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I followed Mrs. Devereaux through the parking lot to a yellow convertible jeep with its top down. Despite some rust along the door bottoms, it was in great shape for a vehicle that was clearly much older than I was, and I slid into the passenger side, the leather seat hot through my jeans.

Mrs. Devereaux turned the key in the ignition, and the sun glinted off a thin gold band on her left hand. Is there a Mr. Devereaux?

I’d never seen anyone drive a stick shift before, and Mrs. Devereaux was a master at it, surprisingly strong. “So what’s life like for you out in California?” she asked. “Do you paint a lot?”

“Whenever I can. Mostly portraits. I build stuff, too. Just made a little dollhouse for my boss’s niece.”

Mrs. Devereaux’s gaze lingered on me again, this time for a longer moment.

“Is everything okay?” I asked. “I could drive if you’re feeling lightheaded.” It was the kind of offer I often made without thinking, but I hadn’t driven a car in five years, since my mother sold the Mustang, never mind a stick shift.

“Oh, no. Never felt better.”

I sat back and tried to relax as we drove along the main street of the harbor town, past an organic-food shop and a drugstore, along with some T-shirt shops. “Welcome to Vineyard Haven,” she said.

“Cute town.” I loved the boutiques, a nice break from the Glendale Galleria.

“Had a terrible fire here in 1883. Everything burned, clear down to the water, if you can believe it.”

We passed a sweet storefront with books displayed in the plate-glass windows. Bunch of Grapes Books. I turned in my seat. “Was that Allen Whiting’s book in the window? Amazing landscapes.”

“Yes. Great art books. A person could spend all day in there. You know, why not stay the night in my guest room? Come back and browse. And it’ll give us more time to paint.”

For a private person, she was pretty free with the invitation. And I hadn’t really intended to do any actual painting. More just fact-finding. “Thank you, but I need to get back. Nonrefundable flight.”

“Do you read?”

“Mostly nonfiction. But now I’m reading all my mom’s old novels. Makes me feel closer to her.” I pulled a worn paperback from my bag, my mother’s copy of Valley of the Dolls, which I’d found when I was cleaning out our closet. “Read this on the flight. It’s a wild one. Drug overdoses and stuff. Good, but pretty unrealistic.”

We passed a cute coffee bar with café tables out front, advertising matcha lattes.

“Whatever happened to plain black coffee?” Mrs. Devereaux asked.

“Matcha’s good for you. At least that’s what Gwyneth Paltrow says. And tastes amazing.”

“Blech,” Mrs. Devereaux said, waving the idea away.

We passed a vintage-clothing store with a few dresses hung outside, swinging in the breeze. My mother would have liked the vibe of the town—a little corny, not trying too hard to be cool. I ran one finger along my heart bracelet.

Mrs. Devereaux glanced over. “Pretty.”

“My mother’s,” I said. “I think she got it from a thrift shop.” It pinched me to look at it, but it felt good to have inherited something, no matter how small, from my mom. The Medi Clinic doctor in Los Feliz had floated Lexapro as a way to treat the sadness. But I didn’t want to forget my mother. I just wanted her back.

“You like vintage clothes?” Mrs. Devereaux asked.

“Yeah. They have great energy. Love guessing the past in them. And they’re always well made. Plus, thrifting’s good for the planet.”

Mrs. Devereaux nodded, as if that had some deeper meaning.

“This farm we’re going to. How long have you lived there?” I had limited time to get my real questions answered.

She checked her side mirror. “Off and on for a few years.”

“Ever get out to Los Angeles?” I asked.

She looked over at me. “No, never.”

We drove by a restaurant advertising warm lobster rolls and past a bank with a Spanish-tile roof that looked like it belonged in Carmel-by-the-Sea. It was a cute town with great exploration potential if I came back one day. But once she opened up to me and I got what I came for from Mrs. Devereaux, I’d never need to return.

