Page 122
Story: The Scarlet Veil
Tears Like Stars
I cry on those steps for so long that my knees begin to ache, that my eyes begin to burn. When my body refuses to shed another tear—wholly spent and exhausted—I shift to sit more comfortably, peering blearily at the street around me for the first time. Though Les Abysses must lie somewhere beneath my feet, this looks like a perfectly ordinary middle-class neighborhood. Modest brick homes line either side of the cobblestones, complete with small yet tidy gardens, and the occasional cat sunbathes in a window. Down the way, a little boy in a woolen coat plays fetch with his dog, but otherwise, the villagers here have already started their day—the men to their desks, the women to their household duties. It’s all very comfortable. Very quiet.
I cannot stand it.
Once upon a time, I would’ve imagined one of these homes as my own. I would’ve dreamed about owning a dog—a yappy little terrier—and a garden, where I would’ve planted roses that climbed around an oak front door, and my sister would’ve lived right next door. I would’ve kissed my husband every day, and together, the two of us would’ve done something worthwhile with our lives—perhaps owned a bakery, a gallery, or just a boat instead. We could’ve sailed around the world having swashbucklingadventures with our dog, or perhaps with our dozens of children. We could’ve been happy.
Life isn’t a fairy tale, Célie.
Sniffling, I huddle against the crisp autumn wind. Though no one strolls past on their morning walk—and no reward signs flutter upon these doorsteps—I cannot remain here forever. Who knows how many people have peered through their curtains and spotted me? Perhaps they’ve already alerted the Chasseurs. Frankly, I wouldn’t blame them; I’m not exactly inconspicuous. Indeed, I feel garish in such bright sunlight—wan and exposed and covered in blood. Like a carcass left to rot in fresh snow.
Perhaps it’syourapproval you’re so desperate to earn.
Like a broken tooth, I bite down on Michal’s words over and over again.Perhapsyouare the one who sees yourself as a pretty doll.He spoke them with such conviction, such impatience, as if he couldn’t hold them in for a second longer. As if he knew me better than I know myself—because that’s what he implied, isn’t it? That I don’t understand my own emotions, my own desires? Shivering slightly, I thrust my stiff fingers into my pockets. Despite the sunshine, I feel colder than usual, uncomfortable in my skin.
I should go back inside. Whatever Michal said about me, I cannot return to my life in West End, andthatI know for certain. I will never own a boat or a rose garden or an oak front door, never live beside my sister. The thought of my father’s smug expression when he realizes I’ve failed—or my mother’s tight concern—brings bile to my throat. I cannot face them. I cannot faceanyone, least of all Michal, yet what choice do I have? Once again, he is somehow the lesser evil, and—andhowdid it become this way?How did I come to choose the company of an arrogant and imperiousvampireto my own flesh and blood?
Says the woman whose sister gave that cross to Babette.
Reluctant, I slide the silver cross from my pocket to examine it once more. It glows near blinding in the sunlight, brighter and clearer than ever before, and if I angle it a certain way—my stomach contracts—itdoeslook like the initials could’ve originally readFT. The curves of theBseem fainter than the other lines. Newer. Just like the additions in La Voisin’s grimoire. My thumb traces the scalloped edges of the cross without truly seeing them. Because how could my sister have owned this necklace? Had sheactuallybeen involved with Babette and this Necromancer, or had Babette stolen the cross from her somehow? My thumb presses harder against its edges. Impatient. Perhaps the FT who owned this necklace wasn’t Filippa Tremblay at all, but someone else. Perhaps Michal doesn’t have acluewhat he’s talking about, forcing him to grasp at straws like all the rest of us.
You don’t know a thing about me.
Neither do you, apparently, if you think sacrificing yourself for those humans had anything to do with them.
Miserable, I move to rise, but at that precise second, my thumb catches on a scallop sharper than the rest. Right along the edge of the horizontal arm of the cross. I glance down at it absently—then gasp. Leaning closer, I stare at the ornate mechanism hidden within the whorls, convinced I must be mistaken. Because itlookslike some sort of—some sort ofclasp, which would mean the cross isn’t a cross at all, but a locket.A locket.Holding my breath, I lift the cross right to my nose. Surely Michal would’ve realized if thecross opened; surely he would’ve seen it as plainly as he saw the true initials, yet... I tilt the cross in the sunlight once more. The clasp is very cleverly hidden, and if I hadn’t felt along this precise edge, I never would’ve noticed it at all.
