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Story: Saltwater
Helen Lingate
Now
Money is my phantom limb. It was part of my body once. I know this because I feel its loss like an ambient current that runs up my spine, an occasional, sudden shock. Money is metabolic, a universal part of our constitution. Lorna taught me that.
Before her, I didn’t have the vocabulary for money. I changed the subject, I demurred, I shifted my weight, brushed my hair behind my ear, smiled. I twisted the Cartier bracelet on my left wrist again and again until the skin turned strawberry.
What I’m saying is, I lied.
Money has always made me uncomfortable, both having a lot and not enough.
That ends now. I saw how heavy the bag was when Lorna lifted it. Bulky with our cash. I still don’t remember whose idea it was. Hers or mine, it doesn’t matter. After today, we’ll whisper the story to each other like an incantation. Do you remember? They never knew. Then, I hope, we will laugh.
Good stories are like that. They become a reflex, as automatic as breathing. I know this because my body was built—bone by bone—out of stories like that.
Stories about money.
They were also lies.
Every week my father recited them to me, their outlines as familiar as my own hands. That my great-grandfather had struck oil while prospecting for gold. That it had happened not far from our house in Bel Air. That the exact site had been paved over but was near the intersection of Glendale and Beverly Boulevards.
My great-grandfather never wanted the oil. That part, my father emphasized, was a mistake. All he wanted was gold. What he got was better: property, mineral rights, imported hand-painted French pillows. A name—Lingate.
What a mix-up! A surprise! A moment of aw-shucks luck. It could have happened to anyone. That’s America’s promise—that it still could.
It’s a good story, right?
But even in my childhood, the contours of the lie were visible. The landscape of that Los Angeles couldn’t be occupied by mortals. It was prelapsarian—tangled bean fields and sweet orange blossoms, oil running like foamy soda up to meet the derricks, streams that could still be panned for gold.
In college, I learned the truth. For twenty years they kept it from me. I don’t blame them. To us it was more than a story; it was a myth. Our own family heirloom. We passed it down the way some families hold on to a piece of silver, insisting to each subsequent generation that it’s early American. Maybe forged by Paul Revere himself. A sign of the family’s ancient, unshakable commitment to the Revolutionary cause. They show it off at DAR luncheons, they’re a Mayflower family. Only later, when they go to sell it, do they discover it’s from the nineteenth century, a reproduction.
In the end, it’s just a story.
The truth was, my family had swindled their way into the largest oil lease in California—the Wilson Oil Field—at the dawn of the twentieth century. We had done so by promising the original leaseholder, a wildcatter’s widow, that the family would split the profits if oil was found in the first five years. Five years and one day later, the first oil derrick was drilled.
She sued, but lost.
You can understand why they preferred the story.
These days, it’s rare anyone thinks about the oil. Instead, it’s the events that happened on this island thirty years ago that get top billing. My mother’s death. Whether or not my father got away with her murder. My family resents that she tarnished their myth, that they can’t polish her blood off their silver.
But I’m grateful. Because it’s her story I can use. After all, shouldn’t I be able to profit from family stories, too? Isn’t that a fair exchange for never having known her, for being back on this island, in this villa, every anniversary of her death?
I think so.
My phone tells me it’s noon. Anywhere else, noon might be considered late, but not here, not on Capri. My tongue is thick, my vision jumpy in the sunlight. It’s my hangover, cresting, punishing.
I pull back the sheets and swing my legs over the side of the empty bed. I only remember pieces of last night. The sheets tangled around our legs, Freddy’s back slick with sweat. He went directly to the pool this morning; I heard the splash.
I make it to the bathroom, where I cup water in my hands and slurp it until, unsatisfied, I drop my head and drink directly from the tap. I brush my teeth, scrub my face, and examine the creases my pillow has left on my skin. With one last glance in the mirror, I slip into the hallway and walk toward Lorna’s room.
She’s still asleep, I’m sure. Her night tumbling into day, the sun barely up when she returned to Capri. I press the door open. Just a crack. It’s enough to see that her sheets are still pulled tight, unmussed by the weight of a body, a tangle of hair.
I step into her room. It’s full of midday sunshine, the curtains never closed. The bathroom sink—I check that, too—never used the night before. There is no evidence of her, of Lorna. Her absence so total that, for a minute, I doubt she ever came with us at all.
I tell myself it’s only a delay. That she’ll be back soon. That I’m wrong. That the story she told me, the story we told each other, was the truth. It wasn’t a lie.
But then, I know all about stories. And lies.
Table of Contents
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- Page 2 (Reading here)
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