We continued Up-Island along an untraveled road arched with ancient trees, and I breathed in the honeysuckle air, feeling renewed. It was such a different vibe from the West Coast. The light made everything seem crisper, and there was a wetter, briny sweetness to the air, none of that woodsmoke and cedar scent of L.A.

We passed what Mrs. Devereaux said was the old Alley’s General Store and then lots of sheep meadows, and later she veered onto a dirt road and drove through an open gate. Off to the side was a blue farm stand, metal buckets of white lilies there for sale.

We drove along, as she expertly skirted most of the washtub-sized potholes, and I held on to the door handle. “Is there someone who can fix this road?”

“It keeps the curious away,” she said with a smile.

Soon the wild cry of gulls and terns met our ears, and we emerged from the woods to a hazy blue sky and a sweeping lawn that ran to a bluff overlooking the water. A small, two-story stone-faced cottage stood off to our left, a white-painted picket fence along the front of it, which had surrendered to a glorious tangle of creamy-pink climbing roses, white lilies, and foxglove. A magnificent old barn stood to our right, a rust-colored cow grazing near it, and rows of emerald-green plants grew up the hill. I’d never set foot on a farm before. Unless you counted Knott’s Berry Farm.

“Wow.” I stepped from the car. I liked the smell of the farm, the roses, the freshly mowed hay and the salt air, and even the manure. “You live here by yourself?”

“I do.”

“Is this your family home?”

“Oh, no. Just taking care of it for a friend.”

“Lucky you.” I shielded my eyes with one hand and took in the old barn, newly renovated. They’d done it right—updated but not too modern, with black-framed architectural windows and a cedar-shake roof. “Cool barn.”

“It’s a dairy farm, but we also grow potatoes and hay.”

We walked toward the edge of the bluff, where two easels stood next to canvas camp stools. Just seeing those easels made me regret my decision to leave without taking the painting class. Mrs. Devereaux was probably an amazing teacher.

I waved toward a clearing on the hill where an enormous boulder sat, surrounded by a grove of tall curly-branched trees, which swayed in the gentle wind. The scene was a familiar one. “That big rock,” I said. “And those trees. You’ve painted them.”

“Oh, the beetle bungs. Aren’t they just marvelous? They grow all over here, Up-Island. The bees love the blossoms, and you should taste the honey.”

I watched the branches bob and the leaves flutter. “They’re almost alive, like women dancing.”

“I like their scientific name, Nyssa sylvatica, nymph of the woods. Sometimes I think there’s something magical about them. They helped the family that lived here get through a lot.”

I turned and took in the vista, the waves lapping the shore and the low islands in the distance. “Amazing view.”

Mrs. Devereaux waved across the landscape. “The property runs from cove to cove. Salt Cove to the right, with the sandy beach, and Pepper Cove to the left around the bend—not much beach to speak of over there. Just an old boathouse.” She shielded her eyes with one hand. “In the distance are the Elizabeth Islands. Named by explorer Bartholomew Gosnold in 1602.”

“After you?” I asked.

Mrs. Devereaux laughed. “Oh, no, after Queen Elizabeth. And he named the Vineyard after his daughter Martha.”

“Thank God this property hasn’t been developed,” I said.

She nodded. “We’re very lucky.”

Just the thought of some big mansion being built here, or cluster homes with asphalt driveways, made me a little sick.

Mrs. Devereaux gestured to the cottage’s stonework. “You can see the seam in the front where it was flaked. Cut into sections to be moved.”

I craved a quick look at the inside of the house. “Do you have a place I can plug in my phone, Mrs. Devereaux?”

“In the kitchen. Help yourself. I don’t stand on formality here. Kitchen’s at the back of the house.”

I slipped into the cottage, the entryway cool and shaded, and let the screen door bang behind me. I passed a narrow staircase to the low-ceilinged living room; a threadbare velvet sofa was set between its two windows. I stopped short at the frameless paintings of varying sizes hung above the sofa, all of which featured the same subject: the boulder in the far field. Each caught the massive stone at a different time of day or different season, one under a covering of snow, each with different light and color, much like Monet’s thirty haystack paintings.

