Page 28 of Until the Storm Breaks
I hesitate. It’s one thing to read poetry, another to admit which poems you need at midnight. “Elias Shaw.”
She stops walking. Actually stops, right there in the middle of the path, rain falling around us. “You’re kidding.”
“What?”
“Elias Shaw’s the only poet I’ve ever dog-eared.” Her voice carries something I can’t quite identify. Recognition, maybe. “He was one of the authors I found after my parents died. His stuff about carrying death like a weight?—”
“Like it’s something you pack and unpack in every new room,” I finish.
Her eyes go wide. In the darkness, with the rain between us, they look like deep water I could dive into. “You know ‘Morning Inventory’?”
“By heart.”
We stand there staring at each other, rain soaking through our clothes, and something shifts. My pulse kicks up, blood rushing in my ears louder than the rain.
“Which one were you reading?” she asks. “The other night, I mean.”
“‘Letter to My Former Self.’” I’m embarrassed by how raw my voice sounds. “The part about forgiveness being a house you build room by room.”
She nods. “That’s the one that got me through the first year. After.”
She doesn’t say after what, doesn’t need to. I know what happened to her parents.
“I used to read it every morning,” she continues. “Like a prayer. Like instructions for surviving.”
We start walking again, but slower now, like we’re both trying to make this last. Our shoulders brush, and neither of us moves away.
“Shaw put words to things I couldn’t name,” I tell her. “Like it was okay to not have answers. To just... exist in the questions.”
She’s quiet for a moment, considering. “You write like that. Like you’re just trying to understand something true.”
“You read my book.” It’s not really a question. Her voice tells me she’s not talking about excerpts.
“I read your book,” she confirms. “All of it. Cover to cover. Several times, actually.”
“I always feel like I should apologize when people say that.” I push wet hair back. “It’s not exactly uplifting.”
“No, but it’s honest.”
I feel exposed suddenly, like she’s seen me naked.
“Along with Shaw, it was what I needed,” she continues.”The grief essay particularly. And the one about storms. They made me feel less insane when everything else felt like lying.”
“When did you read it?” I need to know. Need to understand how long she’s been carrying my words around.
“First time? When I was twenty. Susan lent me her copy.” She smiles at the memory. “She was so proud. Kept telling everyone her son wrote a book, like you’d invented the concept of writing itself.”
“She would do that.” I have to swallow against the sudden tightness in my throat.
“Last time was a few months ago. Bad night. The kind where the walls feel too close and too far away at the same time. I pulled it off the shelf and read it straight through until sunrise.”
She’s taking me apart with this confession. The thought of her reading my raw attempts at understanding loss, alone in her cabin struggling with her own grief, opens something in me I’ve kept closed.
“I thought I was writing to make sense of loss,” I admit. “Turns out, I was just writing not to disappear. Never expected the articles, the readings. People wanting me to explain what I meant when half the time I was just trying to survive the page.” I let out a breath. “I even threw my copy in the Sound on my first day back into town. Like some dramatic movie scene.”
She doesn’t look shocked. Just thoughtful. “Why?”
She waits, giving me room to answer or not. The rain fillsthe silence, patient. Maybe that freedom is what makes me speak. Or maybe it’s just her. Something about Maren bypasses my usual defenses, like she has a key I didn’t know I’d given out. “I think because it stopped being mine. Became something else entirely. A product. Locked me into a version of myself I don’t recognize anymore.” I run a hand through my wet hair, feel the rain immediately replace what I’ve pushed away. “The guy who wrote those essays was twenty-five and half-drunk on grief and rage. I’m not him anymore. But nobody wants to hear that.”
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28 (reading here)
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119