Page 160 of The Altar Girls
‘My mother didn’t deserve any respect. You’re good at making up stories, and that old lady is as batty as they come.’
Lottie figured Phyllis Maguire was saner than the woman sitting in front of her. ‘That confirms you do know Father Maguire’s mother.’
Zara squeezed her lips shut.
‘We’ve been to your workshop.’ Lottie hoped that by flipping around different topics, the woman might inadvertently let something slip or make an admission.
‘I’m sure they came off a production line. It’s not like a one-off, is it? And what has my workshop got to do with a shitty, substandard rosary?’
‘It’s where you work. Where you now make shitty, substandard pottery.’ She couldn’t help herself. Zara had crawled under her skin, pulsing there like an abscess.
‘You have some cheek. For my pottery, I work with clay, a product of the earth. I admit I’m new to the process, but we’ve been gifted this land to cultivate without destroying it. I do my best to be sustainable—’
‘Stop the sermon, Zara. There’s a team of SOCOs presently combing your workshop, inch by inch. They’re paying particular attention to that small fuel-burning kiln you have installed there.’
‘So what? I couldn’t afford a new-fangled electric one.’
‘You were struggling financially and still installed it. What do you burn in it?’
‘Wood.’
‘Anything else?’
‘What do you mean?’
‘Doesn’t matter.’ Lottie flashed a sweet fake smile. ‘We will find what we’re looking for.’
‘I don’t understand. It’s where I work, that’s all. It’s nothing more than a shed. All I can afford. There’s nothing there to interest you.’ Zara shook her head frantically, as if trying to dislodge a thought. ‘Why aren’t you arresting that priest for killing my daughter? That’d be more in your line.’
Ignoring the comment, Lottie said, ‘It’s hard to burn buckles and zips. They’re not made from sustainable materials.’
‘You’ve lost me.’
Her face told a different story. Lottie had her rattled.
‘Willow and Naomi’s school bags had buckles and zips.’ She let the sentence float in the air and concentrated on Zara’s body language. The woman had stiffened, her shoulders rigid. The only part moving was her eyes. They shot to the door and back to Lottie and Kirby.
‘It was the priest.’ Her voice was low, before it swelled with each word she uttered. ‘It was Keith Maguire.’ She paused, as if realising Lottie was no longer buying that. ‘Or the boy. Didn’t Alfie Nally take another child? He’s troubled. Or maybe even Ruth Kiernan. She beat her kids, didn’t she? And her husband was sent to jail. A dysfunctional family. It must be her.’
‘It can’t be everyone, Zara,’ Lottie said softly. ‘I think it was you.’
95
Martina peered in through the slot in the holding cell door. Julian Bradley was standing in the corner, facing the wall, his hands behind his back, as if he was a statue made of granite.
She sensed movement at her shoulder and turned to find McKeown there.
‘He didn’t kill those two girls, did he?’ she asked.
‘I don’t know, but the boss and Kirby came back with Zara Devine. Seems Harper was drugged and is gone to hospital. Father Maguire, too. He was allegedly struck with a hammer.’
‘Really?’ Martina tried to get her head around that. ‘Naomi’s post-mortem stated she was hit with an implement that might have been a hammer.’
‘I know. And now this.’
Detective Maria Lynch joined them in the cold, narrow corridor. ‘I can’t believe it, Martina. You and I were in the Devine house and never considered Zara could have harmed her own child, let alone another. I put her fluctuating moods down to grief.’
Quick steps sounded on the stairs behind them. Garda Lei rushed over. ‘The boss wants Bradley upstairs for an interview.’
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160 (reading here)
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170