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Such complete amorality: It fascinates me. Looking back, I see it always has—like everything else about her, fetishized over the years into an inescapable pattern of hopeless attraction and inevitable abandonment.

My first wife’s family fled the former Yugoslavia shortly before the end of the war; she had high cheekbones and pale eyes, set at a Baltic slant. My second wife had a wealth of long, slightly coarse hair, the color of unground cloves. My third wife told stories—ineptly, compulsively. All of them were, on average, at least five years my elder.

And sooner or later, all of them left me.

Oh, Ellis, I sometimes wonder whether anyone else alive remembers you as I do—or remembers you at all, given your well-cultivated talent for blending in, for getting by, for rendering yourself unremarkable. And I really don’t know what I’ll do if this woman Huang has found for me turns out not to be you. There’s not much time left in which to start over, after all.

For either of us.

* * *

Last night, I called the number Huang’s father gave me before I left London. The man on the other end of the line identified himself as the master chef of the Precious Dragon Shrine restaurant.

“Oh yes, tai pan Darbersmere,” he said, when I mentioned my name. “I was indeed informed, by that respected personage who we both know, that you might honor my unworthiest of businesses with the request for some small service.”

“One such as only your estimable self could provide.”

“The tai pan flatters, as is his right. Which is the dish he wishes to order?”

“The Emperor’s Old Bones.”

A pause ensued—fairly long, as such things go. I could hear a Cantopop ballad filtering in, perhaps from somewhere in the kitchen, duelling for precedence with the more classical strains of a wailing erhu. The Precious Dragon Shrine’s master chef drew a single long, low breath.

“Tai pan,” he said, finally, “for such a meal . . . one must provide the meat oneself.”

“Believe me, Grandfather, I am well aware of such considerations. You may be assured that the meat will be available, whenever you are ready to begin its cooking.”

Another breath—shorter, this time. Calmer.

“Realizing that it has probably been a long time since anyone had requested this dish,” I continued, “I am, of course, more than willing to raise the price our mutual friend has already set.”

“Oh, no, tai pan.”

“For your trouble.”

“Tai pan, please. It is not necessary to insult me.”

“I must assure you, Grandfather, that no such insult was intended.”

A burst of scolding rose from the kitchen, silencing the ballad in mid-ecstatic lament. The master chef paused again. Then said:

“I will need at least three days’ notice to prepare my staff.”

I smiled. Replying, with a confidence which—I hoped—at least sounded genuine:

“Three days should be more than sufficient.”

* * *

The very old woman (eighty-nine, at least) who may or may not have once called herself Ellis Iseland now lives quietly in a genteelly shabby area of St Louis, officially registered under the far less interesting name of Mrs. Munro. Huang’s pictures show a figure held carefully erect, yet helplessly shrunken in on itself—its once-straight spine softened by the onslaught of osteoporosis. Her face has gone loose around the jawline, skin powdery, hair a short, stiff grey crown of marcelled waves.

She dresses drably. Shapeless feminine weeds, widow-black. Her arthritic feet are wedged into Chinese slippers—a small touch of nostalgic irony? Both her snubbed cat’s nose and the half-sneering set of her wrinkled mouth seem familiar, but her slanted eyes—the most important giveaway, their original non-color perhaps dimmed even further with age, from light smoke-grey to bone, ecru, white—are kept hidden beneath a thick-lensed pair of bifocal sunglasses, essential protection for someone whose sight may not last the rest of the year.

And though her medical files indicate that she is in the preliminary stages of lung and throat cancer, her trip a day to the local corner store always includes the purchase of at least one pack of cigarettes, the brand apparently unimportant, as long as it contains a sufficient portion of nicotine. She lights one right outside the front door, and has almost finished it by the time she rounds the corner of her block.

Her neighbors seem to think well of her. Their children wave as she goes by, cane in one hand, cigarette in the other. She nods acknowledgement, but does not wave back.

This familiar arrogance, seeping up unchecked through her last, most perfect disguise: the mask of age, which bestows a kind of retroactive innocence on even its most experienced victims. I have recently begun to take advantage of its charms myself, whenever it suits my fancy to do so.