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Evans said Graham was withdrawn and refused to eat or speak during the first weeks of his stay.

Graham has never been an FBI agent. Veteran observers attribute this to the Bureau’s strict screening procedures, designed to detect instability.

Federal sources would reveal only that Graham originally worked in the FBI crime laboratory and was assigned teaching duties at the FBI Academy after outstanding work both in the laboratory and in the field, where he served as a “special investigator.”

The Tattler learned that before his federal service, Graham was in the homicide division of the New Orleans police department, a post he left to attend graduate school in forensics at George Washington University.

One New Orleans officer who served with Graham commented, “Well, you can call him retired, but the feds like to know he’s around. It’s like having a king snake under the house. They may not see him much, but it’s nice to know he’s there to eat the moccasins.”

Dr. Lecter is confined for the rest of his life. If he is ever declared sane, he will have to stand trial on nine counts of first-degree murder.

Lecter’s attorney says the mass murderer spends his time writing useful articles for the scientific journals and has an “ongoing dialogue” by mail with some of the most respected figures in psychiatry.

Dolarhyde stopped

reading and looked at the pictures. There were two of them above the sidebar. One showed Lecter pinned against the side of a state trooper’s car. The other was the picture of Will Graham taken by Freddy Lounds outside the Baltimore State Hospital. A small photograph of Lounds ran beside each of his bylines.

Dolarhyde looked at the pictures for a long time. He ran the tip of his forefinger over them slowly, back and forth, his touch exquisitely sensitive to the rough newsprint. Ink left a smudge on his fingertip. He wet the smudge with his tongue and wiped it off on a Kleenex. Then he cut out the sidebar and put it in his pocket.

On his way home from the plant, Dolarhyde bought toilet paper of the quick-dissolving kind used in boats and campers, and a nasal inhaler.

He felt good despite his hay fever; like many people who have undergone extensive rhinoplasty, Dolarhyde had no hair in his nose and hay fever plagued him. So did upper respiratory infections.

When a stalled truck held him up for ten minutes on the Missouri River bridge to St. Charles, he sat patiently. His black van was carpeted, cool and quiet. Handel’s Water Music played on the stereo.

He rippled his fingers on the steering wheel in time with the music and dabbed at his nose.

Two women in a convertible were in the lane beside him. They wore shorts and blouses tied across the midriff. Dolarhyde looked down into the convertible from his van. They seemed tired and bored squinting into the lowering sun. The woman on the passenger side had her head against the seat back and her feet on the dash. Her slumped posture made two creases across her bare stomach. Dolarhyde could see a suck mark on the inside of her thigh. She caught him looking, sat up and crossed her legs. He saw weary distaste in her face.

She said something to the woman at the wheel. Both looked straight ahead. He knew they were talking about him. He was so glad it did not make him angry. Few things made him angry anymore. He knew that he was developing a becoming dignity.

The music was very pleasant.

The traffic in front of Dolarhyde began to move. The lane beside him was still stalled. He looked forward to getting home. He tapped the wheel in time with the music and rolled down the window with his other hand.

He hawked and spit a blob of green phlegm into the lap of the woman beside him, hitting her just beside the navel. Her curses sounded high and thin over the Handel as he drove away.

Dolarhyde’s great ledger was at least a hundred years old. Bound in black leather with brass corners, it was so heavy a sturdy machine table supported it in the locked closet at the top of the stairs. From the moment he saw it at the bankruptcy sale of an old St. Louis printing company, Dolarhyde knew it should be his.

Now, bathed and in his kimono, he unlocked the closet and rolled it out. When the book was centered beneath the painting of the Great Red Dragon, he settled himself in a chair and opened it. The smell of foxed paper rose to his face.

Across the first page, in large letters he had illuminated himself, were the words from Revelation: “And There Came a Great Red Dragon Also . . .”

The first item in the book was the only one not neatly mounted. Loose between the pages was a yellowed photograph of Dolarhyde as a small child with his grandmother on the steps of the big house. He is holding to Grandmother’s skirt. Her arms are folded and her back is straight.

Dolarhyde turned past it. He ignored it as though it had been left there by mistake.

There were many clippings in the ledger, the earliest ones about the disappearances of elderly women in St. Louis and Toledo. Pages between the clippings were covered with Dolarhyde’s writing—black ink in a fine copperplate script not unlike William Blake’s own handwriting.

Fastened in the margins, ragged bits of scalp trailed their tails of hair like comets pressed in God’s scrap-book.

The Jacobi clippings from Birmingham were there, along with film cartridges and slides set in pockets glued to the pages.

So were stories on the Leedses, with film beside them.

The term “Tooth Fairy” had not appeared in the press until Atlanta. The name was marked out in all the Leeds stories.

Now Dolarhyde did the same with his Tattler clipping, obliterating “Tooth Fairy” with angry slashes of a red marker pen.