A fluttery sensation erupts in my belly.
Such a small, hidden compartment would be the perfect place to keep a secret.
Anxious now—mouth suddenly dry—I pry open the little door with my thumb, and a minuscule scrap of parchment flutters onto my lap. My breath hitches at the sight of it. Yellowed and torn, the parchment has been folded to the size of my nail, yet clearly it must’ve been important if the owner wore it so close to their heart. With trembling fingers, I unfold the parchment and begin to read:
My darling Filippa,
It looks like Frost tonight. Meet me under our tree at midnight, and the three of us will be together forever.
Two lines. Two simple sentences. I stare at them as if sheer concentration alone will make them untrue, rereading the words twice, three times, four. The rest of the letter has been torn away, probably discarded. My heart skips painfully every time I see her name at the top, as clear and indisputable as the sky overhead—Filippa.
There can be no doubt now.
This cross belonged to her.
This note—she read it too, held it in her hands, before stowing it inside this locket for safekeeping. Had her lover given her thecross as well? Had he carved her initials into the side and intended them as a promise, like Jean Luc’s ring to me?
Meet me under our tree at midnight, and the three of us will be together forever.
I swallow hard against the lump in my throat. How long did he wait under that tree, I wonder, before realizing she would never come? Before realizing their dream had only ever been that—a dream? And who is this mysterious third person he mentioned?The three of us will be together forever.I frown at that line, the first tendrils of unease unfurling down my spine. Surely he hadn’t meant Babette. Filippa would’ve received this note while alive, so Babette would’ve been too busy caring for her sickly sister to run away with anyone. And why had he capitalized the wordFrost? Indeed, the longer I stare at the letter, the less any of it makes sense.
It looks like Frost tonight.
Frost.I wrack my brain, trying to place the word, but all I can imagine are glittering tufts of grass in the moonlight, perhaps a spire on Filippa’s imaginary ice palace. Had he mentioned the frost to alert Filippa of leaving potential tracks? I snort at the thought—of my mother and father trailing her at midnight, examining her footprints on the lawn—but truthfully, nothing about this is amusing. No, I feel rather sicker than I did before finding the note, and part of me wishes I’d left well enough alone. I refold the letter with cold fingers.
Pippa didn’t want me to know about this part of her life. She must’ve had her reasons, and I—
I didn’t know her at all.
Pressing my lips tight, hunching my shoulders against thewind, I tuck the letter back into the locket, pressing the silver door closed once more. I won’t tell Michal about the note. I won’t tell him anything about Filippa. He’ll want to—to study her, to track her last movements, and what on earth could we possibly find? My sister didn’t kill anyone,wouldn’tkill anyone, and even with this locket as a tenuous connection to Babette and the Necromancer—how could Filippa have known them, really? How could she have worked with them? Morgane killed her before the murders in Cesarine even started.No.I shake my head resolutely, vehemently, and rise to my feet.My sister wasn’t involved in this.
I cry on those steps for so long that my knees begin to ache, that my eyes begin to burn. When my body refuses to shed another tear—wholly spent and exhausted—I shift to sit more comfortably, peering blearily at the street around me for the first time. Though Les Abysses must lie somewhere beneath my feet, this looks like a perfectly ordinary middle-class neighborhood. Modest brick homes line either side of the cobblestones, complete with small yet tidy gardens, and the occasional cat sunbathes in a window. Down the way, a little boy in a woolen coat plays fetch with his dog, but otherwise, the villagers here have already started their day—the men to their desks, the women to their household duties. It’s all very comfortable. Very quiet.
I cannot stand it.
Once upon a time, I would’ve imagined one of these homes as my own. I would’ve dreamed about owning a dog—a yappy little terrier—and a garden, where I would’ve planted roses that climbed around an oak front door, and my sister would’ve lived right next door. I would’ve kissed my husband every day, and together, the two of us would’ve done something worthwhile with our lives—perhaps owned a bakery, a gallery, or just a boat instead. We could’ve sailed around the world having swashbucklingadventures with our dog, or perhaps with our dozens of children. We could’ve been happy.
Life isn’t a fairy tale, Célie.
