Page 266
Story: Lilith: Origin of Succubi
When Mimi and I finished up in the art store we headed back to the Ruby Vixen and spent the rest of the day with Bella drawing on the roof. It was interesting to see how different their tastes in art were. Bella was most intrigued by color and gravitated to the colored chalk we had purchased, while Mimi was much more invested in the technical drawing skills I used for cartography. It was nice to spend some time with both of them while working on our new mutual hobby. I had invited Morrigan and Torien as well, but both of them were still busy training their new succubus powers. Understandable.
I looked over some of the drawing exercises I had given Mimi to practice. Her skill with perspective drawing and rotating forms was a bit frustratingly good. I couldn't help but be a little jealous. She had a strong intuitive sense of three-dimensional space and didn't have any trouble at all with some of the most technical parts of drawing. Her issues had more to do with fine motor control, an honestly much easier problem to fix. Mimi had an excellent memory, something approaching photographic even, but that only seemed to frustrate her more when she struggled to draw the lines as neatly or as straight as they appeared in her mind's eye.
Snap! Mimi pouted while looking down at the quill she had snapped in half, the third one since we had started. She glanced at Bella. "Why can't I practice with the chalk?" she asked.
I patted her shoulder. "Because doing it in ink is harder. It doesn't need to be perfect, Mimi. You're already improving."
She sulked. "But you said that the clockworks need high amounts of accuracy. This is taking forever."
I laughed. "Mimi, no one learns to draw in a day. I'm actually really impressed with where you are already. Your lines aren't too straight yet, but that will improve with time. Your grasp of form is so good that it more than makes up for it. I suspect you may already be better at that than I am..." I admitted.
"You don't get to complain, Mimi! Mine looks way worse than anything you're doing!" Bella said with a huff. She had gotten quite frustrated too. I think she bottled it up last time when we compared the two landscapes we drew together, but this time she was trying to compete with Mimi as well, which was frankly unfair.
"Why are all these pens so fragile?..." she said before sticking the broken quill in her mouth and swallowing it. The sight was a bit creepy even if I knew it wouldn't hurt her.
"I think it's good practice for you, Mimi. You probably need to learn how to better control your strength if you keep breaking those quills..." I told her.
Mimi didn't respond, her ears just wilted on her head.
I clapped. "I think we need a change of pace. Let's do something different for a while. How about this, Mimi, why don't you draw something for us... like that bird over there! Visualize the form but only draw the silhouette if you can."
Mimi frowned but she pulled out another quill and began to draw on a fresh sheet of paper.
I then turned to Bella. "Alright, when she finishes that, I want you to color it using your chalk. For now, just observe the bird and try to imagine the colors you want to break it into. For now, just pay attention to the light and the shadows and how that affects the color."
"Okay..." Bella responded glumly before staring at the bird on the nearby roof. Luckily for us, the bird was mostly standing still, just looking down at the people below on the street.
"Will the chalk show up on the paper okay?" Bella asked.
"It's not ideal but the paper is a bit more tan than white, so it should show up well enough," I replied.
I looked over at Mimi, who was very focused on her task. She had already stopped looking at the bird and was primarily focused on the edges of her linework.
"Simplify it, Mimi. It doesn't need to be an exact copy. Try to get the shape of it using larger sweeping lines. Don't fixate on the details."
"But..." Mimi was conflicted but quickly gave up and started focusing on the longest lines of the image rather than the small, minute details. It gave the drawing a fascinating look though. I could see that the more intricate linework in one spot accidentally created a lot of contrast in the initial part of her drawing, which happened to be right where the head was, thankfully. It was an accident that would improve the image. When she finished she handed the paper to me.
I looked down at it carefully. "We need to let this dry a little. This paper isn't bad for ink, but we don't want it to smear when Bella gets started."
"You really want me to draw over Mimi's drawing? I don't want to mess it up..." Bella said hesitantly.
"Mimi, how do you feel about this drawing?" I asked.
"I don't like it," Mimi replied, verging on annoyed.
