Page 101 of Her Darkest Possession
"I'm sorry," he whispers in my ear. "For everything before. For what I did."
The gunfire is getting louder. Closer. Men are starting to round the corner of the west wing now.
I pull back, looking up at his face. "There's nothing to apologize for, Vasya."
His eyes search mine, and there's no fear in them.
"If I'm dead when Tolya comes back," he says. "Will you tell him I went down fighting?"
Tears well up in my eyes at the grim determination in his voice.
I nod. "I will."
Vassily gives us all one final nod, steps through the doorway, and closes the heavy steel door behind him. The lock automatically engages with a heavy metallicthunkthat sounds so final. And the moment it does, all sound fades away.
"Indigo." Amara's voice sounds behind me, tight with fear. "Look."
I turn around at Amara's voice and see her pointing at one of the security monitors mounted on the wall. The screen shows the mansion's front entrance—or what's left of it. The massivedouble doors that once guarded the entrance have been reduced to splinters.
My blood runs cold as I see who's walking through the wreckage.
Lola.
She strides in with the confidence of someone who believes they've already won, her blonde hair gleaming under the chandelier light. A savage smile curls her lips as she surveys the destruction around her. Several armed men flank her on both sides, their rifles at the ready.
"No," I whisper, my fingers gripping the edge of the console until my knuckles turn white.
I quickly scan the other monitors and fight back the nausea threatening to overwhelm me. The images make my heart sink further. Volkov men are everywhere. They move through the main hall, charge up the grand staircase, and are kicking down doors to look for us.
"There are so many of them," Amara whispers, her voice trembling.
My eyes dart frantically from screen to screen. What few guards remaining are fighting back, but they're hopelessly outnumbered. I watch as one of them takes down two Volkov men before a third shoots him in the back.
Then my heart stops completely.
"No, no, no," I gasp, my hand flying to my mouth.
On one of the screens, I see several men bursting into a room with pale yellow walls—our half-finished nursery. The room Anatoly and I were painting together just hours ago. The paintcans are still there, brushes laid carefully across their tops. One of the men kicks over a can, sending pale yellow paint spilling across the floor like sunlight.
Another man drags his knife along the wall, cutting through the fresh paint and leaving a jagged scar in its wake.
"Bastards," Svetlana's voice tightens with rage. But there's nothing she can do.
My eyes are frantically searching every monitor, looking for the one person who matters most right now. For the one person who might be able to save us.
"Where is he?" I whisper, panic rising in my chest. "Where's Anatoly?"
Then, I see a blur of motion on another screen. For a moment, I think that my prayers have been answered and that Anatoly is here.
But when I look at the screen, I realize that I'm looking at Vassily.
He has the rifle shouldered and he's firing at the intruders with deadly precision. One falls, then another. His movements are fluid and practiced, like he's been training for this moment his entire life.
But even as I watch him take down another Volkov man, my heart sinks.
I can see what Vassily can't.
He's surrounded. They're coming at him from all sides, emerging from doorways and corridors like water through a sieve.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101 (reading here)
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121