Page 17 of 11 Cowboys
She looks down at the page, and it feels like she’s seeing more than just the art.
Her gaze drops to my forearm and the faded script.
“What’s the tattoo about?”
I follow her eyes. “Lyrics,” I say. “Old ones.”
She nods but doesn’t ask what they represent to me. Maybe she’ll assume they’re simply lyrics from a band mymother loved, and not the most important nugget of wisdom she passed to me before she died. She glances back at the drawing. “You made me look kind.”
“I draw what I see.”
She lingers, her hand still near mine. The kids are noisier now. Junie’s crying over a lost toy, and Matty’s laughing too loud, but we’re both distracted and still. I can’t take my eyes off her.
She taps her finger gently beside the corner of the page. “Do you think you see the truth?”
I’ve never doubted that I do. The truth rests in the moments when people let their masks slip. “I try,” I say, and before I can think about it, I reach up and tuck a strand of hair behind her ear. It’s a small gesture. Barely a touch. But it lands like thunder in the quiet between us.
Her lips part like she might say something, but she doesn’t.
Grace looks at me, and for a beat, I get lost in her eyes. They’re hazel, flecked with gold, like the sun hit dried leaves and made something new. They seem deeper now than they did when she walked in. They’d be complicated to paint, and I like complicated.
My heart beats erratically as she scans my face, searching for something.
When she finally turns away to rejoin the chaos, I let out a long breath that must have been trapped in my chest by anticipation. I don’t feel like drawing anymore, so I stare at the page, finding my sketch so much less impressive than the real thing.
Representing the wholeness of people in a flat sketch is always a challenge, and Grace doesn’t suit black and white. She needs color—something vibrant and textured to bring her to life.
I grab my phone, which is resting on the arm of the chair, and type her name into a search engine. Grace Murphy.
There’s a pause, then a flood of professional headshots, magazine banners, red carpet snapshots at industry eventswhere she’s clutching engraved glass trophies with glittering eyes and scarlet lips, and dresses that hug her form like they’re there only to worship her.
Her smile in those shots is polished and practiced, but there’s something bright behind it, too, something undimmed. And a forced undertone like she doesn’t know what she’s doing there.
I scroll past bios and accolades until I find a link to one of her old articles.
The headline reads:Which vibrator should you invest in this season?
I click.
It starts with a joke. Smart. Dry. Something about ROI and orgasms. I snort into my sleeve, startling Matty, who’s still quietly coloring his unicorn. The piece isn’t smutty. It’s sharp and witty. Grace wasn’t writing to shock anyone. She was writing because she could hold attention. At least, it seems that way. She’s playful with structure and brilliant with rhythm, like the words themselves are aware of how clever they sound but still wear the joke lightly.
I read another:The Unspoken Politics of Office Cake Culture. It’s surprisingly touching. She manages to make humor out of isolation and insecurity without making anyone the punchline. It’s personal without being confessional, and woven through it all is that voice, that rhythm, that warmth and confidence she carries even when she’s writing about things that should be cold.
Another article pulls me in:How office romances can catapult your career.And there it is again. The grit. The weight beneath the wit.
I shift forward in the chair, and it groans like it wants to eject me for giving it indigestion, elbows on knees now, phone gripped a little tighter. Grace is funny, for sure, but she’s also angry in the right places. Thoughtful. She sees life the way I try to draw people: whole, complicated, flawed, and broken, but beautiful. Worth the ink.
Her photo is beside the byline. That same face I sketched. I glance at my pad again.
I captured her shape.
But not her voice.
Not yet.
7
GRACE
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17 (reading here)
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147