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The people were so close together it looked like one dark body with a thousand arms reaching out to take the weapons. "Willie, Willie."

His wife stood tall and silent by him, her fluted lips pressed shut, and her large eyes wet and tragic. "Bring the paint," be said to her. And she lugged a gallon can of yellow paint across the field to where, at that moment a trolley car was pulling up, with a fresh-painted sign on its front, TO THE WHITE MAN'S LANDING, full of talking people who got off and ran across the meadow, stumbling, looking up. Women with picnic boxes, men with straw hats, in shirt sleeves. The streetcar stood humming and empty. Willie climbed up, set the paint cans down, opened them, stirred the paint, tested a brush, drew forth a stencil, and climbed up on a seat.

"Hey, there!" The conductor came around behind him, his coin changer jangling. "What you think you're doing? Get down off there!"

"You see what I'm doing. Keep your shirt on."

And Willie began the stenciling in yellow paint. He dabbed on anF and anO and anR with terrible pride in his work. And when he finished it the conductor squinted up and read the fresh glinting yellow words: FOR WHITES: REAR SECTION. He read it again. FOR WHITES. He blinked. REAR SECTION. The conductor looked at Willie and began to smile.

"Does that suit you?" asked Willie, stepping down.

Said the conductor, "That suits me just fine, sir."

Hattie was looking at the sign from outside, and holding her hands over her breasts.

Willie returned to the crowd, which was growing now, taking size from every auto that groaned to a halt, and every new trolley car which squealed around the bend from the nearby town.

Willie climbed up on a packing box. "Let's have a delegation to paint every streetcar in the next hour. Volunteers?"

Hands leapt up.

"Get going!"

They went.

"Let's have a delegation to fix theater seats, roped off, the last two rows for whites."

More hands.

"Go on!"

They ran off.

Willie peered around, bubbled with perspiration, panting with exertion, proud of his energy, his hand on his wife's shoulder who stood under him looking at the ground with her downcast eyes. "Let's see now," he declared. "Oh yes. We got to pass a law this afternoon; no intermarriages!"

"That's right," said a lot of people.

"All shoeshine boys quit their jobs today."

"Quittin' right now!" Some men threw down the rags they carried, in their excitement, all across town.

"Got to pass a minimum wage law, don't we?"

"Sure!"

"Pay them white folks at least ten cents an hour."

"That's right!"

The mayor of the town hurried up. "Now look here, Willie Johnson. Get down off that box!"

"Mayor, I can't be made to do nothing like that."

"You're making a mob, Willie Johnson."

"That's the idea."

"The same thing you always hated when you were a kid. You're no better than some of those white men you yell about!"