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L ooks like we’ve started up a food swap too.

’ Kenzi nods to where Enrico has set a tray of supplì next to Ren’s fusion snacks.

The breadcrumb-coated rice balls, filled with melty mozzarella, look crisp and golden as if they’ve just been fried.

My mouth waters as Enrico splits one open, releasing a wisp of steam that curls upwards, spreading its savoury aroma.

Ren has outdone himself too, adding pancetta-topped mini quiches and tempura-batter mozzarella sticks with a soy dipping sauce to the table.

People of all ages and backgrounds have gathered to practise their language skills – some for an upcoming holiday, some hoping to connect with family abroad, and others just wanting to meet new people and try something different.

But it feels like the end of a fireworks display – one last, bright burst of colour before everything fades to black.

And I can’t help thinking that image fits me and Giulio too. ..

We’ve gone from being a heartbeat away from sharing a kiss, to being at opposite ends of the bar. He hasn’t looked my way all evening. As soon as he got back, he parked the Vespa and got straight to work. But it’s as if his mind is on something – or some one – else.

My own thoughts circle back to Pasquino – before Giulio got that phone call, before I saw him with Flaminia.

I fell for you, but I didn’t tell you. And now it’s too late.

I could have written that misplaced note. Well, not in the same handwriting – Isla says mine looks like I’ve chucked spaghetti at the page – but the words, they could have been mine. I fell for you. Too late.

Like the bar, I thought we had more time. But he has Flaminia now. She’s already going for Vespa rides. Will he take her to meet Nina, too?

I need to know. Even if it hurts. Even if it confirms my fears.

Tomorrow’s transport shutdown surfaces in my mind, and I latch on to it.

‘I’ve been thinking about that strike. Should we leave early tomorrow? Traffic will be jammed and you know what Nina’s like about lunch.’ There. Casual. Not the slightest trace I’m a disaster inside.

‘Sì, lo so ...I know, but I might have stuff to do tomorrow.’ Giulio fills the portafilter with ground coffee and presses it down, not once meeting my eye.

‘Oh.’ I pick my heart up off the floor. ‘Something important?’

‘Just...something.’ His voice is bland as he concentrates on the four espressos he’s making at the same time.

It’s been an emotional day already, with all the secrets finally coming out. Now there’s a new one. Only maybe this isn’t a secret...maybe it’s just none of my business.

I need a reality check.

And I know exactly where to get it.

It’s a few hours before the bar empties and we close for the night, but just seeing Isla’s face pop up on the screen drags me out of my slump.

Although I am surprised by the backdrop.

Instead of the cattery’s calming neutral tones, or the clothes piles that ‘decorate’ Isla’s bedroom, there’s noise and music and people jostling into her.

I must be frowning because she rolls her eyes. ‘Don’t tell me you’ve forgotten what Edinburgh’s like at this time of year?’

She flips the camera around to show me a woman juggling fire, hula-hooping and balancing a unicycle on a traffic cone – all at the same time.

‘Of course!’ I slap the proverbial hand to my forehead. ‘The Fringe Festival!’

Isla’s off screen but I hear her mutter, ‘AKA a whole month of crowds, chaos and questionable street performances.’

I’d completely forgotten about the arts festival that grips the city centre in August – the street performers, the temporary stages, the people who come from far and wide to see it.

But this must be why Piazza Navona felt so familiar today.

The buzzing energy, the mix of locals and tourists, the crazy creativity of the performing artists.

Isla’s face comes back into view, a smudge of dark lipstick (or chocolate?) across her cheek. ‘What’s up with you?’

I can tell she’s heading for a quieter spot, and I hesitate. ‘I can call tomorrow if you’re out-out.’

She tips an oversized ‘sharing’ pack of chocolate buttons towards her mouth. ‘I’m battling my way home,’ she says around a huge mouthful. ‘You can keep me company. Spill.’

I tell her everything – about the language swap’s success that’s too little too late, and the whole Flaminia situation...basically, a double-whammy of failure. ‘...so yeah, maybe Ma’s right. I’m just the cliché foreign girl on holiday in Italy, thinking I’m somehow more than that.’

‘Aw Liv, I wish I was there right now...’

I smile, small and sad, thinking how much I’d like that too.

Then Isla finishes her sentence. ‘So I could slap some flipping sense into you.’

Er . . . What?

‘Just talk to him,’ she groans. ‘Or text him or something.’

‘I . . . er . . . don’t have his number.’

Isla closes her eyes for a long moment. ‘Oh Liv, have I taught you nothing?’

‘He’s always been right here,’ I say in my defence. ‘At the bar, at the hospital, right next door. I hated it in the beginning, remember? He was always around, always underfoot, like I couldn’t escape him even if I tried.’

Wow. I’ve gone from trying to push him away to desperately wanting him around even more. Now, the thought of him being absent, of him not being part of all this, makes me ache all over like I’ve got...I don’t know...love flu, or something.

‘OK, fine.’ Isla sighs dramatically, then grabs two chocolate buttons and sticks them over her eyes. ‘Pretend I’m Giulio.’ She lowers her voice, putting on an exaggerated Italian accent. ‘Livia...my love...tell me how you feel.’

‘Ommioddio , you are ridiculous.’

Isla tosses the chocolate buttons in her mouth. ‘I’m serious. Just talk to him, Liv. You’re not some cliché. You’re you. And that’s enough.’

Someone in a shiny silver bodysuit with disco-ball antennae approaches Isla with a collection bucket. The screen goes all blurry as she digs out a few coins. But something has just become very clear to me.

I might be at a loss when it comes to Giulio, but I know what to do about the bar.

My heart races as the idea forms, piece by piece.

Isla’s watching me curiously. ‘What’s that weird face for?’

‘I know how to help the bar. And I only need one day to do it.’

Which is good. Because one day is all we have.