I laughed and turned to Bella. "See, she doesn't like it anyway. Just try and give it a shot. Let her lines help guide your colors."
When I was pretty sure the ink was dry, I placed the sheet of paper in front of Bella. "Remember, this is chalk. You can blend the colors a little but you can't really put the chalk down in coats. Start with the darkest colors and work your way up. It should be easier to blend the lighter colors if you put them on top."
"Okay, I'll try." Bella glanced at Mimi before taking a breath and working on the shadows of the image first. While Bella wasn't quite as intuitively gifted at drawing, she did have a good sense of color and what looked nice together. I didn't need to spend a ton of time explaining color theory to her. She seemed to have a good grasp of the idea of it already. It was helpful because Mimi has trouble distinguishing values from each other. It made me wonder if this was an experience thing or if she literally couldn't see the difference between some shades because of a difference in her vision. I decided not to delve down that rabbit hole for now but it bears some experimentation later.
As Bella worked, Mimi became more interested in the drawing and a lot of her pent-up frustration eased. Bella's application of the chalk was a bit messy, but next to Mimi's clear black outline, it gave the image a pretty interesting contrast. Bella had chosen pastel colors which made the shadows more muted, but it gave the drawing a light, airy feel to it. Once she had put down the primary colors, she switched to a brush to mix them. You couldn't go crazy with blending using chalk but you could still get some interesting looking stuff from it. Bella and I had continued to draw together occasionally since I first bought the chalk for the two of us, so Bella had an idea of what she was trying to do.
Eventually Bella finished and pushed it over to Mimi to look at. Mimi's eyes had gone wide and she was intently staring at the drawing. It was a little cute to see her so fascinated by it. The mixture of mediums gave the drawing an intriguing look. Most of the pose had been decided by Mimi and whether on purpose or by accident, the bird ended up in a very regal pose. Bella's color choice made the drawing come alive and contrasted well with how flat the pose may have looked otherwise. Bella wasn't confident in drawing so she left the details simple. Most of the image was expressed in simple light and shadow. There are parts where both of the two could improve, but I think the drawing came out well, especially since neither of them had tried to do something like this before. The final result looked like more than the sum of its parts.
Mimi just continued to stare at it in silence for almost an entire minute before Bella decided to hesitantly ask her about it.
"So... Do you like it?" She asked.
Mimi blinked and looked up from it with a huge smile. "I love it... I didn't think my ugly lines could turn into something so pretty... Thank you, Bella."
Bella smiled and sighed in relief. "I don't think your lines are ugly. I know they're not as good as you want them to be yet, but I thought they were great."
"Now it's time for the most important part! Signing your names," I said.
Mimi dipped her pen in ink and carefully wrote out her name near the corner. It was the first time I had seen her attempt to write in ink since we found out she was overthinking her reading and writing, but after her drawing practice her lines were neat, if a little basic. She didn't have much of a signature yet. I'll talk about that with her later. Bella followed up but decided to sign her name in the chalk, which made it clear who was responsible for each part.
"Now what?" Mimi asked me.
I smiled. "That's it, but I can do one more thing if you'd like. I can use some ritual magic that will protect the picture from smudging over time. You'll still need to treat the image carefully, but you won't have to worry about anything rubbing it away."
"Okay! Do it!" Mimi said enthusiastically.
"Alright, give me a second." I began to cast some magic I had been working on for a while. I hadn't been able to find any proper fixative for charcoal anywhere and that's what most of my art had been done in so far. After drawing that image for Morrigan and Torien in ink, I've been working on something that could protect any art I draw using mediums that are more prone to being smudged away, like charcoal and chalk. I had tested it on some of my other work, so I was confident that it could be used here.
