wide and four feet tall. It blocked her whole view of the lobby.

“But I know nothing about—” she protested. The head of the delivery man came around the edge of the painting.

“Just sign for its safe receipt, please,” he said, and put in front of her a clipboard with a receipt form. As she studied it, the cracksman came down the marble steps and slipped out of the door.

“But this says Harzmann Galerie,” she pointed out.