Page 9
Story: Ruby (Landry 1)
"Coming, coming. Philip," he called, and the driver came around to put my paintings in the trunk of the limousine. "Careful," he told him. Then he took down our address. "You will be hearing from me," he said as he got into his limousine again. Grandmere Catherine and I stood beside each other and watched the long car go off until it disappeared around the bend.
"Fifty dollars, Grandmere!" I said, waving the money. Mrs. Thibodeau was quite impressed, but my grandmother looked more thoughtful than happy. I thought she even looked a little sad.
"It's begun," she said in a voice barely above a whisper, her eyes fixed in the direction the limousine had taken. "What has, Grandmere?"
"The future, your future, Ruby. This fifty dollars is just the beginning. Be sure you say nothing about it if your Grandpere Jack should stumble by," she instructed. Then she returned to Mrs. Thibodeau to continue their discussion about couchemals and other evil spirits that lurk about unsuspecting folks.
But I couldn't contain my excitement. I was terribly impatient with the rest of the day, eager to see it hurry along until Paul was to come. I couldn't wait to tell him, and I laughed to myself thinking I could buy him the crushed ice tonight, instead of him buying it for me. Only, I knew he wouldn't let me pay. He was too proud.
The only thing that kept me from exploding with impatience was the business we did. We sold all our blankets, sheets, and towels and Grandmere sold a half-dozen jars of herbal cures. We even sold a pickled frog. All of Grandmere Catherine's gumbo was eaten. In fact, she had to go in and start to make some more for our own dinner. Finally, the sun dropped below the trees and Grandmere declared our day at the roadside had ended. She was very pleased and sang as she worked on our dinner.
"I want you to have my money, Grandmere," I told her.
"We made enough today. I don't need to take your painting money, Ruby." Then she narrowed her eyes on me. "But give it to me to hide. I know you'll feel sorry for that swamp bum and give him some if not all of it one day. I'll put it in my chest for safekeeping. He wouldn't dare look in there," she said.
Grandmere's oak chest was the most sacred thing in the house. It didn't need to be under lock and key. Grandpere Jack would never dare set his hands on it; no matter how drunk he was when he came here. Even I did not venture to open the lid and sift through the things within, for they were her most precious and personal keepsakes, including things that belonged to my mother when she was a little girl. Grandmere promised that everything in it would some day belong to me.
After we had eaten and had cleaned up, Grandmere sat in her rocking chair on the galerie, and I sat near her on the steps. It wasn't as muggy and hot as the night before because there was a brisk breeze. The sky had only a few scattered clouds so the bayou was well lit by the yellowish white light of the moon. It made the limbs of the trees in the swamp look like bones and the still water glisten like glass. On a night like this, sounds traveled over the bayou quickly and easily. We could hear the happy tunes coming from Mr. Bute's accordion and the laughter of his wife and children, all gathered on their front galerie.
Somewhere, way in the distance down left toward town, a car horn blared, while behind us, the frogs croaked in the swamp. I had not told Grandmere Catherine that Paul was coming, but she sensed it.
"You look like you're sitting on pins and needles tonight, Ruby. Waiting for something?"
Before I could reply, we heard the soft growl of Paul's motor scooter.
"No need to answer," Grandmere said. Moments later, we saw the small light on his motor scooter, and Paul rode into our front yard.
"Good evening, Mrs. Landry, They said, walking up to us. "Hi, Ruby."
"Hello," Grandmere Catherine said, eying him cautiously.
"We have a little relief from the heat and humidity tonight," he said, and she nodded. "How was your day?" he asked me.
"Wonderful! I sold all five of my paintings," I declared quickly.
"All of them? That is wonderful. We'll have to celebrate with two ice cream sodas instead of just crushed ice. If it's all right with you, Mrs. Landry, I'd like to take Ruby to town," he added, turning to Grandmere Catherine. I saw how his request troubled her. Her eyebrows rose and she leaned back in her rocker. Her hesitation made Paul add, "We won't be long."
"I don't want you to take her on that flimsy motor thing," Grandmere said, nodding toward the scooter. Paul laughed.
"I'd rather walk on a night like this anyway, wouldn't you, Ruby?"
"Yes. All right, Grandmere?"
"I suppose. But don't go anywhere but to town and back and don't talk to any strangers," she cautioned.
"Yes, Grandmere."
"Don't worry, I won't let anything happen to her
," Paul assured Grandmere. Paul's assurance didn't make her look less anxious, but he and I started toward town, our way well lit by the moon. He didn't take my hand until we were out of sight.
"Your grandmere worries so much about you," Paul said. "She's seen a lot of sadness and hard times. But we had a good day at the stall."
"And you sold all your paintings. That's great."
"I didn't sell them so much as get them into a New Orleans gallery," I said, and told him everything that had happened and what Dominique LeGrand had said.
Paul was silent for a long moment. Then he turned to me, his face strangely sad. "Someday, you'll be a famous artist and move away from the bayou. You'll live in a big house in New Orleans, I'm sure," he predicted, "and forget all us Cajuns."
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9 (Reading here)
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193
- Page 194
- Page 195
- Page 196
- Page 197
- Page 198
- Page 199
- Page 200
- Page 201
- Page 202
- Page 203
- Page 204
- Page 205
- Page 206
- Page 207
- Page 208
- Page 209
- Page 210
- Page 211
- Page 212
- Page 213
- Page 214
- Page 215
- Page 216
- Page 217
- Page 218
- Page 219
- Page 220
- Page 221
- Page 222
- Page 223
- Page 224
- Page 225
- Page 226
- Page 227