Page 44
Story: Rockstar's Fake Engagement
She opens her eyes, meeting mine with a soft smile that does dangerous things to my heart. But instead of fighting it tonight, I just let myself enjoy it. I let myself appreciate having her here, in this moment, without worrying about what it means or where it’s going.
The night stretches on, filled with easy conversation and comfortable silences. We talk about anything we want. Nothing is off limits—the band’s new songs, her upcoming projects, that weird documentary about penguins she’d like to watch. The bongos become a subtle backdrop to our conversation.
When she finally yawns and stands to head to bed, she pauses by my chair.
“Thanks for making this feel like my home away from home.”
When she leans down, maybe to kiss my cheek, I turn my head at the same moment. Our faces are suddenly inches apart, and the casual warmth of the evening ignites into something molten. Her breath catches, and I watch her pupils dilate in the dim light. Her scent surrounds me—wine, salt air, and something uniquely her that makes my hands itch to pull her closer.
For a heart-stopping moment, neither of us moves. The sound of the waves fades away, replaced by the thundering of my pulse. Her hand is braced on my shoulder, and I can feel the heat of it burning through my shirt.
We’re not fooling anyone, I realize. Whatever this is between us, it’s as real as the rhythm that drives every song I’ve ever played.
But tonight isn’t the night to cross that line—not with her family waiting to meet me tomorrow and with five months of the contract still ahead of us.
Lacey seems to come to the same conclusion. She straightens slowly, her hand sliding from my shoulder. “Goodnight, Nate,” she whispers, her voice a little unsteady.
“Goodnight, Lacey.”
I watch her disappear inside, my body humming with awareness of her. The ghost of her touch lingers on my skin like a brand, and I can still feel the heat radiating from her body, still smell the subtle scent of her skin. My fingers grip the arms of the chair, fighting the urge to follow her, to finish what that almost-kiss started.
The pretense of our arrangement feels paper-thin now, fragile as a spider web, ready to shatter at the slightest touch.
Every carefully constructed wall, every professional boundary, every rational reason for keeping my distance is crumbling beneath the weight of wanting her. Not just her body, though God knows that’s part of it, but all of her—her laugh, her mind, and her heart.
And that terrifies me more than any thrill of desire ever could. Because desire I could control. But this? This feels like falling without a safety net.
Fourteen
Lacey
There’s a difference between being tired and being exhausted.
Tired means finishing a long day on set, kicking off my heels, and sinking into a pile of pillows with a glass of wine. Exhausted means waking up at 5 a.m. for hair and makeup, sitting through six back-to-back interviews, and pretending I’m not counting the minutes until I can sneak away.
We’re in the middle of the press gauntlet, locked into the brightly lit green room of some downtown studio. The People magazine shoot is later this afternoon, but before that, Nate and I have to get through this stack of carefully curated interviews.
Rachel, standing off to the side, is in full manager mode—sharp, poised, and sipping her ever-present coffee like it’s the only thing keeping her from homicide.
“Okay, we’re keeping this clean and light,” she says, scrolling through her phone. “You’re America’s sweetheart couple, remember? No tension, no awkward pauses.” Her eyes flicker to Nate. “And maybe you can try to look like you’re enjoying this a little instead of like you’re plotting your escape?”
Nate, sitting in the chair beside me, lifts a single eyebrow. “I thought brooding and mysterious was what you wanted.”
Rachel exhales through her nose. “Not today, it isn’t. I really wish Emily, your manager, could have made it. Maybe she could keep you in line.”
I smother a smile.
This is how it’s been all morning—Rachel handling damage control, Nate giving her just enough pushback to be annoying, and me caught somewhere in the middle, teetering on the edge of exhaustion and attraction—and that’s the worst part.
No matter how tired I am, no matter how many hours I spend rehearsing the answers to the same five questions, I’m still aware of Nate—his presence, his heat. The way his fingers brushed mine just slightly when he handed me my coffee earlier.
I take a slow breath and push the thoughts aside. Work now, relax later.
