Page 1 of The Starving Saints
In fifteen days, there will be no food in Aymar Castle.
She has done the arithmetic forward and back. They have been down to strangled rations for weeks now, and there have been
mistakes. Thefts. Impulsive, desperate gorgings. Even if every soul in Aymar Castle keeps to their allotted portion—and Phosyne
does not think that is likely—every soul in Aymar Castle will run out of food in fifteen days.
And though Phosyne is one of the few outside the Priory who can work sums, everybody else is bound to realize this soon.
They are packed in one atop the other; a castle meant to hold at most three hundred for any length of time now shelters three
times that. Every nook and cranny is full to bursting of terrified farmers and a pitiful handful of overwrought knights. They’ve
been living in this unbearable press for almost six months now. It’s a testament to Ser Leodegardis’s leadership that they’ve
lasted this long, that the siege outside their walls has not broken them, that plague has not crashed down heavy on their
heads. But time is inexorable, as is the human stomach.
Relief has not come. They do not know if it will.
Fifteen days.
Phosyne counts out her own stores, meant to last her another three. She doesn’t eat much, so they might last her a little longer, except she has two little mouths to feed that the quartermaster doesn’t know about. Her companions slink along the walls and ceiling, all long, sleek bodies and dark scales, looking for a crevice to slip through. Ornuo stole a chicken a month and a half ago, but Phosyne has since stopped up her few windows. No chance of that happening again. (She does not know the depths of their hungers and desperations, nor even their real nature. She worries that they will begin to nibble on her toes as she sleeps.)
She tosses out a bit of ox hide she can’t bring herself to stomach yet, and Pneio snaps it from the air, then retreats beneath
her desk to gnaw at it. His brother darts after him. They tussle.
For herself, she takes nothing, instead locking the strips of tough dried meat and gristle back inside the heavy box she’s
reassigned for the purpose. Later, she’ll eat later, after she’s made some progress. Progress is the only reason she’s been
afforded the rations she has been, the only reason she is allowed to live alone despite the pack of bodies throughout the
rest of the keep. Progress earns her the candles she burns down to nubs in the close darkness of her stoppered tower.
Progress has not been forthcoming, as of late.
Her stomach cramps in irritation as she mounts the steps up to the loft above her main floor. When she moved in, this room
was one of the most unpleasant in the castle: damp, fetid, filled with moss and fungus thanks to the cooling influence of
the rain cistern below the floor. Now it is dry and warm, yet another impossibility she tries to keep hidden. It’s the sort
of thing the Priory would take issue with. Eventually, somebody will notice, word will spread. Nothing lasts forever without
changing.
Or breaking.
She settles on the sill of the one window that still lets in a shaft of light, through a dull pane of glass she’s secured
into a mass of wood and mud and pitch. Outside, it’s early evening; the sun is setting atop the keep walls, and beyond them,
she can just make out the line of contravallation, the wall their enemy has built to keep them in, should they ever risk leaving
the castle’s safety. That wall sits between them and fields, fields that have either been torched or taken over by the thousands
of soldiers and laborers that surround them. In six months, they have built a thriving town. They squat on the land and take
its bounty for their own.
Her last experiment was too bold, she can see that now. Transporting food that she cannot see, through so much stone and across so many bodies? Impossible. But she is getting desperate, just like the rest.
Her other attempts were more reasonable, yet no less doomed. She has failed to speed the germination of seeds for the castle
gardens. She has caused only blight when she has attempted to divide and propagate summer squash and sprigs of herbs. Her
only success so far has been a process by which fouled water can be made clean again; invaluable, necessary, but not enough.
Phosyne’s head pounds, and she curls up into a tight little ball. Her fingers itch. Her whole body itches, really, with the
lice and fleas that have grown rampant in the last few months, but her fingers itch for action. Desperate action. If she opens
the little glass pane, and lets Ornuo and Pneio out—
They will not go out to foreign lands and bring her back a feast. They’ll only stalk starving babes in the crib. Foul creatures,
unknown to any bestiary she has consulted, affectionate but untrustworthy.
Something bangs against her door.
