Page 27 of Dance of Devils
“What does Ivan have to do with Brooklyn?”
Ivan is an old friend of mine from boarding school, a fellow Russian castaway who went on to have an illustrious dance career and is now the Artistic Director of theImperiya Koronain Moscow—AKA, the man I’ll be calling in a favor with to get Inessa Moskovic into the company.
Magda gives me a curious look. “You didn’t know?”
She sighs, shaking her head as she pushes me aside and scrolls down through Brooklyn’s file.
“She auditioned for theImperiya Korona's ballet mistress, Liliya Rostova, a month ago, when Liliya was visiting New York.”
My brows knit. “Did she now.”
Magda smiles wryly. “She did. And unfortunately for us, Liliya liked her and put her on the short list for the one apprenticeship available this year.”
Something rancorous and bitter slams into me, my jaw clenching as I read the note in Brooklyn’s file.
Holy fuck.
I’ve seen her dance, of course, though not with a particularly analytical eye. She’s very good, and extremely disciplined. But I wouldn’t have guessed that she was aiming as high as theImperiya fucking Korona.
I turn to look at Magda. “What are your thoughts on that?”
She scowls. “She’s…quite good. Incredible, actually, though she has a way of blending into the background and never quite putting herself out there. I would say she’s easily up there with Naomi Kim or Dove Marchetti… No, I’ll be blunt. She’s the best dancer in the Zakharova. Losing her will hurt us.”
I frown. “So you think she’ll get the apprenticeship?”
Magda snorts, curling and uncurling her fingers, making the rings on them glitter in the light. “I’m quite sure she will. I’ve seen the short list. It’s between her and three other girls—Lin Xiuya from China’s Zhujiang Baleiwutuán, the Teatro dell’Aurora in Florence’s Allegra Vitale and Camille Blanchet, of L’Académie de Paris.”
She turns and walks across the office to an electric kettle by the window and switches it on.
“Tea, Kir?”
“No thank you.”
She nods and pulls a mug and small wooden tea caddy from a drawer, then scoops some loose leaves into a small cotton drawstring bag.
“They’re all quite talented. But…” She shakes her head. “I say this as an impartial teacher of ballet, not asBrooklyn’steacher…she’s the best. It’s not even close. They would be fools not to take her.” Magda sighs. “She’s hungry for it, too,” she adds.“Brooklyn, I mean. She’s got both the talentandthe desire to be there.”
Interesting.
Interesting and tragic. For Brooklyn, that is. Because that one apprenticeship is already going to someone else.
And I’m the asshole who’s going to make sure that happens.
While Magda’s water boils, I scroll up through Brooklyn’s file. Just as I suspected, her address doesn’t match the one where I dropped her off last night. I make a note of the real one as the kettle starts to whistle.
“Why did you stop, Kir?”
I glance over at Magda as she pours the boiling water over the tea leaves, then dunks the bag a few times.
“Stop what?”
She smirks. “Dancing.” She brings her mug to her lips, breathing in the steam. “You were quite good, as I remember.”
I chuckle, smiling wryly. “That’s generous of you.”
“Kir.” She rolls her eyes. “If you’re fishing for more compliments, don’t bother. I’m done. But I’m serious, and you know it. You wereexcellent. And then you just…stopped.”
“I’m not sure it’s compatible with my current line of work,” I say dryly.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27 (reading here)
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192