The door swings open, and a perky producer in a headset beams at us. “We’re ready for you.”
It’s showtime.
The first two interviews go smoothly.
The night stretches on, filled with easy conversation and comfortable silences. We talk about anything we want. Nothing is off limits—the band’s new songs, her upcoming projects, that weird documentary about penguins she’d like to watch. The bongos become a subtle backdrop to our conversation.
When she finally yawns and stands to head to bed, she pauses by my chair.
“Thanks for making this feel like my home away from home.”
When she leans down, maybe to kiss my cheek, I turn my head at the same moment. Our faces are suddenly inches apart, and the casual warmth of the evening ignites into something molten. Her breath catches, and I watch her pupils dilate in the dim light. Her scent surrounds me—wine, salt air, and something uniquely her that makes my hands itch to pull her closer.
For a heart-stopping moment, neither of us moves. The sound of the waves fades away, replaced by the thundering of my pulse. Her hand is braced on my shoulder, and I can feel the heat of it burning through my shirt.
We’re not fooling anyone, I realize. Whatever this is between us, it’s as real as the rhythm that drives every song I’ve ever played.
But tonight isn’t the night to cross that line—not with her family waiting to meet me tomorrow and with five months of the contract still ahead of us.
Lacey seems to come to the same conclusion. She straightens slowly, her hand sliding from my shoulder. “Goodnight, Nate,” she whispers, her voice a little unsteady.
“Goodnight, Lacey.”
I watch her disappear inside, my body humming with awareness of her. The ghost of her touch lingers on my skin like a brand, and I can still feel the heat radiating from her body, still smell the subtle scent of her skin. My fingers grip the arms of the chair, fighting the urge to follow her, to finish what that almost-kiss started.
The pretense of our arrangement feels paper-thin now, fragile as a spider web, ready to shatter at the slightest touch.
Every carefully constructed wall, every professional boundary, every rational reason for keeping my distance is crumbling beneath the weight of wanting her. Not just her body, though God knows that’s part of it, but all of her—her laugh, her mind, and her heart.
And that terrifies me more than any thrill of desire ever could. Because desire I could control. But this? This feels like falling without a safety net.
Fourteen
Lacey
There’s a difference between being tired and being exhausted.
Tired means finishing a long day on set, kicking off my heels, and sinking into a pile of pillows with a glass of wine. Exhausted means waking up at 5 a.m. for hair and makeup, sitting through six back-to-back interviews, and pretending I’m not counting the minutes until I can sneak away.
We’re in the middle of the press gauntlet, locked into the brightly lit green room of some downtown studio. The People magazine shoot is later this afternoon, but before that, Nate and I have to get through this stack of carefully curated interviews.
Rachel, standing off to the side, is in full manager mode—sharp, poised, and sipping her ever-present coffee like it’s the only thing keeping her from homicide.
“Okay, we’re keeping this clean and light,” she says, scrolling through her phone. “You’re America’s sweetheart couple, remember? No tension, no awkward pauses.” Her eyes flicker to Nate. “And maybe you can try to look like you’re enjoying this a little instead of like you’re plotting your escape?”
Nate, sitting in the chair beside me, lifts a single eyebrow. “I thought brooding and mysterious was what you wanted.”
Rachel exhales through her nose. “Not today, it isn’t. I really wish Emily, your manager, could have made it. Maybe she could keep you in line.”
I smother a smile.
This is how it’s been all morning—Rachel handling damage control, Nate giving her just enough pushback to be annoying, and me caught somewhere in the middle, teetering on the edge of exhaustion and attraction—and that’s the worst part.
No matter how tired I am, no matter how many hours I spend rehearsing the answers to the same five questions, I’m still aware of Nate—his presence, his heat. The way his fingers brushed mine just slightly when he handed me my coffee earlier.
I take a slow breath and push the thoughts aside. Work now, relax later.
The door swings open, and a perky producer in a headset beams at us. “We’re ready for you.”
It’s showtime.
The first two interviews go smoothly.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116