Page 105
Story: Rockstar's Fake Engagement
It’s supposed to be real.
I force myself to focus on Danny as he plays a few hesitant notes, nodding in encouragement. “That’s it. Now try it again, but slower.”
He grins, determination lighting up his face as he follows my lead. The moment should feel good—it usually does—but the weight of the cameras pressing in around us makes my skin crawl.
Lacey is still watching me. I can feel it.
And the longer I ignore her, the tenser the air between us gets.
After twenty minutes of going through scales with Danny and helping some of the other kids with their drums, Rachel finally steps in, her voice carrying across the room.
“Alright, I think we got some great footage! Thank you so much to Family First for letting us be here today.”
I grind my teeth so hard I swear I feel something crack.
The kids barely notice when the crew starts packing up. They’re still too wrapped up in the instruments, too excited about the time they just spent learning new notes and rhythms.
I let out a slow breath, my fists flexing at my sides, waiting—waiting—until the last camera disappears through the front doors.
Only then do I turn—and let myself look at her.
Lacey stands by the piano, arms wrapped around herself. She knows what’s coming.
Good. Because I don’t think I’ve ever been this angry with her before.
She starts to speak, but I shake my head sharply. “Outside.”
Her brows pull together. “Nate, let me just—“
“Now, Lacey.” I don’t raise my voice. I don’t have to.
Her face pales as she swallows, then nods once.
Without another word, I turn and walk out the back door into the open-air courtyard behind the facility. The moment she steps out after me, I run a hand through my hair, exhaling hard.
“You knew.” My voice is low, rough, and barely contained. “You know how I feel about this place. What it means to me.”
Lacey flinches, but she squares her shoulders. “Rachel said it would be good press for the organization, Nate. She said it would bring in—“
“I don’t give a shit what Rachel said!”
My voice echoes against the walls, sharp and furious.
She sucks in a breath, eyes flashing. “I do! This wasn’t just for me, Nate—it was for the kids! For the foundation you represent! It could help them get—“
“They already get what they need.” My jaw tightens, my breath heavy. “You think a couple of cameras will make a difference?”
She crosses her arms. “Not everyone has millions to donate at the snap of their fingers, Nate. I thought I was helping.”
That hits deep, but I don’t let it show.
Instead, I take a step closer, my voice quieter now but no less sharp. “What I do for this place, for these kids—it’s real, Lacey. It’s personal. I don’t need a fucking camera crew to prove that.”
Her face softens, but I shake my head, stepping back before I let myself fall for it.
“You should’ve told me.” My voice is raw, rough. “You should’ve told me, Lacey.”
She presses her lips together, her hands clenching at her sides. “I tried. I texted you—“
I force myself to focus on Danny as he plays a few hesitant notes, nodding in encouragement. “That’s it. Now try it again, but slower.”
He grins, determination lighting up his face as he follows my lead. The moment should feel good—it usually does—but the weight of the cameras pressing in around us makes my skin crawl.
Lacey is still watching me. I can feel it.
And the longer I ignore her, the tenser the air between us gets.
After twenty minutes of going through scales with Danny and helping some of the other kids with their drums, Rachel finally steps in, her voice carrying across the room.
“Alright, I think we got some great footage! Thank you so much to Family First for letting us be here today.”
I grind my teeth so hard I swear I feel something crack.
The kids barely notice when the crew starts packing up. They’re still too wrapped up in the instruments, too excited about the time they just spent learning new notes and rhythms.
I let out a slow breath, my fists flexing at my sides, waiting—waiting—until the last camera disappears through the front doors.
Only then do I turn—and let myself look at her.
Lacey stands by the piano, arms wrapped around herself. She knows what’s coming.
Good. Because I don’t think I’ve ever been this angry with her before.
She starts to speak, but I shake my head sharply. “Outside.”
Her brows pull together. “Nate, let me just—“
“Now, Lacey.” I don’t raise my voice. I don’t have to.
Her face pales as she swallows, then nods once.
Without another word, I turn and walk out the back door into the open-air courtyard behind the facility. The moment she steps out after me, I run a hand through my hair, exhaling hard.
“You knew.” My voice is low, rough, and barely contained. “You know how I feel about this place. What it means to me.”
Lacey flinches, but she squares her shoulders. “Rachel said it would be good press for the organization, Nate. She said it would bring in—“
“I don’t give a shit what Rachel said!”
My voice echoes against the walls, sharp and furious.
She sucks in a breath, eyes flashing. “I do! This wasn’t just for me, Nate—it was for the kids! For the foundation you represent! It could help them get—“
“They already get what they need.” My jaw tightens, my breath heavy. “You think a couple of cameras will make a difference?”
She crosses her arms. “Not everyone has millions to donate at the snap of their fingers, Nate. I thought I was helping.”
That hits deep, but I don’t let it show.
Instead, I take a step closer, my voice quieter now but no less sharp. “What I do for this place, for these kids—it’s real, Lacey. It’s personal. I don’t need a fucking camera crew to prove that.”
Her face softens, but I shake my head, stepping back before I let myself fall for it.
“You should’ve told me.” My voice is raw, rough. “You should’ve told me, Lacey.”
She presses her lips together, her hands clenching at her sides. “I tried. I texted you—“
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116