Page 52 of Married in Michigan
Liam opens a door, Paxton ushers me through first and follows me inside. The noise from outside is immediately silenced, a hush from within the condo building’s foyer falling over us. I get a sense of brightness and airy elegance, and then we’re on a wood-paneled elevator, Liam on one side of me, Paxton on the other.
I look up into Liam’s eyes. “Hi,” I say, inanely.
He smirks, a ghost of a curve touching his lips. “Good afternoon, Miss Poe.”
I roll my eyes and shake my head. “Call me Makayla, please.”
“As you wish, ma’am.”
I snort. “It’s like that, is it?”
Liam glances at Paxton, who just shrugs, lifting his palms facing up. “Doesn’t have to be, I guess.”
I smile at him, now. “Better.” I eye him. “Did you go to British Butler School, too?”
Liam arches an eyebrow. “Nope. I went to Iraq, by way of the United States Marine Corps Reconnaissance Training Company.”
“Oh.”
Paxton leans toward me, speaking in a stage whisper. “That means he made bad guys go bye-bye real good.”
I glare at him. “Wow, Paxton, thanks so much for that translation. Whatever would I do without you?”
“Just trying to be helpful.”
The ride is brief, and then the doors open to a short, wide, white-carpeted hallway with a single door at the end. Liam uses a keycard to open the door, preceding us both inside—Paxton waits until Liam returns with a signal which apparently means all is clear.
Liam waits with his back to the open door, and Paxton leads me in to what I assume is a penthouse condo.
White marble floor with gold veins glittering through it, white tray ceilings golden with hidden lights, art lining the walls, each piece lit from above. An elegant, arching, polished wood bench here, more art than furniture. A glimpse through open French glass doors into a masculine study: huge dark wood desk, stuffed-to-bursting bookshelves lining three walls, a deep leather chair in a corner with a polished bronze floor lamp, a paperback novel upside down on the cushion, waiting to be picked back up. The foyer/hallway opens to a formal sitting room opposite the study, the sitting room occupied by a grand piano, music books in several layers on the music rack, a shelf behind the piano stuffed with more sheet music and books, the fall lifted to leave the black and white keys exposed; unexpected, that piano, and even more unexpected is the evidence that it is used and is not merely decoration.
Beyond the study and sitting room is an open-plan kitchen and living room, a hallway off the living room leading to the bedrooms. Floor-to-ceiling windows and sliding doors form one side of the space, overlooking the river, and outside is an expansive flower garden terrace and outdoor living area.
I stand in the transitional space between the kitchen and living room, turning in a slow circle, examine the condo; it’s masculine but not aggressively so, warm and inviting, lived-in but luxurious, expensive but not gaudy.
My first instinct is to put on gloves and start cleaning, even though it’s already clean—it’s just not spotless to Camilla’s Beach by deBraun standards.
My second instinct is to stop breathing and wonder what the hell I’m doing in a place like this.
Paxton stands beside me, drapes an arm casually over my shoulders. “Welcome home.”
13
Idon’t know where my duffel bag is—so many people have carried it for me at this point that I’ve lost track of where it is.
Is Washington DC in the same time zone as Michigan?
Where will I sleep? Does he expect me to sleep with him?
Do I want to?
He’s a man, and one with a media-verified high-octane libido, so if he’s not expecting me to sleep with him he’s at least hoping to and probably looking for ways to make it happen.
The second question is trickier. Do I want to sleep with him?
Maybe.
No.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52 (reading here)
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106