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Graham sat on the floor until his head was quiet. Still, still, be still.

The number and variety of the bloodstains had puzzled Atlanta detectives trying to reconstruct the crime. All the victims were found slain in their beds. This was not consistent with the locations of the stains.

At first they believed Charles Leeds was attacked in his daughter’s room and his body dragged to the master bedroom. Close examination of the splash patterns made them reconsider.

The killer’s exact movements in the rooms were not yet determined.

Now, with the advantage of the autopsy and lab reports, Will Graham began to see how it had happened.

The intruder cut Charles Leeds’s throat as he lay asleep beside his wife, went back to the wall switch and turned on the light—hairs and oil from Mr. Leeds’s head were left on the switchplate by a smooth glove. He shot Mrs. Leeds as she was rising, then went toward the children’s rooms.

Leeds rose with his cut throat and tried to protect the children, losing great gouts of blood and an unmistakable arterial spray as he tried to fight. He was shoved away,

fell and died with his daughter in her room.

One of the two boys was shot in bed. The other boy was also found in bed, but he had dust balls in his hair. Police believed he was dragged out from under his bed to be shot.

When all of them were dead, except possibly Mrs. Leeds, the smashing of mirrors began, the selection of shards, the further attention to Mrs. Leeds.

Graham had full copies of all the autopsy protocols in his box. Here was the one on Mrs. Leeds. The bullet entered to the right of her navel and lodged in her lumbar spine, but she died of strangulation.

The increase in serotonin and free histamine levels in the gunshot wound indicated she had lived at least five minutes after she was shot. The histamine was much higher than the serotonin, so she had not lived more than fifteen minutes. Most of her other injuries were probably, but not conclusively, postmortem.

If the other injuries were postmortem, what was the killer doing in the interval while Mrs. Leeds waited to die? Graham wondered. Struggling with Leeds and killing the others, yes, but that would have taken less than a minute. Smashing the mirrors. But what else?

The Atlanta detectives were thorough. They had measured and photographed exhaustively, had vacuumed and grid-searched and taken the traps from the drains. Still, Graham looked for himself.

From the police photographs and taped outlines on the mattresses, Graham could see where the bodies had been found. The evidence—nitrate traces on bedclothes in the case of the gunshot wounds—indicated that they were found in positions approximating those in which they died.

But the profusion of bloodstains and matted sliding marks on the hall carpet remained unexplained. One detective had theorized that some of the victims tried to crawl away from the killer. Graham did not believe it—clearly the killer moved them after they were dead and then put them back the way they were when he killed them.

What he did with Mrs. Leeds was obvious. But what about the others? He had not disfigured them further, as he did Mrs. Leeds. The children each suffered a single gunshot wound in the head. Charles Leeds bled to death, with aspirated blood contributing. The only additional mark on him was a superficial ligature mark around his chest, believed to be postmortem. What did the killer do with them after they were dead?

From his box Graham took the police photographs, lab reports on the individual blood and organic stains in the room and standard comparison plates of blood-drop trajectories.

He went over the upstairs rooms minutely, trying to match injuries to stains, trying to work backward. He plotted each splash on a measured field sketch of the master bedroom, using the standard comparison plates to estimate the direction and velocity of the bloodfall. In this way he hoped to learn the positions the bodies were in at different times.

Here was a row of three bloodstains slanting up and around a corner of the bedroom wall. Here were three faint stains on the carpet beneath them. The wall above the headboard on Charles Leeds’s side of the bed was bloodstained, and there were swipes along the baseboards. Graham’s field sketch began to look like a join-the-dots puzzle with no numbers. He stared at it, looked up at the room and back to the sketch until his head ached.

He went into the bathroom and took his last two Bufferin, scooping up water in his hand from the faucet in the sink. He splashed water on his face and dried it with his shirttail. Water spilled on the floor. He had forgotten that the trap was gone from the drain. Otherwise the bathroom was undisturbed, except for the broken mirror and traces of the red fingerprint powder called Dragon’s Blood. Toothbrushes, facial cream, razor, were all in place.

The bathroom looked as though a family still used it. Mrs. Leeds’s panty hose hung on the towel racks where she had left them to dry. He saw that she cut the leg off a pair when it had a runner so she could match two one-legged pairs, wear them at the same time, and save money. Mrs. Leeds’s small, homey economy pierced him; Molly did the same thing.

Graham climbed out a window onto the porch roof and sat on the gritty shingles. He hugged his knees, his damp shirt pressed cold across his back, and snorted the smell of slaughter out of his nose.

The lights of Atlanta rusted the night sky and the stars were hard to see. The night would be clear in the Keys. He could be watching shooting stars with Molly and Willy, listening for the whoosh they solemnly agreed a shooting star must make. The Delta Aquarid meteor shower was at its maximum, and Willy was up for it.

He shivered and snorted again. He did not want to think of Molly now. To do so was tasteless as well as distracting.

Graham had a lot of trouble with taste. Often his thoughts were not tasty. There were no effective partitions in his mind. What he saw and learned touched everything else he knew. Some of the combinations were hard to live with. But he could not anticipate them, could not block and repress. His learned values of decency and propriety tagged along, shocked at his associations, appalled at his dreams; sorry that in the bone arena of his skull there were no forts for what he loved. His associations came at the speed of light. His value judgments were at the pace of a responsive reading. They could never keep up and direct his thinking.

He viewed his own mentality as grotesque but useful, like a chair made of antlers. There was nothing he could do about it.

Graham turned off the lights in the Leeds house and went out through the kitchen. At the far end of the back porch, his flashlight revealed a bicycle and a wicker dog bed. There was a doghouse in the backyard, a dog bowl by the steps.

The evidence indicated the Leedses were surprised in their sleep.

Holding the flashlight between his chin and chest, he wrote a memo: Jack—where was the dog?