Page 139 of Violent Possession
We stay like this, frozen. My hands are still clasped around Griffin’s waist, but I feel his heat as a reminder that, no matter how much I try to transcend it, I am a slave to the same flesh.
The fury is dissolved in spasms of pleasure and pain. There is only a sudden, childish fear of not knowing what to do next.
I pull away from him.
Griffin loses his footing and falls, sliding down the wall. He hits the floor on his knees first, then his arms hang heavy—only his chest rises and falls, panting, the effort of breathing now new and painful.
The sight of him, so raw and exposed, causes me deep discomfort. It is an intimacy that I didn’t seek, a consequence of my loss of control.
My first instinct is to restore minimal order.
I compose myself. I adjust my clothes back in place. I avoid looking at him. Every second of silence exposes the disaster of what I have just done.
He says nothing.
I walk to the counter, strangely unstable, and pour myself another shot of vodka. I down it in one gulp. The alcohol burns, but it doesn’t purify.
Griffin is still on the floor, but now he is looking at me. His eyes don’t lose focus; they don’t look away. It’s as if he’s studying me, looking for something that neither he nor I can define.
“Get up,” I order. My voice comes out sharp, much more so than necessary. I break his gaze before he does.
For a moment, I think he’s going to challenge me, but he moves. With each movement, Griffin seems to be relearning how to use his own body: his arms rest on the wall, his legs tremble, his face contorts into a grimace that is more contempt than pain. He pulls up his pants as if it makes no difference, leaves the button open, deliberately exposes the failure of his composure.
I see the blood drying at the corner of his mouth, the red-marked skin where my nails dug in, and yet, what stands out most is the clarity of his eyes. He looks at me like he won, somehow, just by still existing whole.
“Give me a shot,” he says, hoarse.
I hesitate longer than I’d like to admit. My hands, which minutes ago were crushing Griffin’s dignity until he turned to dust, now tremble almost imperceptibly. The domestic ritual of alcohol becomes a kind of truce: I pour another glass, place it on the marble island between us. Griffin maneuvers his devastated body to the counter.
He takes the glass with his left hand—always the left, I realize—and empties it at once.
The air is saturated with something else now. It’s no longer the feverish sexual tension; it is something quieter, more dangerous. It’s the knowledge of what happened, and the uncertainty of what it means.
I lost control.Hemade me lose control. And we both know it.
I could easily let him go and sort himself out, but the image of him arching under my hands still pulses in my synapses. I feel a foolish urge to apologize, which disgusts me. I never learned to deal with guilt. Only to contain it until it explodes.
“Turn around,” I order.
Griffin raises an eyebrow. A glimmer of his usual defiance returns. “Haven’t we had that part of the night already?”
“Turn,” I repeat, walking around the island. Griffin hesitates, but spins the revolving stool, showing me his back.
He is all torn, wounded by glass, blows, and painted with dried blood and recent bruises. Still, there is a raw beauty in the alignment of his spine, in his broad shoulders, in the way he doesn’t allow himself to shrink.
I go to where I abandoned the first aid kit before I lost control.
I place it on the island. I soak gauze in antiseptic and touch the first scratch on his back.
Griffin shudders all over, but makes no sound. He is so proud that he turns every gesture of care into a new battlefield. I clean the dried blood, press the gauze around the wounds. He doesn’t back down. I feel his breath quicken, but he holds on tight to the counter.
“You’re impulsive to the point of stupidity,” I murmur.
He laughs humorlessly. “And you’re a control freak dictator. We’ll call it a draw on that one.”
I apply gauze and ointment to his ribs, where a purplish bruise is growing under the skin.
“You knew what you were getting into when you took me out of that arena,” he says, lower.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139 (reading here)
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185