Page 11
Story: The Writer
TEN
When I finish reading the latest part of the story, everyone around the table quietly claps.
“Very twisted, Becca,” Victoria says, the bangles on her wrists clinging together as she applauds.
“Yeah,” Marley says, her voice not as strong. “It’s really dark.”
“Why’d you start writing from the killer’s POV again?” Danielle asks. “I figured you would have focused more on the crime.”
“I don’t know,” I say. I’d not really thought of that myself.
Why had I written the majority of the story from the killer’s point of view?
I wouldn’t have guessed that perspective would come so easily to me.
It makes the sudden rush of creativity all the more disturbing.
“I guess I was trying to continue the suspense. Readers already know about the murder, but they must be wondering why the guy did it, right?”
“I think it’s brilliant,” April says. “I love getting inside a psychopath’s head to see what makes them tick.”
I quickly look back at the table, as though their stares are too bright to hold my attention. Despite my friends’ praise, I’m not proud of this story. Everything about it—from the opening scene to my latest addition—feels wrong, and yet it’s the only thing that holds my attention.
Marley’s comment sticks with me. The Mistake is dark.
Too dark. All the other stories we’ve shared this evening are light-hearted by comparison: a woman whose ex-boyfriend toys with her by sending letters to her friends; a man maimed in a hit-and-run; and a woman who finds out her father is a serial killer when she finds tokens from his kills in a garage.
Stepping inside the mind of a murderer and rapist is extreme, and even though I’m the one who wrote the story, I can’t quite shake the macabre elements. For multiple reasons.
“I guess that leaves April,” Danielle says, looking over at her. “You have anything new to share this week?”
“I do, actually,” she says, her voice even more cheerful than normal.
I’m grateful for all the women in the group, but April especially.
Nothing cuts through the dark subject matter like her upbeat demeanor, even if the story to follow is filled with psychological horror.
Maybe it’s because she’s surrounded by primary colors and cartoons all day, but her personality is infectious, making it easier for me to forget the Layla story.
Before she begins her reading, I plan to tell her about my slashed tires. I won’t mention the black heart I found, but I thought the group might appreciate the coincidence of her story from last week happening in real life, but April quickly turns her computer around, showing us all the screen.
“Originally, I did have a new story to share with all of you, but then I received this.” Her voice is a near squeal, her fluttering fingers tapping against the screen. “I got an offer of representation!”
Everyone around the table gasps, except for Marley, who looks at our reactions with confusion.
“What’s that?” she asks, her face so blank and dumb I want to slap the expression right off it.
“That means a literary agent wants to represent her work,” Victoria says, kindly. “It’s the first big step in getting published.”
Marley’s face lights up like a Christmas tree. She turns to April, all smiles. “That’s great news. Congratulations!”
“It really is,” Danielle says, clasping her hands together. “This is amazing. The first in our group to land an agent.”
“I keep pinching myself,” April says, her eyes darting from the computer to us. “When I first sent off my manuscript, I expected to spend months waiting on a response. I can’t believe this is all happening so fast.”
“Tell us everything,” Victoria says. “We want all the details.”
We listen as April goes into the story. It’s not a big deal by most people’s standards, but when you’re a writer, this is the moment you fantasize about for years.
Dreaming about that one Yes lessens the sting of the never-ending Nos.
Seems to erase all the self-doubt and fear that comes along with this profession.
April says she was in the middle of school pickup when she received the email.
“I had to refresh the screen a couple times to make sure I was reading it correctly,” she tells us, her eyes bright with excitement.
“We set up a phone call for the following day, talked about our plans and goals for the book, then she made the offer.”
“Did you accept right away?” I ask, trying to sound more interested than jealous.
“Of course!” she says. “This was my dream agent, and all the others had been rejections.”
“What did your husband say?” Danielle asks.
April blushes. “He was ecstatic. Sent me flowers the next day. And we’re making plans to go out this weekend and celebrate.”
“That’s what you deserve,” Marley says, waving her hand to get the waitress’ attention. “Round of drinks on me.”
The others hoot and holler, continuing to praise April and her achievements.
My focus is set on Marley. Why is she the one buying a round of drinks?
She’s the newest member of this group. Hardly knows April or the rest of us.
She didn’t even understand the importance of receiving an offer of representation.
She only picked up writing as a hobby. She can’t possibly understand what it’s like to pine after something for years, to wonder if it will ever happen.
“Are you okay?” April asks, squeezing my hand. Her voice is soft, so the others can’t hear.
“Fine. My head’s all over the place.” I smile tightly. “I’m so happy for you.”
“It’s only a matter of time until it’s your turn,” she says. “If I can land an agent, I know Night Beat will, too.”
I smile again, but this time I can’t meet her eyes. April’s kindness is appreciated. Unlike Marley, she understands that sometimes one person’s success can only highlight another’s failure. My happiness for April is genuine, and she’s right. If she can make it, maybe one day I will, too.
“To April,” Marley says, raising one of the champagne flutes the waitress brought to our table, her sparrow tattoo on full display. Her eyes are gleaming, waiting as each of us joins in on the celebration.
Reluctantly, I reach for a glass and repeat, along with the others, “To April.”
The fizzy liquid slides down my throat, delivering a near-instant heady high. And yet, cutting through the fog of alcohol and celebration, I can’t stop staring at Marley.
Wondering who she really is and why she’s really here.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11 (Reading here)
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51