Page 174 of Knot So Lucky
~ELIAS~
The underground parking garage of the Celestine Towers is exactly as private as advertised.
Security cameras strategically positioned but blind spots carefully maintained—the kind of setup that costs serious money and speaks to residents who value discretion above all else. My sports car sits in guest parking, a sleek silver Aston Martin that I rarely drive because it draws too much attention.
But tonight calls for something special.
Tonight, I'm taking Aurora Lane on a proper date, and I refuse to show up in the practical sedan I use for garage work or the SUV the pack shares for team transport.
I check my watch—seven thirty exactly.
She said she needed an hour to get ready, which gave me time to make reservations and coordinate security protocols with the restaurant staff.
The Crimson Room is the destination. An underground speakeasy-style establishment owned by the Bravati family, tucked beneath an unassuming bakery in the old district.Neutral ground in mafia politics, where deals are made under the cover of live jazz and exceptional food.
I chose it partly for security—the place is a fortress despite its vintage aesthetic, with exit routes and protection protocols that would make any security consultant proud. But also because I want Aurora to understand that my world is darker than my soft voice and round spectacles might suggest.
That the Bravati family's "information network" is a polite euphemism for organized crime with roots stretching back five generations. That I'm comfortable in spaces where violence is an understood language and power is measured in connections rather than money.
The elevator chimes, drawing my attention.
And Aurora steps out.
I'm left completely speechless.
She’s not just wearing a dress—she’s eclipsed every expectation, weaponized grace into something jaw-dropping. The emerald green clings to her frame in a way that obliterates whatever memory I had of her in grease-stained coveralls, recasting Aurora Lane in a mythic light.
The fabric drapes with ferocious elegance: demure at the neck, hinting at collarbones like cut glass, then cascading along her shoulders and arms in a way that’s more art than architecture.
There’s a split up the thigh, just enough to flash the suggestion of muscle and skin when she moves, so the dress isn’t merely a shield or a disguise, but a challenge. A provocation meant for me.
Instinct is a wild thing; I feel it crash through me as soon as she rounds the pillar. Not sexual, not immediately, but something deeper—a tectonic realignment. Here stands the same Aurora who races cars with surgical focus and tells off world champions without blinking, but the energy radiatingoff her tonight is pure Omega, so concentrated it’s like she’s authored a new spectrum of desire just to fuck with me.
My brain is catching up to what my body already knows:this is the real Aurora.
Not the boundary-testing creature in pit lane, not the wolf in sheep’s clothing who passes for male in the press tent, but Aurora stripped of pretext and camouflage, reveling in the power only she possesses. My mouth goes dry. My hands, usually so steady, tremble on the steering wheel.
She walks with a measured step, chin high, eyes not meeting mine at first. I see the effort in her posture: the deliberate way she’s contained her nervous energy, distilling it into a kind of detached royalty.
Her collarbones catch the low lighting, shadow and highlight dancing along the line to her throat. The dress accentuates the narrowness of her waist, the hidden strength in her arms, the impossible geometry of her hips. Each motion is precise and fluid, as if she’s rehearsed this entrance a hundred times, determined from the start to make me lose my composure
For a moment, I’m struck by a wave of vertigo, as if the entire city has shifted around this singular vision.
My Alpha instincts spark in ways I’d assumed were theoretical:this is what it means to be undone by someone, to want and fear and worship all at once.
It’s not just the gown, not even the body inside it.
It’s the declaration, the absolute refusal to apologize for being extraordinary.
She pauses two paces from me, finally lifting her gaze. Her eyes are a storm—gray, flecked with green, the color somehow made sharper by the emerald of the fabric. She lingers there, letting the tension stretch, then quirks her mouth in the barest ghost of a grin.
She's done her makeup—subtle but expertly applied, emphasizing her eyes and the curve of her lips in ways that transform her face without hiding her features. And her hair, usually kept short and styled deliberately masculine, has been coaxed into loose curls that frame her face with soft femininity.
She's almost unrecognizable.
If not for those storm-green eyes that I'd know anywhere, and the small tattoo visible on her shoulder—a mechanical gear intertwined with a compass rose that she got years ago and rarely shows publicly—I might not have realized this stunning woman is my Omega.
Aurora walks toward me with carefully practiced grace, and I can see the slight uncertainty in her expression. Like she's not quite sure how this presentation will be received, if it's too much or not enough or somehow wrong.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174 (reading here)
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193
- Page 194
- Page 195
- Page 196
- Page 197
- Page 198
- Page 199
- Page 200
- Page 201
- Page 202
- Page 203
- Page 204
- Page 205
- Page 206
- Page 207
- Page 208
- Page 209
- Page 210
- Page 211
- Page 212
- Page 213
- Page 214
- Page 215
- Page 216
- Page 217
- Page 218
- Page 219
- Page 220
- Page 221
- Page 222
- Page 223
- Page 224
- Page 225
- Page 226
- Page 227
- Page 228
- Page 229
- Page 230
- Page 231
- Page 232
- Page 233
- Page 234
- Page 235