Sniffling, I huddle against the crisp autumn wind. Though no one strolls past on their morning walk—and no reward signs flutter upon these doorsteps—I cannot remain here forever. Who knows how many people have peered through their curtains and spotted me? Perhaps they’ve already alerted the Chasseurs. Frankly, I wouldn’t blame them; I’m not exactly inconspicuous. Indeed, I feel garish in such bright sunlight—wan and exposed and covered in blood. Like a carcass left to rot in fresh snow.
Perhaps it’syourapproval you’re so desperate to earn.
Like a broken tooth, I bite down on Michal’s words over and over again.Perhapsyouare the one who sees yourself as a pretty doll.He spoke them with such conviction, such impatience, as if he couldn’t hold them in for a second longer. As if he knew me better than I know myself—because that’s what he implied, isn’t it? That I don’t understand my own emotions, my own desires? Shivering slightly, I thrust my stiff fingers into my pockets. Despite the sunshine, I feel colder than usual, uncomfortable in my skin.
I should go back inside. Whatever Michal said about me, I cannot return to my life in West End, andthatI know for certain. I will never own a boat or a rose garden or an oak front door, never live beside my sister. The thought of my father’s smug expression when he realizes I’ve failed—or my mother’s tight concern—brings bile to my throat. I cannot face them. I cannot faceanyone, least of all Michal, yet what choice do I have? Once again, he is somehow the lesser evil, and—andhowdid it become this way?How did I come to choose the company of an arrogant and imperiousvampireto my own flesh and blood?
Says the woman whose sister gave that cross to Babette.
Reluctant, I slide the silver cross from my pocket to examine it once more. It glows near blinding in the sunlight, brighter and clearer than ever before, and if I angle it a certain way—my stomach contracts—itdoeslook like the initials could’ve originally readFT. The curves of theBseem fainter than the other lines. Newer. Just like the additions in La Voisin’s grimoire. My thumb traces the scalloped edges of the cross without truly seeing them. Because how could my sister have owned this necklace? Had sheactuallybeen involved with Babette and this Necromancer, or had Babette stolen the cross from her somehow? My thumb presses harder against its edges. Impatient. Perhaps the FT who owned this necklace wasn’t Filippa Tremblay at all, but someone else. Perhaps Michal doesn’t have acluewhat he’s talking about, forcing him to grasp at straws like all the rest of us.
You don’t know a thing about me.
Neither do you, apparently, if you think sacrificing yourself for those humans had anything to do with them.
Miserable, I move to rise, but at that precise second, my thumb catches on a scallop sharper than the rest. Right along the edge of the horizontal arm of the cross. I glance down at it absently—then gasp. Leaning closer, I stare at the ornate mechanism hidden within the whorls, convinced I must be mistaken. Because itlookslike some sort of—some sort ofclasp, which would mean the cross isn’t a cross at all, but a locket.A locket.Holding my breath, I lift the cross right to my nose. Surely Michal would’ve realized if thecross opened; surely he would’ve seen it as plainly as he saw the true initials, yet... I tilt the cross in the sunlight once more. The clasp is very cleverly hidden, and if I hadn’t felt along this precise edge, I never would’ve noticed it at all.
A fluttery sensation erupts in my belly.
Such a small, hidden compartment would be the perfect place to keep a secret.
Anxious now—mouth suddenly dry—I pry open the little door with my thumb, and a minuscule scrap of parchment flutters onto my lap. My breath hitches at the sight of it. Yellowed and torn, the parchment has been folded to the size of my nail, yet clearly it must’ve been important if the owner wore it so close to their heart. With trembling fingers, I unfold the parchment and begin to read:
My darling Filippa,
It looks like Frost tonight. Meet me under our tree at midnight, and the three of us will be together forever.
Two lines. Two simple sentences. I stare at them as if sheer concentration alone will make them untrue, rereading the words twice, three times, four. The rest of the letter has been torn away, probably discarded. My heart skips painfully every time I see her name at the top, as clear and indisputable as the sky overhead—Filippa.
There can be no doubt now.
This cross belonged to her.
This note—she read it too, held it in her hands, before stowing it inside this locket for safekeeping. Had her lover given her thecross as well? Had he carved her initials into the side and intended them as a promise, like Jean Luc’s ring to me?
