Page 104 of Crewel (Crewel World 1)
RELATION: wife
CURRENT STATUS: active
Active?
The strand is too thin to be the banker’s remains. If he was removed two years ago, why is he listed as active? I hold the cube up to the repository lights, but no new information appears. I save the dataset to the digifile to study later and place the cube back in the box.
I tiptoe down the narrow aisle, afraid even my light footfalls might attract attention in this section of the compound. As I get further from my entry point, I begin to worry. What if Loricel returns to her studio, or someone else walks into the repository? Starting to head back to investigate closer to the rift, I glimpse the shelves one row over. Squat metal rectangles, not square boxes, compose these units. I dart quickly to them. Each is labelled with an identifying sequence, but there’s no storage cube inside. Instead a thin plastic card pops out of the cubby. Fumbling with the digifile, I scan the card and wait as the dataset loads.
NAME: Annelin Mayz
PERSONAL IDENTIFYING SEQUENCE: 11262158 NU MG MA
ALTERATION DATA: 12162159 NU
RELOCATION: EN
REQUEST CONTACT: Officer Jem Blythe
KIN: none / permanent removal
CURRENT STATUS: healthy
The file includes a picture of a young girl. According to her PIS, she’s only two years old now. This is what I’ve been looking for: records of children who have been rewoven to foster families. Amie’s information will be in here, too. I push Annelin’s card back into the cubby and bump the latch on the next file. The small door slides open, and before I can close the lever, the next card ejects all the way out. Reaching down I pick up the card and scan it. Maybe there’s a pattern to the alterations. The first line of the dataset stops me in my tracks. Although it’s not Amie.
It’s Sebrina Bell.
Bell.
I jam the buttons linked to the attached image files. The girl in this image is an infant, her cheeks both dimpled and a wisp of dark curls falling across her forehead. She seems too little to smile, but she is grinning like she’s staring at someone she adores. Someone like her father. Her eyes are a sparkling, deep blue. I know those eyes instantly. They must run in the family.
It’s Jost’s daughter – the one who disappeared right before his eyes. I choke back a sob. Clutching the card to my chest, I scan through the data on the digifile:
NAME: Sebrina Bell
PERSONAL IDENTIFYING SEQUENCE: 02262158 ES BR BS
ALTERATION DATA: 05282158 ES
RELOCATION: EN
REQUEST CONTACT: Ambassador Cormac Patton
KIN: father/abandoned mother / permanent removal / deceased
CURRENT STATUS: healthy
NOTES: New personal identifying sequence to be assigned due to collateral removal.
All the resentment I’ve felt toward Cormac bubbles up and mixes with this information. I slip the card into my pocket and lean against the shelf trying to slow my ragged breathing. I’ll save the file in a minute; I still have to find Amie.
July 24th. Her sequence begins with 0724. The other girls’ information was filed according to the sector of relocation. I scan each row of files until I find the cubes for the Northern Sector. Rushing down the row, I scan the tiny compartments, watching the numbers build in size. I’ve reached 0618 when I hear a door click to the north of me. I hold my breath as the tap of dress heels echoes in the silent room.
Creeping to the edge of this unit, I peer around the corner. No one. Snaking along the side, I steadily move back to the opening I’ve left between the repository and Loricel’s studio.
The door clicks open again. I wait, praying the intruder is gone, but instead I hear another person call out and the first person heads back toward the door. I press against the side of a shelf, not daring to move forward. Two male voices echo through the room, but I don’t pay attention to what they’re saying. I hear their footsteps coming nearer to my hiding spot. I slip to the next set of shelves and wait breathlessly, gauging how close they are to me now. T
hen to the next. And the next.
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