From my jeans pocket I slid a page I’d torn from my art textbook, which showed a photograph of my favorite painting, Untitled. A landscape. E. Devereaux, 1992, printed below it. The big rock. Those beetlebung trees.

I continued on to the kitchen, with its wide white porcelain sink, knotty-pine cabinets, and round oak table, the finishes so worn and lived-in that the room must have been the heart of the house. Somewhere along the way that part had been an addition, tacked on to the older stone front of the house. It smelled good in there, like sugar and wood ash and vanilla extract. I admired the old stone fireplace and the little model tugboat on the mantel. I was a big fan of fireplaces in kitchens, and I stepped closer to read the inscription carved into the wood: Deal justly, love mercy, and pay all debts. I ran a finger along the words carved there. That was such an easier, simpler time.

An HGTV star might rip out the old paneling and replace it with shiplap, but to me it was perfect as it was. I wanted to bake banana bread or can something in there.

I found a cord and left my phone charging on the counter, and on my way out I stopped at the entryway closet; its door was open a crack. I found it packed with clothes and ran one hand along the variety of smallish-sized men’s shirts and jackets hung there, loving the feel of the rough wools and cashmere I never got to wear at home.

I found my way back out to Mrs. Devereaux, who stood on the bluff at the easels, picking through a faded cigar box full of paint tubes.

My gaze wandered to the beach below, past a weathered gray shack to a wide plum-colored pond, iridescent as a dragonfly’s wing, the sand a coppery brown around the edges.

“The colors look so different on this coast,” I said. “More intense somehow. That pond…”

Mrs. Devereaux swished her paintbrush around in a baby-food jar of turpentine. “That’s Copper Pond. Gets that aubergine color from minerals in the soil. Has magical properties, they say.” She waved the brush in the direction of the woods behind the house. “On that hilltop above us, there was an Army camp—loaded with tents, filled with soldiers.”

“Who built this house?” I asked.

“That would be old Ginny Smith’s grandparents. Started farming here in the 1800s, off the boat from England via the mills in New Bedford.”

“Who lived here last?”

“Ginny and her three grandchildren. All gone now. Few remember them.”

I shut the paint box, my heart beating a bit faster. “Mrs. Devereaux, do you know anyone by the name of Nancy Starwood?”

Mrs. Devereaux set down her brush and turned. “Is that why you’re really here?”

“I’m afraid I haven’t been completely honest with you. Though I’d love to paint with you, I’m not here to take your class.”

“Oh, really?” she asked, not at all shocked by my revelation.

“I found your name among my mother’s things. She passed away this spring.”

Mrs. Devereaux held the easel to steady herself. “I’m terribly sorry for your loss. What happened?”

“She had a brain aneurysm at the library where she worked.”

“Sudden.” Mrs. Devereaux looked down at her hands. “I see.”

“At least it happened in the place where she was happiest,” I said.

We listened to the waves lap the distant shore.

“So why are you here?” Mrs. Devereaux asked.

“Before she died, she’d been planning a trip, I think. And I found your name—first in the search history on her computer and then written on the back of an envelope. The words cadence and briar were written there, too. Names, maybe? Strange ones.”

“No stranger than Marigold Violet. I like that your mother named you after a soap.”

Something buzzed, warm and deep in me. “I don’t—”

“I guess I haven’t been totally honest, either. I was actually expecting your mother here, but then I received your painting-class inquiry and noticed the similar last name. I had no idea she’d passed.”

“Why did you contact her to begin with?” I asked.

“She reached out to me.”

I wrapped my arms around my waist. “Why? Did she know you? My family has no connection to this place.”

“I’m afraid you’re wrong.”

“But my mother never set foot out of California in her whole life.”

Mrs. Devereaux picked up her paintbrush. “I think you’ll find you’re mistaken about that, too, Miss Starwood.”

“I don’t understand.”

“It’s an extraordinary story, really. And it all started with the Smith girls.”