Page 5 of Rivals
Just as I pass Revna, I peek at her canvas, and my steps falter. From what I can see, it’s beautiful.
I hate it.
Taking a step closer, I notice the painting is eerily similar yet completely different from mine. It is abstract in nature, but if you angle it the right way, it looks almost… familiar. The position I am standing from makes it look like it would go with mine, complimenting it because of its odd impressionist take, which is weird. Almost as if it’s a mirror of mine.
Righteous anger lights my veins, and I stomp towards her. Her earbuds are in, and I slam my hand on the wall next to her canvas, which is also the same size as mine.
“What the hell is this?” I yell.
She doesn’t even respond. She continues swiping paint back and forth in a place that I don’t think needs more paint. I yank her earbud out of her ear, and it dangles down, swinging back and forth.
“What does it look like, asshole? It’s a painting. Now get out of my space, or I’ll scream, and school security will come running.”
“Oh, you mean the mall cop?”
She shrugs. “It’s either him or the retired green beret out there tonight. I don’t know. Should I go check?” Dragging my gaze from her lips to her eyes, I find her waiting for me to respond. Her pupils are blown, and I’m not sure if it’s me causing that response or maybe she’s on something like I am.
I don’t care.
Instead, my body moves before my brain decides to. I grip her chin, forcing her to look at me. I see the spark of anger push through her black pools, and she growls, the vibration making my hand tingle. “I don’t know what you are getting at, but you need to change yours. It looks too similar to mine. Do you understand, little bird?”
“Screw you,” she says, her tiny arms trying to push me away.
“You would be my last choice, Revna. Change it.” Leaving no room for discussion, I drop my hand and turn to leave.
“I will beat you, you know.”
My steps halt. Not because I think she’s right, but because what she said is hilarious. “Yeah, and I’m the next Michelangelo.” She sneers at me, her brush gripped tightly in her hand. I can’t wait to wipe that look off her face when I win the MoMA exhibition.
Chapter 6
Revna
Thatself-righteous,self-importantpieceof shit that isn’t worth the speck of paint sitting on his cheek, blending in with the freckle that sits to the left of his right eye and into his growing beard. Who does he think he is, telling me to change my painting because he thinks it looks too much like his?
I stomp over to his paint area and stare at his drying canvas. What the hell is he talking about? The strokes are all different. The coloring is nowhere close to mine. I’m using a brick-red, and he clearly has a red-orange. Idiot.
I turn and go back towards my painting, and then I see it. How. In. The. World. That’s impossible. It has to be the drugs.
It’s not, Revna.
I spin around. No, no one is here. What in the world? I glance up at the ceiling and check my earbuds. Nothing is playing. What the hell did I take? I have never had voices talk to me on OBA. This is a new one, even for me.
It’s not the drugs.
The hell it’s not!
Ok, well, it’s not. Go finish what you need to do. You’re almost there.
What are you talking about? It’s done. I stomp back to my area, trying to ignore how my painting oddly goes with Lachlan’s. Yet, this is the first time I’ve seen it. I know for a fact this is the first time he has seen mine because I just started it.
It needs more purple.
Um, no. Because if I did more purple, then it really would look similar to Lachlan’s.
Trust me.
Why would I trust the voice in my head that is likely a result of the sketchy drugs I took? I stare at my work. I think it’s going to get me to the next round. I feel good about it. But the last time I felt good about any piece, it was trash according to professors and other artists who were critiquing it, so what the hell do I know? Pacing back and forth, I try to see it from all angles. The voice is right. I need more purple. It will complement the other cool tones, which will make the red and bits of yellow pop. I’ll listen to you, voice. Just this one time.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5 (reading here)
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162