Page 72
Story: The Truth You Told
So, what had it been that had triggered the serial killer waiting beneath his skin?
TRANSCRIPT FROMTHE ALPHABET MANDOCUMENTARY
KATE TASHIBI:Let’s talk about Sidney Stewart.
NATHANIEL CONRAD:Oh, yes please. She was a delight. My first girl.
TASHIBI:Did something happen to make you choose her? For all your other victims, you picked them ahead of time. You learned their schedules and habits, their friends. Sidney was ...
CONRAD:Spur of the moment. Yes, you are correct. First, you have to understand, the girls, they have an aura surrounding them. It’s a golden hue, it’s difficult to explain.
TASHIBI:I think that explains it pretty well.
CONRAD:With Sidney, it was the first time I’d ever seen it. It’s beautiful, it’s transcendent almost. When they die it changes to a soft, shimmery pink before extinguishing altogether. It’s my greatest wish to see that one more time.
TASHIBI:Yeah, I think you’re sold out of luck there, buddy.
CONRAD:No. Sadly not. You have an aura, did you know? I would love to get a knife in you and watch it go pink.
TASHIBI:Cool, yeah. That’s not going to happen. Did Shay Kilkenny have an aura?
CONRAD:She did not. That’s why I didn’t kill her. There’s no pleasure in killing someone without that golden glow.
TASHIBI:All of your victims had it?
CONRAD:Yes. I had no interest in anyone who didn’t. I think ... I think that’s why women tended to like me. I had no predatory intent toward them unless they had the glow. And those girls were few and far between.
TASHIBI:How did you know, that first time that you saw the glow, that it meant you were supposed to kill the girl?
CONRAD:That’s a fascinating question, but I have no answer for you, I apologize. I just ... knew.
TASHIBI:What happened that day? Before you met Sidney.
CONRAD:Are you trying to psychoanalyze me?
TASHIBI:No, I’m trying to tell your story.
CONRAD:I don’t think you are. But the end result will be the same. So. Let me think, I was coming back from Houston. I wanted a change of scenery. I was tired of Dallas. A spot had opened up with their social services office down there.
TASHIBI:How did you feel about working for an office that protects vulnerable people when you were killing women?
CONRAD:I felt fulfilled, believe it or not. I did not have a positive experience when I went through it all after my father murdered the rest of my family.
TASHIBI:Did you not? What was that like?
TASHIBI:Mr. Conrad?
TASHIBI:All right, we can move on from that topic. Back to Dallas. You wanted to leave the city?
CONRAD:I realize now that I was searching for my girls, and they were all in Houston. But at the time I simply felt restless.
TASHIBI:I assume the interview went well since you got the job. Who did you talk with?
CONRAD:Any manner of people. I even met with some of the staff at the hospital.
TASHIBI:And who else?
CONRAD:Like I said, a number of people.
TRANSCRIPT FROMTHE ALPHABET MANDOCUMENTARY
KATE TASHIBI:Let’s talk about Sidney Stewart.
NATHANIEL CONRAD:Oh, yes please. She was a delight. My first girl.
TASHIBI:Did something happen to make you choose her? For all your other victims, you picked them ahead of time. You learned their schedules and habits, their friends. Sidney was ...
CONRAD:Spur of the moment. Yes, you are correct. First, you have to understand, the girls, they have an aura surrounding them. It’s a golden hue, it’s difficult to explain.
TASHIBI:I think that explains it pretty well.
CONRAD:With Sidney, it was the first time I’d ever seen it. It’s beautiful, it’s transcendent almost. When they die it changes to a soft, shimmery pink before extinguishing altogether. It’s my greatest wish to see that one more time.
TASHIBI:Yeah, I think you’re sold out of luck there, buddy.
CONRAD:No. Sadly not. You have an aura, did you know? I would love to get a knife in you and watch it go pink.
TASHIBI:Cool, yeah. That’s not going to happen. Did Shay Kilkenny have an aura?
CONRAD:She did not. That’s why I didn’t kill her. There’s no pleasure in killing someone without that golden glow.
TASHIBI:All of your victims had it?
CONRAD:Yes. I had no interest in anyone who didn’t. I think ... I think that’s why women tended to like me. I had no predatory intent toward them unless they had the glow. And those girls were few and far between.
TASHIBI:How did you know, that first time that you saw the glow, that it meant you were supposed to kill the girl?
CONRAD:That’s a fascinating question, but I have no answer for you, I apologize. I just ... knew.
TASHIBI:What happened that day? Before you met Sidney.
CONRAD:Are you trying to psychoanalyze me?
TASHIBI:No, I’m trying to tell your story.
CONRAD:I don’t think you are. But the end result will be the same. So. Let me think, I was coming back from Houston. I wanted a change of scenery. I was tired of Dallas. A spot had opened up with their social services office down there.
TASHIBI:How did you feel about working for an office that protects vulnerable people when you were killing women?
CONRAD:I felt fulfilled, believe it or not. I did not have a positive experience when I went through it all after my father murdered the rest of my family.
TASHIBI:Did you not? What was that like?
TASHIBI:Mr. Conrad?
TASHIBI:All right, we can move on from that topic. Back to Dallas. You wanted to leave the city?
CONRAD:I realize now that I was searching for my girls, and they were all in Houston. But at the time I simply felt restless.
TASHIBI:I assume the interview went well since you got the job. Who did you talk with?
CONRAD:Any manner of people. I even met with some of the staff at the hospital.
TASHIBI:And who else?
CONRAD:Like I said, a number of people.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118