Page 1

I'M THE VAMPIRE LESTAT. REMEMBER ME? THE vampire who became a super rock star, the one who wrote the autobiography? The one with the blond hair and the gray eyes, and the insatiable desire for visibility and fame? You remember. I wanted to be a symbol of evil in a shining century that didn't have any place for the literal evil that I am. I even figured I'd do some good in that fashion-playing the devil on the painted stage.

And I was off to a good start when we talked last. I'd just made my debut in San Francisco-first "live concert" for me and my mortal band. Our album was a huge success. My autobiography was doing respectably with both the dead and the undead.

Then something utterly unforeseen took place. Well, at least I hadn't seen it coming. And when I left you, I was hanging from the proverbial cliff, you might say.

Well, it's all over now-what followed. I've survived, obviously. I wouldn't be talking to you if I hadn't. And the cosmic dust has finally settled; and the small rift in the world's fabric of rational beliefs has been mended, or at least closed.

I'm a little sadder for all of it, and a little meaner and a little more conscientious as well. I'm also infinitely more powerful, though the human in me is closer to the surface than ever-an anguished and hungry being who both loves and detests this invincible immortal shell in which I'm locked.

The blood thirst? Insatiable, though physically I have never needed the blood less. Possibly I could exist now without it altogether. But the lust I feel for everything that walks tells me that this will never be put to the test.

You know, it was never merely the need for the blood anyway, though the blood is all things sensual that a creature could desire; it's the intimacy of that moment-drinking, killing-the great heart-to-heart dance that takes place as the victim weakens and I feel myself expanding, swallowing the death which, for a split second, blazes as large as the life.

That's deceptive, however. No death can be as large as a life. And that's why I keep taking life, isn't it? And I'm as far from salvation now as I could ever get. The fact that I know it only makes it worse.

Of course I can still pass for human; all of us can, in one way or another, no matter how old we are. Collar up, hat down, dark glasses, hands in pockets-it usually does the trick. I like slim leather jackets and tight jeans for this disguise now, and a pair of plain black boots that are good for walking on any terrain. But now and then I wear the fancier silks which people like in these southern climes where I now reside.

If someone does look too closely, then there is a little telepathic razzle-dazzle: Perfectly normal, what you see. And a flash of the old smile, fang teeth easily concealed, and the mortal goes his way.

Occasionally I throw up all the disguises; I just go out the way I am. Hair long, a velvet blazer that makes me think of the olden times, and an emerald ring or two on my right hand. I walk fast right through the downtown crowds in this lovely corrupt southern city; or stroll slowly along the beaches, breathing the warm southern breeze, on sands that are as white as the moon.

Nobody stares for more than a second or two. There are too many other inexplicable things around us-horrors, threats, mysteries that draw you in and then inevitably disenchant you. Back to the predictable and humdrum. The prince is never going to come, everybody knows that; and maybe Sleeping Beauty's dead.

It's the same for the others who have survived with me, and who share this hot and verdant little corner of the universe-the southeastern tip of the North American continent, the glistering metropolis of Miami, a happy hunting ground for bloodthirsting immortals if ever there was such a place.

It's good to have them with me, the others; it's crucial, really- and what I always thought I wanted: a grand coven of the wise, the enduring, the ancient, and the careless young.

But ah, the agony of being anonymous among mortals has never been worse for me, greedy monster that I am. The soft murmur of preternatural voices can't distract me from it. That taste of mortal recognition was too seductive-the record albums in the windows, the fans leaping and clapping in front of the stage. Never mind that they didn't really believe I was a vampire; for that moment we were together. They were calling my name!

Now the record albums are gone, and I will never listen to those songs again. My book remains-along with Interview with the Vampire-safely disguised as fiction, which is, perhaps, as it should be. I caused enough trouble, as you will see.

Disaster, that's what I wrought with my little games. The vampire who would have been a hero and a martyr finally for one moment of pure relevance . . .

You'd think I'd learn something from it, wouldn't you? Well, I did, actually. I really did.

But it's just so painful to shrink back into the shadows-Lestat, the sleek and nameless gangster ghoulie again creeping up on helpless mortals who know nothing of things like me. So hurtful to be again the outsider, forever on the fringes, struggling with good and evil in the age-old private hell of body and soul.

In my isolation now I dream of finding some sweet young thing in a moonlighted chamber-one of those tender teenagers, as they call them now, who read my book and listened to my songs; one of the idealistic lovelies who wrote me fan letters on scented paper, during that brief period of ill-fated glory, talking of poetry and the power of illusion, saying she wished I was real; I dream of stealing into her darkened room, where maybe my book lies on a bedside table, with a pretty velvet marker in it, and I dream of touching her shoulder and smiling as our eyes meet. "Lestat! I always believed in you. I always knew you would come!"

I clasp her face in both hands as I bend to kiss her. "Yes, darling," I answer, "and you don't know how I need you, how I love you, how I always have. "

Maybe she would find me more charming on account of what's befallen me-the unexpected horror I've seen, the inevitable pain Pve endured. It's an awful truth that suffering can deepen us, give a greater luster to our colors, a richer resonance to our words. That is, if it doesn't destroy us, if it doesn't burn away the optimism and the spirit, the capacity for visions, and the respect for simple yet indispensable things.

Please forgive me if I sound bitter.

I don't have any right to be. I started the whole thing; and I got out in one piece, as they say. And so many of our kind did not. Then there were the mortals who suffered. That part was inexcusable. And surely I shall always pay for that.

But you see, I still don't really fully understand what happened. I don't know whether or not it was a tragedy, or merely a meaningless venture. Or whether or not something absolutely magnificent might have been born of my blundering, something that could have lifted me right out of irrelevance and nightmare and into the burning light of redemption after all.

I may never know, either. The point is, it's over. And our world-our little private realm-is smaller and darker and safer than ever. It will never again be what it was.

It's a wonder that I didn't foresee the cataclysm, but then I never really envision the finish of anything that I start. It's the risk that fascinates, the moment of infinite possibility. It lures me through eternity when all other charms fail.

After all, I was like that when I was alive two hundred years ago-the restless one, the impatient one, the one who was always spoiling for love and a good brawl. When I set out for Paris in the 17805 to be an actor, all I dreamed of were beginnings-the moment each night when the curtain went up.

Maybe the old ones are right. I refer now to the true immortals-the blood drinkers who've survived the millennia-who say that none of us really changes over time; we only become more fully what we are.

To put it another way, you do get wiser when you live for hundreds of years; but you also have more time to turn out as badly as yo