Page 133 of The Bodyguard
Except he’d probably show up on Korean billboards somehow. Knowing him.
The point is: No, I wasn’t going to unpack these boxes. I wasn’t going to go to Ikea and buy throw pillows and arrange house plants in colorful Scandinavian pots. I wasn’t going to nest. I was going to let my life in Houston feel as sad and sterile and unwelcoming as possible, for as long as possible, so I would have nothing at all to make me yearn to stay here.
Nothing else, anyway. Besides the obvious.
That became the plan. I would max out my misery levels so anything at all seemed like an improvement.
It wasn’t a great plan, or even a good one. But it was all I had.
And it turned out, I wouldn’t have to work that hard to make myself miserable.
The world was going to do it for me.
Because three nights after leaving the ranch, when I was sitting on a packing box, eating takeout Tex-Mex out of the container and scrolling mindlessly through my phone, I happened to come upon a promoted video by none other than Kennedy Monroe.
“Holy shit,” I said out loud, dropping my taco.
She was in Texas, apparently—filming some kind of superhero movie located in a desiccated hellscape out near Amarillo.
And she’d just decided to pop down and surprise her boyfriend. Jack Stapleton. In Houston. On camera.
“What prompted the trip to Houston?” the camera guy asked.
“Oh, you know,” Kennedy Monroe said. “I was in the neighborhood.”
“What neighborhood is that?”
She smiled. “Texas.”
In the neighborhood?Please. Amarillo was nine hours from Houston. If you didn’t get caught in a dust storm.
But I was mesmerized by her. The perfection. The otherworldly beauty. She didn’t have a bump, or a lump, or a nonsymmetrical place on her body. She could have been built in a factory—and, okay, she probably was. I mean, sure, she was a poster child for cosmetic surgery… but it was good cosmetic surgery. I had to hand it to her. She was a work of art.
I was just admiring my own ability to be so complimentary and emotionally generous with her, rather than, say, rotting inwardly with jealousy, when the camera pulled back a bit and I realized that she was standing in front of a very stylish blue front door.
Next to an unmistakable full-height fiddle-leaf fig plant.
Oh, shit. She was at Jack’s house.
All generosity of spirit disintegrated.
Apparently, this was some kind of sneaker-upper Web series where she was surprising Jack with her visit. She walked up to the door at the sleek entryway and knocked. Then she turned back to the camera guy, pouted her pouty lips, and made a Shh gesture.
I paused the video to text Glenn.
Do you know that Kennedy Monroe took a camera crew to Stapleton’s house???
Yes. This is old news. It’s being handled.
I sent a few more texts—What the hell? Who let this happen?—but when Glenn didn’t reply, I switched back over to finish watching:
Jack’s door swung open, and out stepped the man himself.
Barefoot. In his Levi’s. And his favorite flannel jacket over a T-shirt I’d last seen wadded up on the bathroom floor.
Just the sight of him—even phone-sized and made of light pixels—sent a buzzy pleasure cascading through my body.
“Whoa! Hey!” Jack said, as Kennedy Monroe arched herself into a hug that somehow made her seem like a Siamese cat. Was it the way she stuck out her ass and pressed her underboobs against his torso? Or the way she rubbed against him like she was marking her territory? Or the way she purred?
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133 (reading here)
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178