Meet me under our tree at midnight, and the three of us will be together forever.
I swallow hard against the lump in my throat. How long did he wait under that tree, I wonder, before realizing she would never come? Before realizing their dream had only ever been that—a dream? And who is this mysterious third person he mentioned?The three of us will be together forever.I frown at that line, the first tendrils of unease unfurling down my spine. Surely he hadn’t meant Babette. Filippa would’ve received this note while alive, so Babette would’ve been too busy caring for her sickly sister to run away with anyone. And why had he capitalized the wordFrost? Indeed, the longer I stare at the letter, the less any of it makes sense.
It looks like Frost tonight.
Frost.I wrack my brain, trying to place the word, but all I can imagine are glittering tufts of grass in the moonlight, perhaps a spire on Filippa’s imaginary ice palace. Had he mentioned the frost to alert Filippa of leaving potential tracks? I snort at the thought—of my mother and father trailing her at midnight, examining her footprints on the lawn—but truthfully, nothing about this is amusing. No, I feel rather sicker than I did before finding the note, and part of me wishes I’d left well enough alone. I refold the letter with cold fingers.
Pippa didn’t want me to know about this part of her life. She must’ve had her reasons, and I—
I didn’t know her at all.
Pressing my lips tight, hunching my shoulders against thewind, I tuck the letter back into the locket, pressing the silver door closed once more. I won’t tell Michal about the note. I won’t tell him anything about Filippa. He’ll want to—to study her, to track her last movements, and what on earth could we possibly find? My sister didn’t kill anyone,wouldn’tkill anyone, and even with this locket as a tenuous connection to Babette and the Necromancer—how could Filippa have known them, really? How could she have worked with them? Morgane killed her before the murders in Cesarine even started.No.I shake my head resolutely, vehemently, and rise to my feet.My sister wasn’t involved in this.
Table of Contents
- Page 1
- Page 2
- Page 3
- Page 4
- Page 5
- Page 6
- Page 7
- Page 8
- Page 9
- Page 10
- Page 11
- Page 12
- Page 13
- Page 14
- Page 15
- Page 16
- Page 17
- Page 18
- Page 19
- Page 20
- Page 21
- Page 22
- Page 23
- Page 24
- Page 25
- Page 26
- Page 27
- Page 28
- Page 29
- Page 30
- Page 31
- Page 32
- Page 33
- Page 34
- Page 35
- Page 36
- Page 37
- Page 38
- Page 39
- Page 40
- Page 41
- Page 42
- Page 43
- Page 44
- Page 45
- Page 46
- Page 47
- Page 48
- Page 49
- Page 50
- Page 51
- Page 52
- Page 53
- Page 54
- Page 55
- Page 56
- Page 57
- Page 58
- Page 59
- Page 60
- Page 61
- Page 62
- Page 63
- Page 64
- Page 65
- Page 66
- Page 67
- Page 68
- Page 69
- Page 70
- Page 71
- Page 72
- Page 73
- Page 74
- Page 75
- Page 76
- Page 77
- Page 78
- Page 79
- Page 80
- Page 81
- Page 82
- Page 83
- Page 84
- Page 85
- Page 86
- Page 87
- Page 88
- Page 89
- Page 90
- Page 91
- Page 92
- Page 93
- Page 94
- Page 95
- Page 96
- Page 97
- Page 98
- Page 99
- Page 100
- Page 101
- Page 102
- Page 103
- Page 104
- Page 105
- Page 106
- Page 107
- Page 108
- Page 109
- Page 110
- Page 111
- Page 112
- Page 113
- Page 114
- Page 115
- Page 116
- Page 117
- Page 118
- Page 119
- Page 120
- Page 121
- Page 122
- Page 123
- Page 124
- Page 125
- Page 126
- Page 127
- Page 128
- Page 129
- Page 130
- Page 131
- Page 132
- Page 133
- Page 134
- Page 135
- Page 136
- Page 137
- Page 138
- Page 139
- Page 140
- Page 141
- Page 142
- Page 143
- Page 144
- Page 145
- Page 146
- Page 147
- Page 148
- Page 149
- Page 150
- Page 151
- Page 152
- Page 153
- Page 154
- Page 155
- Page 156
- Page 157
- Page 158
- Page 159
- Page 160