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"I hope you don't mind."

"Of course not."

"You want one?"

"No. I don't want to smell of booze when I go to work."

"When do you have to be at work? Is taking me back to Upper Darby going to make you late?"

"No. I've got until half past one."

She looked at him, and then away, and then drained the cheese glass.

"What I said before," she said, "was what my father told me when Ken and I broke up. That I was a nice girl, that I should be patient, that someone would come along."

What the hell is she leading up to? Am I the someone?

"I'm sure he's right."

"Now, you and I are obviously not right for each other…"

Damn!

"…but what I've been thinking, very possibly because I've had more to drink in the last twelve hours than I've had in the last six months, is that, until someone comes along for you, and someone comes along for me…"

"The sky wouldn't fall? There will not be a bolt of lightning to punish the sinners?"

She raised her head and met his eyes.

"What do you think?"

"I think I know how we can kill the time until the Plymouth place opens."

"I'll bet you do," she said, and set the cheese glass and the bottle of cognac on the sink and then started to unbutton her blouse.

****

As Matt Payne was climbing the stairs to his apartment at quarter to seven, across town, in Chestnut Hill, Peter Wohl stepped out of the shower in his apartment and started to towel himself dry.

The chimes activated by his doorbell button went off. They played "Be It Ever So Humble, There's No Place Like Home." One of what Wohl thought of as the "xylophone bars" was out of whack, so the musical rendition was discordant. He had no idea how to fix it, and privately, he hated chimes generally and "Be It Ever So Humble" specifically, but there was nothing he could do about the chimes. They had been a gift from his mother, and installed by his father.

He said a word that he would not have liked to have his mother hear, wrapped the towel around his middle, and left the bathroom. He went through his bedroom, and then through his living room, the most prominent furnishings of which were a white leather couch, a plateglass coffee table, a massive, Victorian mahogany service bar, and a very large oil painting of a Rubenesque naked lady resting on her side, one arm cocked coyly behind her head.

The ultrachic white leather couch and plate-glass coffee table were the sole remnants of a romantic involvement Peter Wohl had once had with an interior decorator, now a young suburban matron married to a lawyer. The bar and the painting of the naked lady he had acquired at an auction of the furnishings of a Center City men's club that had gone belly up.

He unlatched the door and pulled it open. A very neat, very wholesome-looking young man in a blue suit stood on the landing.

"Good morning, Inspector," the young man said. His name was Paul T. (for Thomas) O'Mara, and he was a police officer of the Philadelphia Police Department. Specifically, he was Wohl's new administrative assistant.

Telling him, Peter Wohl thought, that when I say between seven and seven-fifteen, I don't mean quarter to seven, would be like kicking a Labrador puppy who has just retrieved his first tennis ball.

"Good morning, Paul," Wohl said. "Come on in. There's coffee in the kitchen."

'Thank you, sir."

Officer O'Mara was a recent addition to Peter Wohl's staff. Like Peter Wohl, he was from a police family. His father was a captain, who commanded the 17^th District. His brother was a sergeant in Civil Affairs. His grandfather, like Peter Wohl's father and grandfather, had retired from the Philadelphia Police Department.

More important, his father was a friend of both Chief Inspector Dennis V. Coughlin and Chief Inspector (Retired) Augustus Wohl. When Officer O'Mara, who had five years on the job in the Traffic Division, had failed, for the second time, to pass the examination for corporal, both Chief Coughlin and Chief Wohl had had a private word with Inspector Wohl.