Page 53 of A Good Girl's Guide to Murder

Pip:

Since then, he’s always been a hero to me. I just can’t believe he did it.

Pippa Fitz-Amobi

EPQ 08/08/2017

Production Log – Entry 5

I’ve just spent two hours researching this: I think I can send a request to the Thames Valley Police for a copy of Sal’s police interview under the Freedom of Information Act.

There are certain exemptions to disclosing information under the FOIA, like if the requested material relates to an ongoing investigation, or if it would infringe on Data Protection laws by divulging personal information about living people. But Sal is dead, so surely they’d have no reason to withhold his interview? I may as well see if I can access other police records from the Andie Bell investigation too.

On another note: I can’t get these things Ravi said about Jason Bell out of my head. That Sal first thought Andie had run away to punish someone and that her relationship with her father was strained.

Jason and Dawn Bell got divorced not long after Andie’s death certificate was issued (this is common Little Kilton knowledge but I corroborated it with a quick Facebook investigation). Jason moved away and is now living in a town about fifteen minutes from here. It wasn’t long after their divorce that he starts appearing in pictures with a pretty blonde lady who looks a little too young for him. It appears they are married now.

I’ve been on YouTube watching hours and hours of footage from the early press conferences after Andie went missing. I can’t believe I never noticed it before, but there’s something a bit off about Jason. The way he squeezes his wife’s arm just a little too hard when she starts crying about Andie, the way he shifts his shoulder in front of her so he can push her back from the microphone when he decides she’s said enough. The voice breaks that sound a little forced when he says: ‘Andie, we love you so much’ and ‘Please come home, you won’t be in trouble.’ The way Becca, Andie’s sister, shrinks under his gaze. I know this isn’t veryobjective detectiveof me, but there’s something in his eyes – a coldness – that concerns me.

And then I noticed THE BIG THING. On the Monday 23rdApril evening press conference, Jason Bell says this: ‘We just want our girl back. We are completely broken and don’t know what to do with ourselves. If you know where she is, please tell her to call home so we know she’s safe. Andiewassuch a huge presence in our home, it’s too quiet without her.’

Yeah. He said ‘was’.WAS.PAST TENSE. This was before any of the Sal stuff had happened. Everyone thought Andie was still alive at this point. But Jason Bell said WAS.

Was this just an innocent mistake, or was he using the past tense because he already knew his daughter was dead? Did Jason Bell slip up?

From what I can tell, Jason and Dawn were at a dinner party that night and Andie was supposed to pick them up. Could he have left the party at some point? And if not, even if he has a solid alibi, that doesn’t mean he can’t somehow be involved in Andie’s disappearance.

If I’m creating a persons of interest list, I think Jason Bell is going to have to be the first entry.

Persons of Interest

Jason Bell

Five

Something felt a little off, like the air in the room was stale and slowly thickening and thickening until she was breathing it down in giant gelatinous clots. In all her years of knowing Naomi, it had never felt quite like this.

Pip gave Naomi a reassuring smile and made a passing joke about the amount of Barney dog-fluff attached to her leggings. Naomi smiled weakly, running her hands through her flicky ombré blonde hair.

They were sitting in Elliot Ward’s study, Pip on the swivelling desk chair and Naomi across from her in the oxblood-leather armchair. Naomi wasn’t looking at Pip; she was staring instead at the three paintings on the far wall. Three giant canvases of the family, immortalized forever in rainbow tinted strokes. Her parents walking in the autumn woods, Elliot drinking from a steaming mug, and a young Naomi and Cara on a swing. Their mum had painted them when she was dying, her final mark upon the world. Pip knew how important these paintings were to the Wards, how they looked to them in their happiest and saddest times. Although she remembered there used to be a couple more displayed in here too; maybe Elliot was keeping them in storage to give the girls when they grew up and moved out.

Pip knew Naomi had been going to therapy since her mum died seven years ago. And that she had managed to wade through her anxiety, neck just above the water, to graduate from university. But a few months ago she had a panic attack at her new job in London and quit to move back in with her dad and sister.