Page 136
Story: The First Gentleman
“Did you say anything?”
“I can’t remember exactly, but I think I made a joke like ‘Who’s choking now?’”
A murmur from the gallery. Dow shoots a look that way but doesn’t bang his gavel.
“Were you angry at Mr. Gervin?” asks Hardy.
“Of course not. We were just messing around.”
“And were you actually choking him?”
“No. I was barely touching him. It lasted for about two seconds. And, unfortunately, that’s when Mr. Donovan snapped the picture.”
“Mr. Wright, what are your thoughts as you look at that photograph today?”
Cole sighs heavily. “I’m embarrassed by it. It’s sexist. It’s disrespectful. It’s inappropriate. I wish it hadn’t happened.”
“No further questions.”
As a lawyer, I take my hat off to Tess Hardy. I’m staring at Cole Wright, the man who I’m convinced has done terrible things, and she’s almost making me like the guy.
CHAPTER
121
During recess, in the conference room at the back of the courthouse, Cole Wright is pumped. The young associates are too.
“I just heard from Maddy,” says Cole. “She thinks it went really well.”
“So do I,” says Tess. “You were solid on the stand. Likable even.”
Cole smiles. He feels like he used to feel during a big play, when he’d see an opening in the backfield and blow right through it. Cole can’t wait to get back into the courtroom, tell the rest of his story, convince the jurors of his innocence.
He looks across the table at Tess. “So when do I go back in?”
Tess stares back. “Never,” she says. “You’re benched.”
Cole cocks his head. “What do you mean? We’re just getting started!”
Tess glances at the other attorneys around the table. “Give us a minute.”
Cole asks his Secret Service detail for the same.
Tess gets up from her chair and closes the door after everyonefiles out. She crosses the room and takes the chair right next to Cole’s.
“Cole, I kept my word. I agreed to put you on the stand, and I did. You did a great job of neutralizing that photograph. So good that Bastinelli didn’t even want to cross-examine you.”
“Exactly. Isn’t that a win? Shouldn’t we capitalize on it?”
“Listen to me. If I put you up there again and get you to testify to what you’ve told me—that the watch was yours and that it was stolen, that the hole was on your property but you didn’t know about it, that Suzanne’s bracelet got broken in an argument but it was an accident—it opens up all those subjects to cross by the prosecution. Bastinelli will keep you up there for days, trying to make you look bad, and he’ll find every little inconsistency in your story.”
Cole is clenching his fists, trying to suppress his anger. He feels betrayed by the person he’s paying to defend him. “I’m innocent!” he shouts. “I want people to know it!”
Hardy stays cool, which makes him even more furious.
“Cole. This was nearly twenty years ago. At some point when you’re on that stand, your memory will slip, and you’ll get caught—maybe not in a lie, but in something that sounds like one. And it will take days for me to rehabilitate you.”
Cole is frustrated, burning with a need to talk, to tell his side. It all spills out in a torrent.
“I can’t remember exactly, but I think I made a joke like ‘Who’s choking now?’”
A murmur from the gallery. Dow shoots a look that way but doesn’t bang his gavel.
“Were you angry at Mr. Gervin?” asks Hardy.
“Of course not. We were just messing around.”
“And were you actually choking him?”
“No. I was barely touching him. It lasted for about two seconds. And, unfortunately, that’s when Mr. Donovan snapped the picture.”
“Mr. Wright, what are your thoughts as you look at that photograph today?”
Cole sighs heavily. “I’m embarrassed by it. It’s sexist. It’s disrespectful. It’s inappropriate. I wish it hadn’t happened.”
“No further questions.”
As a lawyer, I take my hat off to Tess Hardy. I’m staring at Cole Wright, the man who I’m convinced has done terrible things, and she’s almost making me like the guy.
CHAPTER
121
During recess, in the conference room at the back of the courthouse, Cole Wright is pumped. The young associates are too.
“I just heard from Maddy,” says Cole. “She thinks it went really well.”
“So do I,” says Tess. “You were solid on the stand. Likable even.”
Cole smiles. He feels like he used to feel during a big play, when he’d see an opening in the backfield and blow right through it. Cole can’t wait to get back into the courtroom, tell the rest of his story, convince the jurors of his innocence.
He looks across the table at Tess. “So when do I go back in?”
Tess stares back. “Never,” she says. “You’re benched.”
Cole cocks his head. “What do you mean? We’re just getting started!”
Tess glances at the other attorneys around the table. “Give us a minute.”
Cole asks his Secret Service detail for the same.
Tess gets up from her chair and closes the door after everyonefiles out. She crosses the room and takes the chair right next to Cole’s.
“Cole, I kept my word. I agreed to put you on the stand, and I did. You did a great job of neutralizing that photograph. So good that Bastinelli didn’t even want to cross-examine you.”
“Exactly. Isn’t that a win? Shouldn’t we capitalize on it?”
“Listen to me. If I put you up there again and get you to testify to what you’ve told me—that the watch was yours and that it was stolen, that the hole was on your property but you didn’t know about it, that Suzanne’s bracelet got broken in an argument but it was an accident—it opens up all those subjects to cross by the prosecution. Bastinelli will keep you up there for days, trying to make you look bad, and he’ll find every little inconsistency in your story.”
Cole is clenching his fists, trying to suppress his anger. He feels betrayed by the person he’s paying to defend him. “I’m innocent!” he shouts. “I want people to know it!”
Hardy stays cool, which makes him even more furious.
“Cole. This was nearly twenty years ago. At some point when you’re on that stand, your memory will slip, and you’ll get caught—maybe not in a lie, but in something that sounds like one. And it will take days for me to rehabilitate you.”
Cole is frustrated, burning with a need to talk, to tell his side. It all spills out in a torrent.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157