Page 29

Hyacinthe bites off his last words because we have stopped in front of four doors, all of them of stone with spiraling metal hinges.

But I can’t help finishing the sentence for him, the way I fear it would have gone.What do you suppose the prince is able to do to someone like you?A shudder goes through me, a recognition of a desire that I would have preferred to deny.

Was that how he made everyone feel? No wonder there was always a girl. No wonder Hyacinthe believes Tiernan is wrapped around his finger.

Dvort bows again, gesturing toward the rooms, then gives Hyacinthe a shove to keep moving into one of three branching passageways.

“He stays with us,” Oak says.

“You heardHis Majesty.” Despite the sneer in his voice when he speaks of Oak, Hyacinthe obviously doesn’t want to be taken. He attempts to move around the page, toward the prince. But the silent page blocks his way.

Oak’s hand goes to the hilt of a blade.

“Enough,” Tiernan says, grabbing the prince’s arm. “They want you to break hospitality. Stop it. It shouldn’t hurt Hyacinthe to cool his heels in the queen’s prison for one night. I’ll accompany him and make sure he’s comfortable enough.”

“Unseelie is as Unseelie does,” says Jack of the Lakes with some relish.

I watch them go, panic rising as our party is cleft in two. When I am ushered into my room, I only feel worse.

It is a grim chamber, its walls carved of stone and earth. There is a rough bed in one corner, heaped with blankets and opulent cushions, and hung with tapestries. Each curtain depicts hunted creatures bleeding out in forests of colorful foliage, their bodies full of arrows.

There’s a jug of water and a washbasin on a stand, and a few hooks on the wall. I take a turn about the room, looking for spy holes, secret passageways, and hidden dangers.

The place makes my skin itch. Though it is warm here, and nothing is ice, it reminds me entirely too much of the Court of Teeth. I want to be away.

I sit on the bed, counting to one hundred, hoping that the panicky feeling will pass.

Just as I get to number eighty-eight, Oak opens the door. “I’ve arranged for you to see the royal seamstress.”

My gaze alights on the hollow of his throat just above his collar. I try to avoid his eyes.

Love-talker.

“I don’t want to go.” All I want is to curl up in a corner until we can leave.

He looks incredulous. “You can hardly attend the revel like that.”

Shame heats my cheeks, looking at him in all his finery.

It’s not fair. I am cleaner than I’ve been in weeks. It’s true that there are holes in my dress, the hem is ragged, and there are places where the fabric has worn thin enough to tear. Still, it’smine.

“If you think I will embarrass you, leave me to this room,” I growl, hoping he agrees.

“If you go as you are, it will appear as though Elfhame does not value you, and that’s perilous in the Court of Moths,” he says.

I scowl, unwilling to be reasonable.

The prince sighs, pushing hair out of his fox eyes. “If you remain in this room, Tiernan must stay to watch over you, and he has a hankering to drink the sweet wines and hear the songs of the Court of Moths. Now, up. You can put your old dress back on tomorrow.”

Humiliated, I rise and follow him.

Someone sings an eerie little song on the other side of the seamstress’s door, and I feel the pull of magic, thick clots of it. Whatever is inside has power.

I shoot Oak a look of warning, but he knocks anyway.

The song stops.

“Who calls at Habetrot’s chamber?” comes a whispery voice.