Page 80
Story: That's Amore
Now, seeing the way she took in the city with the same quiet reverence she always had, I realized how much time I had wasted.
I took us down Via del Corso, past the grand palazzos, dodging taxis andmotorini. We stopped at the Trevi Fountain, where she tossed in a coin, rolling her eyes at the tradition but still making a wish.
"What’d you wish for?" I asked.
She smirked. "If I tell you, it won’t come true."
A teasing smile played at my lips. "That’s just an old wives' tale. Now, tell me."
She tapped her chin thoughtfully. “No, I don’t think I’ll tell you.”
So, I kissed her into submission. Shestilldidn’t tell me.
From there, we wound our way to Piazza Navona, where street performers, artists, and musicians entertained the passing tourists.
Elysa’s eyes lit up as she spotted a caricature artist, and before I could protest, she grabbed my hand, pulling me toward the stand, insisting we get a sketch done.
"This is ridiculous," I muttered, sitting stiffly on the stool while the artist sized us up with a critical eye.
"Loosen up, Signor Irresistible," she mocked, nudging me with her knee.
The artist exaggerated my jawline and made Elysa’s cheeks more pronounced. By the time he was done, she was laughing so hard she had to wipe tears from the corners of her eyes.
"You look like a brooding soap opera villain," she gasped between giggles.
I glanced at the drawing. She wasn’t wrong. I did look ridiculous. But then I looked at her—light, happy, unguarded—and I decided that I’d look like this all the time if it made her feel this way.
We got gelato near the Pantheon, sitting on the steps of the fountain in Piazza della Rotonda. She had chocolate and hazelnut, and I had pistachio.
She tapped her spoon against mine. “To unexpected days.”
I clinked my spoon against hers. “To good company.”
She rolled her eyes but smiled anyway.
“I should’ve taken you around when you first came to Rome,” I said, regret heavy in my words. “And that time you asked me to play tourist…I should’ve been more present. More gracious.”
She put her hand on mine. “We can’t go back.”
“That is correct.”
“We can move forward.”
“On the Vespa?” I asked to lighten the moment.
She rolled her eyes again. “Fine, on the Vespa.”
As the afternoon bled into the evening, we found ourselves at the Gianicolo Terrace, which offered one of the best views of Rome. The city stretched out before us, golden under the setting sun, with domes and rooftops bathed in warm light.
Elysa rested against the railing, staring out at the skyline. I watched her instead.
“I have to ask.” She turned toward me, frowning. “How are you even here right now? No work, no urgent calls? Aren’t you usually surgically attached to your phone?”
I smirked but shook my head. “I’ve made some changes.”
Her brows lifted.
“I’ve cut back on my workload,” I admitted. “Delegated more to Tomasso. I realized I don’t have to be in control of everything for the company to run. And…I don’t want to spend my life locked in an office.”
I took us down Via del Corso, past the grand palazzos, dodging taxis andmotorini. We stopped at the Trevi Fountain, where she tossed in a coin, rolling her eyes at the tradition but still making a wish.
"What’d you wish for?" I asked.
She smirked. "If I tell you, it won’t come true."
A teasing smile played at my lips. "That’s just an old wives' tale. Now, tell me."
She tapped her chin thoughtfully. “No, I don’t think I’ll tell you.”
So, I kissed her into submission. Shestilldidn’t tell me.
From there, we wound our way to Piazza Navona, where street performers, artists, and musicians entertained the passing tourists.
Elysa’s eyes lit up as she spotted a caricature artist, and before I could protest, she grabbed my hand, pulling me toward the stand, insisting we get a sketch done.
"This is ridiculous," I muttered, sitting stiffly on the stool while the artist sized us up with a critical eye.
"Loosen up, Signor Irresistible," she mocked, nudging me with her knee.
The artist exaggerated my jawline and made Elysa’s cheeks more pronounced. By the time he was done, she was laughing so hard she had to wipe tears from the corners of her eyes.
"You look like a brooding soap opera villain," she gasped between giggles.
I glanced at the drawing. She wasn’t wrong. I did look ridiculous. But then I looked at her—light, happy, unguarded—and I decided that I’d look like this all the time if it made her feel this way.
We got gelato near the Pantheon, sitting on the steps of the fountain in Piazza della Rotonda. She had chocolate and hazelnut, and I had pistachio.
She tapped her spoon against mine. “To unexpected days.”
I clinked my spoon against hers. “To good company.”
She rolled her eyes but smiled anyway.
“I should’ve taken you around when you first came to Rome,” I said, regret heavy in my words. “And that time you asked me to play tourist…I should’ve been more present. More gracious.”
She put her hand on mine. “We can’t go back.”
“That is correct.”
“We can move forward.”
“On the Vespa?” I asked to lighten the moment.
She rolled her eyes again. “Fine, on the Vespa.”
As the afternoon bled into the evening, we found ourselves at the Gianicolo Terrace, which offered one of the best views of Rome. The city stretched out before us, golden under the setting sun, with domes and rooftops bathed in warm light.
Elysa rested against the railing, staring out at the skyline. I watched her instead.
“I have to ask.” She turned toward me, frowning. “How are you even here right now? No work, no urgent calls? Aren’t you usually surgically attached to your phone?”
I smirked but shook my head. “I’ve made some changes.”
Her brows lifted.
“I’ve cut back on my workload,” I admitted. “Delegated more to Tomasso. I realized I don’t have to be in control of everything for the company to run. And…I don’t want to spend my life locked in an office.”
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101