Page 91 of Dance of Defiance
What if I’m not good.
Evie, obviously, is just drunk. I already know her “secret” is that she went on that fucking Club Venom app. I still have no idea how to bring that up with her. Honestly, at this point, I probably won't.
Nothing came of it. Stepan is savvy enough with this house’s tech to be able to show me internet traffic for the last few weeks. No one has been on the Club Venom app since the night I saw that conversation on Evie’s phone. So…that’s done.
What if I’m not good.
Evie doesn’t have a fucking thing to worry about there. Sheisgood; alarmingly, slightly worryingly so.
But me?
I squeeze my eyes shut as I take another sip, letting the vodka burn my throat.
“Good” isn’t lying to yourself and the people who love you. “Good” isn’t sneaking around, drowning your own self-hatred with alcohol, and playing risky sex gameswith a fucking man.
“Good” isn’t looking yourself in the mirror and hating every fucking facet of what you see as you try and convince yourself that you don’t find Val Bancroft extremely attractive. Which means?—
“Roman!!”
I startle, choking on the vodka in my mouth as a haggard-looking Stepan rushes into the room, phone in one hand, drawn gun in the other.
“It’s your father,” he says tightly.
My pulse stills.
“He’s going to be okay. Nikolai Antonov, too. But there was an explosion at the safe house. A firebomb. Come—I’ll drive you to the hospital.”
I bolt after him, taking the gun he hands me and checking the mag before I stick it into the back of my pants. When we rush into the main hall and I see the small fuckingarmyof heavily armed Nikitin men there, I grab his shoulder.
“The fuck is all this?”
Stepan’s face is gray as he turns back to me. “For your sister’s safety.” His jaw tenses. “We’re fairly sure the attack was the work of the Obsidian Syndicate.”
16
VAL
“She’s somean!”
I snort as I follow Naomi into the women’s locker room, with Milena right behind me.
It’s pretty late, but Madame Kuzmina, our artistic director, considers anything less than literal perfection to be a personal affront. Tonight, that Stalinist drive meant she kept Naomi, Milena, and I late to hammer down thepas de troisfromLa Bayadère, a Russian ballet involving a love triangle between Solor the warrior—that would be me—the princess Gamzatti, Naomi, and the temple dancer Nikiya, Milena.
And trust me, I feel hammered the fuck down.
“I want to just say it’s her Russian nature,” Milena groans, glancing at Naomi, who’s slumped on the bench by the lockers. “But she takes it to another level.”
“It doesn’t help that you fucking antagonize her, Val,” Naomi grumbles, shooting me a dark look.
“Moi?” I give them my most charming smile, framing my face with my hands and fluttering my eyelashes dramatically.
“Yes,” they mutter in unison, glaring at me.
Milena turns away, peeling off her tights and leotard and wrapping a towel around her.
Again, these girls are like sisters. Or utterly—and I do meanutterly—platonic pals. For a while there, the other guys in the Zakharova had a habit of leaving directly after rehearsal and showering at home or at their gyms or wherever, and honestly, it got lonely and boring being the only one in the guys' changing room.
So I just started using this one instead. It’s one hundred percent not a sexual thing, and I’ve bent over backward to make sure I’m not making anyone uncomfortable. If Dove’s around, for instance, I use the guys' room, because I can tell she’s not down with sharing the space with me.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91 (reading here)
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193
- Page 194
- Page 195
- Page 196
- Page 197
- Page 198
- Page 199
- Page 200
- Page 201
- Page 202
- Page 203
- Page 204
- Page 205
- Page 206
- Page 207
- Page 208
- Page 209
- Page 210
- Page 211
- Page 212
- Page 213
- Page 214
- Page 215
- Page 216
- Page 217
- Page 218
- Page 219
- Page 220
- Page 221
- Page 222
- Page 223
- Page 224
- Page 225
- Page 226
- Page 227
- Page 228
- Page 229
- Page 230
- Page 231
- Page 232