It happens again, and she must concede it’s not an accidental collision. She is beginning to panic that they are here to take
her food in punishment for her failures, or that somebody has seen Ornuo and Pneio, when she hears the rhythm to it. It’s
not somebody come to hurt her. It’s somebody come to ask for help.
She leaves her window perch. She goes down the central spiral of stairs, into the main space of her workroom, with its astrolabes
and charts and stuffed curiosities. She ducks below the corkindrill that is suspended from the floor of the loft and creeps
toward the door, where the knocking is now accompanied by polite shouts. Her door is barred with a haphazard mix of materials
and locks, and she is relieved to see it hold.
Phosyne goes to the series of pipes that feeds through a hole in the wall beside the door. The gap was originally designed
to deter attackers, but she is no good with a spear or a sword, so instead, the pipes, with a little window at the end. Inside,
a series of mirrors. She can see the whole hall from the safety of a little podium a good five feet to the left of the door.
The king stands just outside her rooms.
She shoves the glass-capped pipe away, then grabs it again, cursing, and peers once more. Yes, it is the king, still in velvet finery even after all these months, a little thinner in the cheeks but not by much. He stands at ease, flanked by guards but not wearing armor himself. He trusts the walls to defend him, and he has not come to kill her.
Silly; the king would never kill her. He has people for that.
So she measures the people: two soldiers, looking furtive and nervous but no more so than usual. Probably not here to kill
her either, but the absence of Ser Leodegardis makes her uneasy. She only glancingly knows the king. Leodegardis, responsible
for this castle in particular, is responsible for her as well. But a king cannot be denied; she needs to open the door, or
else there will be even more trouble.
“Coming! Please wait!” she cries; the pipes should carry her words out of the room. And then she sets about unlocking locks
and shifting planks of wood. Her serpents dive beneath rugs, hiding among her piles of texts and tools, more mess in the maelstrom
of her room.
She pulls open the door, but doesn’t move out of the way, bowing where she stands. “Your Majesty,” she says to his fine leather
shoes.
“My madwoman,” he greets, and his rich voice is pinched thin. ( Not yours , she thinks.) “Do you have another miracle for me?”
“Not yet,” she says, wincing. It’s been nearly a month since she solved Aymar’s water problem. In any other circumstances,
her work would have been enough to earn her safety and acclaim for years, if not a lifetime. Here, now, it is nowhere near
enough.
She sees his shadow shift, feels him lean beyond her, peering into her workspace. “May I observe, Phosyne?”
No. No, he may not. But she can’t refuse a king, and she’s never been skilled at polite dances. So she grimaces and backs
up a few steps, finally straightening, hands tugging at the roughspun fabric of her robes. She looks for all the world like
a nun, except that where a nun keeps her skull fastidiously close-shaven, her head now shows nearly a year’s worth of shaggy,
dark growth, untended and unminded. Her clothing has been leeched of color in several places by experiments gone wrong. She
is far thinner than even the privations of the siege demand.
He follows her in with a wave of his hand. His escort remains outside and closes the door after him.
Phosyne has never been alone with a king before. She can’t tell if she’s suffocating under the weight of his presence, or
if she’s shocked that he is, in fact, still just a man.
A very tired man, who goes to the stool by one of her workbenches and sits down heavily. He’s picked the more familiar array
of her tools to look at, vessels grudgingly loaned to her by the Priory mixed in with her own more-chipped and haphazard implements.
He must notice the mess of it all, even in the gloom, but he seems to look right through it. His gaze doesn’t stop on the
half-sketched frescoes on her walls, attempts at understanding pigment and form. He does not speak.
Phosyne flinches anyway.
“No progress,” she mutters, eyes averted. “I thought I had something, but—but not yet.”
He sighs. “The quartermaster tells me—”
“Fifteen days,” she accedes. “I know.”
“You have done the impossible for me once,” he says. “Surely it cannot be so hard to do it again?”
Unfortunately, she is fairly sure her first miracle was pure luck. She still doesn’t know where the process came to her from.
A dream? A half-remembered theorem from her days at the Priory? But if so, the Priory itself would have solved the problem
long ago.
