Page 120
Story: Empire of Ache & Ruin
“I wish I could tell you that they’re usually not this rowdy, but that would be a lie.” He winks.
His voice carries because as soon as he speaks, the voices quiet down in the other room. In the next beat, they all come out to greet us in the living room.
“You remember Gardenia, Fisher and Jacob.” Archer gestures toward them.
“Hi.” Gardenia steps in and hugs me tight. “It’s good to see you.”
“Thank you. You too.” I relax, feeling relieved that she’s not mad at me anymore.
“I trust you’re well.” Fisher nods politely.
“I would hug you.” Jacob tilts his head toward Archer. “But I don’t want to lose my arms.”
“Smart man.” Archer smirks, then turns his attention to the woman joining us.
Archer’s mom is in her late fifties with high cheek bones and long dark hair. She’s a classic beauty with the bluest eyes like turquoise lagoons. Hers is an older version of the face I’ve been venerating in my room every night for the past twenty-one years.
“Mom?” I croak.
CHAPTER29
WHAT’S WRONG WITH LOSING MYSELF?
Archer
“Paloma, this is my mother. Freya.” I take Paloma’s hand in mine and gesture toward Mom. “Mom, this is Paloma. My wife.”
Mom beams at Paloma and steps forward to shake her hand, but Paloma shuffles back looking like she’s seen a ghost. All the color drains from her face as her hands grow cold. Her reaction is slowly sinking in, but for the life of me, I’ve no clue what she’s reacting to.
“What does this mean?” Paloma looks up at me. Sheer terror marring her beautiful features. “Archer? Why does your mother look exactly like mine?”
“The fuck?” Jacob blurts out.
Now it’s my turn to feel horrified. Paloma lost her mother when she was four. Whatever image or memory she has of her mom is from stories her father told of her. If she recognizes my mom, it’s because she’s seen her portrait. But what the fuck does that mean if Paloma thinks the woman in front of her right now is her mother?
“Oh my God, Archer.” Gardenia places a hand over her mouth, her eyes wide with a mix of shock and pity.
“Let’s all take a step back.” Fisher puts up his hands and turns to Freya. “Freya, care to chime in?”
Mom stares at Paloma. The minute it takes her to formulate an answer is the longest of my life. Because even if no one has said it aloud, we’re all thinking the same thing. Are Paloma and I half-siblings? What the fuck? How is that even possible.
“Mom.” I stalk toward her. “This is not the time to grow silent.”
She looks at me in disbelief, then turns to Paloma. “I’m sorry, dear. I don’t mean to be blasé about this, but who are you again? Why do you think I’m your mother?”
“Because you look like her? You are her.” Paloma rubs her temple. “Are you?”
“Mom? Did you…?” I can’t even say the words. For one, because being related to Paloma would be the most fucked up turn of events. But also, because the implication that Mom of all people would have a relationship with Senator Davis, the man that murdered my father in cold blood, is just unfathomable. “Mom.” My voice booms in the room.
“Aunt Freya,” Gardenia says tentatively. “This is Senator Davis’s daughter.”
“Yes. You mentioned that.” Mom points at Paloma. “What I’m trying to understand is why she thinks I’m her mother. Why in the world would I ever?—”
“Mom.” I cut her off before she says too much in front of Paloma. Even though I’ve decided to tell her the truth. Right now, isn’t the time. My family’s portraits need to be secured before I unleash the truth, before the Senator finds out who I am, and why I’m here. “Is Paloma your daughter?”
“Good grief, Tristan.” She glares at me with so much disgust in her eyes. “Do you understand what you’re asking? Me and that awful man?”
“Okay.” I put up my hands. “I just had to ask to make sure.”
His voice carries because as soon as he speaks, the voices quiet down in the other room. In the next beat, they all come out to greet us in the living room.
“You remember Gardenia, Fisher and Jacob.” Archer gestures toward them.
“Hi.” Gardenia steps in and hugs me tight. “It’s good to see you.”
“Thank you. You too.” I relax, feeling relieved that she’s not mad at me anymore.
“I trust you’re well.” Fisher nods politely.
“I would hug you.” Jacob tilts his head toward Archer. “But I don’t want to lose my arms.”
“Smart man.” Archer smirks, then turns his attention to the woman joining us.
Archer’s mom is in her late fifties with high cheek bones and long dark hair. She’s a classic beauty with the bluest eyes like turquoise lagoons. Hers is an older version of the face I’ve been venerating in my room every night for the past twenty-one years.
“Mom?” I croak.
CHAPTER29
WHAT’S WRONG WITH LOSING MYSELF?
Archer
“Paloma, this is my mother. Freya.” I take Paloma’s hand in mine and gesture toward Mom. “Mom, this is Paloma. My wife.”
Mom beams at Paloma and steps forward to shake her hand, but Paloma shuffles back looking like she’s seen a ghost. All the color drains from her face as her hands grow cold. Her reaction is slowly sinking in, but for the life of me, I’ve no clue what she’s reacting to.
“What does this mean?” Paloma looks up at me. Sheer terror marring her beautiful features. “Archer? Why does your mother look exactly like mine?”
“The fuck?” Jacob blurts out.
Now it’s my turn to feel horrified. Paloma lost her mother when she was four. Whatever image or memory she has of her mom is from stories her father told of her. If she recognizes my mom, it’s because she’s seen her portrait. But what the fuck does that mean if Paloma thinks the woman in front of her right now is her mother?
“Oh my God, Archer.” Gardenia places a hand over her mouth, her eyes wide with a mix of shock and pity.
“Let’s all take a step back.” Fisher puts up his hands and turns to Freya. “Freya, care to chime in?”
Mom stares at Paloma. The minute it takes her to formulate an answer is the longest of my life. Because even if no one has said it aloud, we’re all thinking the same thing. Are Paloma and I half-siblings? What the fuck? How is that even possible.
“Mom.” I stalk toward her. “This is not the time to grow silent.”
She looks at me in disbelief, then turns to Paloma. “I’m sorry, dear. I don’t mean to be blasé about this, but who are you again? Why do you think I’m your mother?”
“Because you look like her? You are her.” Paloma rubs her temple. “Are you?”
“Mom? Did you…?” I can’t even say the words. For one, because being related to Paloma would be the most fucked up turn of events. But also, because the implication that Mom of all people would have a relationship with Senator Davis, the man that murdered my father in cold blood, is just unfathomable. “Mom.” My voice booms in the room.
“Aunt Freya,” Gardenia says tentatively. “This is Senator Davis’s daughter.”
“Yes. You mentioned that.” Mom points at Paloma. “What I’m trying to understand is why she thinks I’m her mother. Why in the world would I ever?—”
“Mom.” I cut her off before she says too much in front of Paloma. Even though I’ve decided to tell her the truth. Right now, isn’t the time. My family’s portraits need to be secured before I unleash the truth, before the Senator finds out who I am, and why I’m here. “Is Paloma your daughter?”
“Good grief, Tristan.” She glares at me with so much disgust in her eyes. “Do you understand what you’re asking? Me and that awful man?”
“Okay.” I put up my hands. “I just had to ask to make sure.”
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167