A thin sheet of magic spread from my fingers over the drawing. I carefully applied a perfectly clear waxy substance that would dry and harden into something somewhat like lamination. I had no idea where the people had found a dungeon with something like this in it, but after a lot of tweaking and experiments, I had been able to come up with this ritual magic. I'm sure people might argue that my time could have been better spent doing something more worthwhile, but preserving artwork like this was important to me. The waxy substance quickly hardened like a clear resin and the magic settled enough for it to be 'dry,' so to speak. I ran my finger over one edge of the drawing to test it, and it felt perfectly smooth as it should be.
"There, finished," I said, presenting the paper to Mimi.
"I love it... It's beautiful." Mimi smiled and turned to Bella. "This was something we made together..."
Bella stood up and wiped the chalk from her fingers with a towel before coming over to give Mimi a hug. The two of them working together on something like this turned out to be a lot more meaningful to Mimi than I had expected. I thought it would be a fun way to take advantage of each other's strengths, but I was caught off guard by how touched Mimi ended up feeling from this. She certainly had some uncommon weak spots.
I considered looking for a frame to protect their first collaborative drawing, but I don't think those exist here yet. Frames probably existed, but likely not the kind that had glass to protect their art. I just had to hope that Mimi's spatial magic and the 'lamination? fixative?' ritual would keep the picture safe.
"You hold onto it, Mimi. Make sure to keep it safe when you're not looking at it," I told her.
She nodded. "I will! I'll treasure it!"
I patted Mimi on the shoulder. "You'll get better as you practice your technical drawing. It'll just take a little time. You're already learning really quickly. In the meantime, you should do more work like this, either on your own or with Bella. Doing little projects like this will keep you interested in drawing. Maybe you should even show Bella a thing or two?"
"Sure! Let's do more stuff like this together, Bella!"
Bella giggled. "Sure, dear. I had fun doing it. It was a bit stressful though... I didn't want to mess up your lines."
Mimi looked away from Bella's face and stared at the picture again. "I can't believe you turned something I didn't like at all into something so pretty. Even if I did like them, I think I would still like this more because we worked together on it." Mimi shook her head. "We should do more stuff like this. Even if you could mess up my lines, it would be worth it to try."
"Okay, let's work on art together again sometime... Lilith might need to show me how to do that preservation ritual though. I don't know her light scribing spell, so I'm a little scared to see how intricate the actual ritual circle is."
I scratched the base of my horn. "I think I can figure something out. But for now, let's go back inside. The sun's going down."
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160
- Page 161
- Page 162
- Page 163
- Page 164
- Page 165
- Page 166
- Page 167
- Page 168
- Page 169
- Page 170
- Page 171
- Page 172
- Page 173
- Page 174
- Page 175
- Page 176
- Page 177
- Page 178
- Page 179
- Page 180
- Page 181
- Page 182
- Page 183
- Page 184
- Page 185
- Page 186
- Page 187
- Page 188
- Page 189
- Page 190
- Page 191
- Page 192
- Page 193
- Page 194
- Page 195
- Page 196
- Page 197
- Page 198
- Page 199
- Page 200
- Page 201
- Page 202
- Page 203
- Page 204
- Page 205
- Page 206
- Page 207
- Page 208
- Page 209
- Page 210
- Page 211
- Page 212
- Page 213
- Page 214
- Page 215
- Page 216
- Page 217
- Page 218
- Page 219
- Page 220
- Page 221
- Page 222
- Page 223
- Page 224
- Page 225
- Page 226
- Page 227
- Page 228
- Page 229
- Page 230
- Page 231
- Page 232
- Page 233
- Page 234
- Page 235
- Page 236
- Page 237
- Page 238
- Page 239
- Page 240
- Page 241
- Page 242
- Page 243
- Page 244
- Page 245
- Page 246
- Page 247
- Page 248
- Page 249
- Page 250
- Page 251
- Page 252
- Page 253
- Page 254
- Page 255
- Page 256
- Page 257
- Page 258
- Page 259
- Page 260
- Page 261
- Page 262
- Page 263
- Page 264
- Page 265
- Page 266 (Reading here)
- Page 267
- Page 268
- Page 269
- Page 270
- Page 271
- Page 272
- Page 273