Though—
“Has Prioress Jacynde had any luck?” she asks. “Any progress at all? If I knew where their work stood, I might be able to
build on it.” And though the prioress would sneer with disgust if Phosyne came to her directly, even in this time of greatest
need, she would not do the same to a king .
“No,” the king says, dashing her hopes. “None at all. They claim it cannot be done. That matter cannot be transformed, that
something cannot be brought forth from nothing.”
Phosyne chews her chapped lip to keep herself from arguing. Or, worse yet, agreeing.
She’s still not sure where she stands on the concept.
They are silent for several moments, long enough that Phosyne spies a shifting shadow beneath her other desk—Pneio nosing
out from his hiding place. She moves, half a step, to shuffle him back out of sight.
And then he hides himself, and not because of her.
Because of shouting.
It’s muffled by her stoppered windows, but it’s getting louder, and the king raises his head with a haunted, hunted look.
Phosyne stares back at him for just a moment, then turns and races up the steps to the loft, crouching to peer out her tiny
plate of glass. She expects plumes of dust, jagged wreckage along the walls, the signs of an attack they have been half expecting
for weeks now. But the walls are whole, and beyond them, the enemy all but lounges. No assault. No threat from without.
So Phosyne looks within.
A scrum, boiling quickly into a mob, crowds against the short walls that surround the kitchen garden down in the yard.
She sees a flash of metal. It is not a sword.
Not yet.
It’s sun on armor, the blinding reflection of a knight’s breastplate, and the only knights who go about in metal armor inside
the walls are the king’s knights. The woman (for the side of her head is shaved, and the remaining dark hair hangs in a braid
to her shoulders) has climbed on top of the garden wall, and she bellows for order. The wind steals her words away, but not
the sound, and Phosyne is transfixed.
The mob should be afraid. It’s not.
It’s angry.
Somebody throws a stone.
Shouts become screams as the knight draws her sword and descends into the mob.
From here, Phosyne cannot make out details, can’t see if hands are severed, necks are cut, or if there are only threats and shoves and intimidation. She sees at least three people fall to the ground. She sees other guards wade in, along with the familiar fair head of Ser Leodegardis. Somebody is dragged, kicking and thrashing, out of the maelstrom. The soil grows dark.
The king is by her side, frowning at her makeshift shutters. “What is it?”
“A riot,” Phosyne breathes, eyes wide. And then they grow wider because she sees now who was at the center of the mob, as
he is pulled from the crowd, hurried back through the garden, into the kitchen. “They had the quartermaster. They were going
to tear him to pieces.”
The king snarls and thrusts Phosyne out of the way, crouching to peer through the glass. The screams are quieting now, and
so the action must be too. Only a minute more passes before the king pulls away, running a hand through his hair, tugging
his beard.
“Ser Voyne has it in hand,” he grinds out. But he does not sound happy. Unrest will kill them far quicker than starvation.
Phosyne will have to revise her numbers.
“I need my miracle.”
Her shaking worsens. “It can’t be done. I can’t promise that. Food—food is not as easy as water, and water was not easy either.
We need something else, another solution. I’m sorry, I can’t—”
“You can,” he says. “You will.” He regards her closely, then the room at large. It is a far cry from the orderly cleanliness
of a Priory workshop. She’s not surprised at his grimace.
She thinks that perhaps now he’ll agree, that he won’t believe she can do it either. For the wrong reasons, but if it gets
her relief—
“I have clearly been too generous, allowing you to work unobserved, at your own pace. Your success with the water seems to
have been born of luck, not labor. Leodegardis had me convinced of your unique point of view, of the necessity of thinking
more flexibly, but I think now that Prioress Jacynde had the measure of you. You need a firm hand.”
No.
No, she does not want anybody else in here. There have been miracles, yes, but disasters, too, and she cannot keep disasters
hidden if—if—
“Ser Voyne will be your minder,” the king says, and Phosyne looks back down at the tall, broad slab of a woman, all muscles and flashing blade, blazing eyes that Phosyne can feel, even from this height.
“A minder will not help me,” she says, hunching over herself protectively.
“Ser Voyne will be your minder, and you will find me my miracle. You will feed my people. You will buy us more time. And you
will remember that you are here on my sufferance.”