Page 32 of Twisted Pact
I pull out a volume of Dostoevsky and flip through pages covered in margin notes. Alexei’s handwriting is neat and precise. Not what you expect from a man who breaks bones. His annotations show engagement with the text rather than just academic exercise.
“Find anything you like?”
I turn. He’s in the doorway, blocking the exit like it’s nothing. Those blue-gray eyes watch my every move, but he doesn’t look angry about me invading his space. Just curious.
“You read Dostoevsky.” I skip the apology.
“Guilty.”
“And youunderstoodhim, apparently.”
“Is that shocking?”
“A little.” I shelve it and pull out another. “Most criminals aren’t literary scholars.”
“Most grad students don’t dismantle criminal enterprises.” He walks closer. “Seems we both have hidden depths, Zaika.”
I turn to face him with a collection of French poetry in my hands. “Where did you learn this?”
“Private tutors. My father believed in education, even for future criminals.”
“That’s… progressive.”
“He was complicated.” Alexei brushes my fingers as he takes the book, opening to a ribboned page. “This one’s my favorite. Baudelaire. ‘The Albatross.’”
“About the poet being like a giant bird that’s graceful in flight but clumsy on land,” I recall. “French lit. Sophomore year.”
“What'd you think?”
“I think Baudelaire was self-indulgent. Artists aren’t birds; they’re just people who want an excuse for being bad at normal life.”
He laughs, low and real. It strips the danger off him for a second, and I hate that I like it.
“What else do you read?”
“Whatever hooks me. Art history, mostly. Philosophy when I’m feeling pretentious.”
“And the poetry?”
“Helps me sleep.”
“You read French poetry to fall asleep?”
“You say that like it’s weird.”
“It is weird. Normal people count sheep or take melatonin.”
“I’m not normal people, Zaika.”
The wordZaikaslides warm through my stomach. I hate how my body answers.
“No. You’re definitely not.” I back toward the door. “Thanks for the tour.”
“Anytime.”
I head back to my room and start unpacking. It’s something to keep me from thinking about Alexei’s notes in Dostoevsky and the fact that he reads poetry to fall asleep.
Every time I try to fit him into the box I made for him—cold, arrogant, and dangerous—he proves me wrong.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32 (reading here)
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149