Page 8 of Bride of Vengeance
The real Ghost isn't the monster you've been chasing. He's the shadow who's been protecting your investigation from interference, eliminating obstacles before they could derail your progress. Every time you got close to a breakthrough, every time a witness decided to talk, every time evidence mysteriously appeared in the right place at the right time - that wasn't luck.
That was family taking care of family.
Because Mariana Castillo isn't just the federal point person for the legitimacy project. She's the bridge between Mila's new world and the one I've been operating in for decades. Her success means Mila's safety. Her failure means everything Alexei has built falls apart.
Which is exactly what Pavel wants.
She must be trying to decide whether to trust her instincts or her training.
Choose wisely, little wolf. Both our lives depend on it.
My reflection stares back at me from the dark glass—silver hair, dark eyes, the face of a man who's spent fifteen years learning how to disappear. But for the first time since I became Ghost, I'm not sure invisibility is going to be enough.
Because this isn't just about my reputation or Pavel's revenge.
This is about the woman who looked into my eyes tonight and saw something worth saving, even when she thought I was her greatest enemy.
And I'll be damned if I let Pavel Volkov destroy her the way he's tried to destroy everything else I care about.
The hunt is about to begin in earnest.
And this time, I'm not the only prey.
Chapter three
Hunting Ghosts
Mariana
My apartment feels like a war zone, which is fitting since I just survived one.
I stand in front of my kitchen island, staring at the wall I've constructed over the past two years. My "Ghost wall," as I've come to think of it - an obsessive collection of photographs, maps, newspaper clippings, case files, and red string connections that would make a conspiracy theorist proud.
Twenty-three months and sixteen days of my life reduced to pushpins and police tape.
How the hell did he know the exact timeline?
I reach for the coffee mug that's been sitting cold and forgotten since I stumbled home this morning, my hands still shaking from smoke inhalation and something else I don't want to examine too closely. The bitter brew tastes like ash and regret.
Three walls of my kitchen are covered in Ghost's greatest hits. Crime scene photos from the seventeen confirmed kills I've been able to connect to him. Maps showing the geographic pattern of his movements. Financial records of his targets. Psychological profiles I've spent countless sleepless nights developing.
And in the center of it all, a single question written in red marker:WHO IS GHOST?
Well, now I know. Sort of.
Silver hair, dark eyes, face like a fallen angel who's seen too much of hell. Voice like whiskey and winter nights. Hands that could probably kill me in a dozen different ways, but instead traced my cheek like I was something precious.
Jesus, Mariana. Get it together.
I pull the first photo from the wall—Ghost's first confirmed kill. Marcus Antonov, a mid-level enforcer who'd been skimming money from his family's operations. Found in his apartment with a single gunshot to the head, execution-style. Clean, professional, no evidence left behind except the signature calling card.
Except... looking at it now, something bothers me. The methodology feels different from the more recent kills I've been analyzing. More respectful. More precise.
I grab my laptop and start pulling up other case files, comparing details I should have memorized by now. My obsession with precision, with cataloging every microscopic detail, should have caught inconsistencies before.
Fuck.
I spread seventeen crime scene photos across my kitchen counter like tarot cards predicting a future I'm not sure I want to see. When I look at them chronologically, a pattern emerges that makes my stomach drop.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8 (reading here)
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124